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Posted: |
Mar 30, 2025 - 5:29 PM
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By: |
Alain P
(Member)
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Me filthy rich? Far from it! I’m a former teacher masquerading as a Human Resources “professional” (emphasis on quotation marks!) for a big company. As a non-manager, I make a pretty standard salary for someone in Japan at my age. The reason I can fly all over the world to see these concerts is simple: my wife works in the airline industry. As a result, I can get plane tickets for dirt cheap. The only problem is that I can’t purchase plane tickets in advance – I’m on standby always, so can only board flights if there are available seats. It’s very risky (as there have been times that I’ve been stuck in an airport), but worth it! My wife is also very understanding of my “hobby,” so she lets me go as long as I minimize my time away and the money I spend, which is why – as much as possible - I forgo hotels and instead sleep in airport lobbies. This means I arrive the day concerts take place, leave right after the concert ends to head to the airport, then sleep (on a chair!) in the pre-security airport lobby while waiting for the first flight home in the morning! But there’s an even more important reason why I go to these concerts: I don’t want to regret not seeing one of my favourite composers conduct or perform in concert. I had opportunities to see James Horner, Jerry Goldsmith, Elmer Bernstein, and Ryuichi Sakamoto in concert but let those opportunities pass by… and as you know, these guys are no longer with us. I still deeply regret not seeing David Shire, Lalo Schifrin and John Scott conduct/perform when they were still young and healthy enough to do so. Having these regrets is what pushes me to go to these concerts. Sure, tickets/hotels can be expensive – but you can always make money again… somehow!
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