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 Posted:   Aug 14, 2022 - 6:40 PM   
 By:   Bob DiMucci   (Member)

British stage and screen actor Philip Voss passed away on 13 November 2020

https://www.theguardian.com/stage/2020/nov/20/philip-voss-obituary

 
 
 Posted:   Aug 14, 2022 - 6:47 PM   
 By:   Bob DiMucci   (Member)

Philip Voss made periodic appearances on British television throughout the 1960s. His first wide exposure in America came in the 1971 BBC miniseries ELIZABETH R, which starred Glenda Jackson as Queen Elizabeth I. Voss appeared in one of the six episodes as King Richard. Roderick Graham directed the production, which appeared as part of Masterpiece Theatre on the U.S. Public Broadcasting Service. A theme from David Munrow's score appeared on a 1982 BBC compilation LP.

 
 
 Posted:   Aug 14, 2022 - 10:46 PM   
 By:   paulhickling   (Member)

Despite being quite familiar with the two sixties Doctor Who's, the first only existing as an audio recording (although one of the most enjoyable reconstructions using photos), it's his turn as the Lord of the Nazgul in BBC Radio's classic Lord of the Rings adaptation I know. Deliciously velvety evil is how I'd describe his voice on that occasion.

 
 
 Posted:   Aug 15, 2022 - 12:03 AM   
 By:   Bob DiMucci   (Member)

Philip Voss made his feature film debut in the 1974 Hammer production of FRANKENSTEIN AND THE MONSTER FROM HELL. The film found “Baron Frankenstein” (Peter Cushing) working with a mental patient (Shane Briant) to reanimate the dead. Philip Voss had a supporting role as “Ernst” in the film.

This was the last of Hammer’s “Frankenstein” films. It was also the final film directed by Terence Fisher before his death on June 18, 1980 at the age of 76. It was the 29th and final Hammer film that he directed. The first was MAN BAIT (1952). James Bernard’s score was released in 2000 by GDI Records as a major part of a Hammer Frankenstein compilation CD. The film was cut by two minutes to secure an [R] rating in the U.S.


 
 
 Posted:   Aug 15, 2022 - 11:05 AM   
 By:   Bob DiMucci   (Member)

MELISSA was a 3-part British miniseries. Peter Barkworth plays “Guy Foster,” a downsized Fleet Street journalist whose wife, “Melissa” (Moira Redmond), turns up dead after a swank party that Foster didn't attend. Foster looks like the culprit: he was known to be fighting with Melissa; a doctor claims to have been treating him for anger issues; people he's never seen before insist they know all about him; his alibi has more holes than a colander. Soft-spoken, square-jawed “Detective Chief Inspector Carter” (Philip Voss) really wishes he could believe Foster, but all the witnesses remember events differently than the harried reporter.

Philip Voss in MELISSA



Peter Moffatt directed the 1974 film. The film didn’t air in the U.S. until 1982, when it was shown on PBS.


 
 
 Posted:   Aug 15, 2022 - 2:52 PM   
 By:   Bob DiMucci   (Member)

In the adventure comedy HOPSCOTCH, CIA agent “Miles Kendig” (Walter Matthau) is grounded with a desk job by incompetent CIA bureau chief “G.P. Myerson” (Ned Beatty). So, the clever Kendig retires and writes a tell-all memoir that will embarrass his bosses, prompting him to go on the run and elude them. Philip Voss received two credits on the film—first as an actor playing a helicopter pilot, and second as a crew member piloting a helicopter. Voss had been in the RAF before turning to acting.

Ronald Neame directed the 1980 film. The film’s score consisted primarily of classical music arranged and conducted by Ian Fraser. The $9.5 million production was a minor box office success, with a $17.4 million domestic gross.


 
 
 Posted:   Aug 16, 2022 - 11:51 AM   
 By:   Bob DiMucci   (Member)

Roger Moore’s contract to play James Bond had ended with the completion of MOONRAKER (1979), but he had agreed to return to the role one more time in FOR YOUR EYES ONLY (1981). Two years later, the producers felt that at 55, Moore was too old to play Bond again. During casting for 1983’s OCTOPUSSY, James Brolin was almost given the role of James Bond, but at the last minute, Moore agreed to play Bond again. The production went with Moore because this film would be competing with NEVER SAY NEVER AGAIN (1983) starring the original and former James Bond actor and legend Sean Connery. The uncertainty in using an American actor in the role and having to introduce a new actor in going-up against Connery were the reasons for sticking with Moore.

The screenplay for the $25 million production was based on two of Ian Fleming’s last “Bond” adventures, published posthumously in 1966. Because they contained no “capers,” and only brief appearances by the protagonist, screenwriters George MacDonald Fraser, Michael G. Wilson, and Richard Maibaum had to create a new story from available source material. “Octopussy,” the short story, provided background for the title character, which was created for the picture, along with her all-female army; “Property of a Lady” inspired the auction sequence in which Bond is sent to Sotheby’s auction house to monitor the sale of a gold Fabergé egg. The auctioneer is played by Philip Voss.




John Glen directed his second consecutive Bond film. John Barry returned to scoring duties, with the film’s soundtrack being released by A&M Records. The most recent release was by Capitol/EMI in 2003. OCTOPUSSY grossed $187.5 million worldwide.


 
 
 Posted:   Aug 16, 2022 - 11:01 PM   
 By:   Bob DiMucci   (Member)

Philip Voss was back in costume again for 1986's LADY JANE, in which he had a bit part as a herald. Directed by Trevor Nunn, the story was based upon English history following the death of Henry VIII. Stephen Oliver's score was released by Quartet in 2017. The $8.5 million production flopped at the U.S. box office, grossing just $278,000.


 
 
 Posted:   Aug 17, 2022 - 11:07 AM   
 By:   Bob DiMucci   (Member)

In CLOCKWISE, John Cleese plays “Brian Stimpson,” a Conservative-leaning headmaster in a public school near Birmingham, England. Organized and effective, he’s feared and admired by his pupils, and chastises those who are late, for lack of character. We first see him rehearsing his speech to the annual headmasters’ conference, which he’ll attend in Norwich at 5PM that day, but life gets in the way. He leaves his speech on the wrong train, missing the right one, and ends up cajoling a pupil (Alison Steadman) into giving him a lift. Stimpson’s wife and the girl’s family fear they are having an affair and give pursuit, as do the police when the master and pupil forget to pay for gasoline. Philip Voss had a small role as one of the headmasters at the conference.

Christopher Morahan directed this 1986 comedy, which has an unreleased score by George Fenton. The £4 million production barely broke even, with a £4.8 million worldwide gross.


 
 
 Posted:   Aug 17, 2022 - 9:43 PM   
 By:   Bob DiMucci   (Member)

Bob Rafelson's MOUNTAINS OF THE MOON was the story of Captain Richard Francis Burton (Patrick Bergin) and Lt. John Hanning Speke (Iain Glen) and their expedition to find the source of the Nile River in the name of Queen Victoria's British Empire. Philip Voss had a small role as “Colonel Rigby” in the film. Michael Small's score for the 1990 adventure was released by PolyGram. The $19 million film was a money-loser domestically, grossing just $4 million.


 
 
 Posted:   Aug 18, 2022 - 11:13 AM   
 By:   Bob DiMucci   (Member)

FOUR WEDDINGS AND A FUNERAL follows a group of long-time friends, all single, who watch and participate over a period of months as one by one those among them step up at last to the altar. Of them all, “Charles” (Hugh Grant) seems the most likely-- and at the same time the least likely-- to be next. Young, handsome, and charismatic, Charles has no problem developing a relationship (he's had a number, in fact, as we learn in one particularly hilarious scene), but sustaining one is seemingly beyond his grasp. Until, at the wedding of one of his friends, he meets “Carrie” (Andie MacDowell), an American, and she quickly enchants him. Philip Voss plays the father of “Laura” (Sara Crowe) at the first wedding.

Timothy Walker, Philip Voss, and Sara Crowe in FOUR WEDDINGS AND A FUNERAL



Mike Newell directed the 1994 comedy-drama. Only a few minutes of Richard Rodney Bennett’s score appeared on the London records song-track CD. The $4.4 million production was a smash hit, with a worldwide gross of $246 million.


 
 
 Posted:   Aug 18, 2022 - 1:56 PM   
 By:   Bob DiMucci   (Member)

On the stage, Philip Voss did a stint at the London Shakespeare Workout, two roles for the Shared Experience Company (in Three Sisters and The Seagull), and played Serebryakov in a West End rendition of Anton Chekhov's The Wood Demon. At the Royal Shakespeare Company during the 1990s, he played Menenius in Coriolanus, Sir Epicure Mammon in Ben Jonson’s The Alchemist, Ulysses in Troilus and Cressida, Malvolio in Twelfth Night, Shylock in The Merchant of Venice, and Prospero in The Tempest. Farewell, Philip



 
 Posted:   Mar 7, 2023 - 5:59 PM   
 By:   First Breath   (Member)

He was great in VICIOUS.

 
 
 Posted:   Mar 8, 2023 - 2:15 PM   
 By:   Howard L   (Member)

I saw Hopscotch in the cinema and was delighted to find a DVD in the local library a few years ago for a re-watch. Underrated comedy with wonderful performances.

 
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