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I've only actually bought five Charles Gerhardt albums, but they're good ones. I think I chose well:
• Max Steiner - Now Voyager
• Franz Waxman - Sunset Boulevard
• Erich Wolfgang Korngold - The Sea Hawk
• John Williams - Star Wars and Return of the Jedi (Sony)
• John Williams - The Empire Strikes Back (Varese)
And also, I'm familiar with tons of his tracks, because on Youtube you can play almost any Gerhardt cue for the price of a commercial. So, tons.
To choose one: the single track that does the most for me is "The Throne Room and End Title" from Star Wars. There's a lot going on in that cue and it all works.
Have you got one track or album that stands out as your favorite?
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Of the four Gerhardt albums I have, the expanded Waxman album is the one I listen to the most. If I had to pick a specific track that stands out above the others, it would have to be the Rebecca suite on the Waxman album.
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I'm pretty sure I have the complete or at least near-complete catalog of his rerecordings. They are ALL superb. He's turned me on to so many scores I never would have given a second thought to for films that, while legendary, I have never seen.
I honestly cannot choose a greatest or favorite. You cannot possibly go wrong with any of them.
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I first heard these records in the mid 70s and the two that resonated the most with me were the Herrmann and the Waxman, not just because of the conducting skill, but the music itself. Those were times when there was no complete Citizen Kane album, no On Dangerous Ground, and so on. Even the selections representing scores that were on album, like Taras Bulba, weren't easy to find. Even today, I still rank those two above the rest.
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The Lee Holdridge album he did with the LSO is quite awesome and tends to get overlooked as well as the compilation of his Reader Digest Recordings that VARESE issued as well.
Ford A. Thaxton
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Just to note another favorite cue, have to call out Prince Valiant at the beginning of the Waxman album. That's just such a perfect little suite.
And I for one am very grateful for the two little bits of The Big Sleep that I think show up on a couple albums.
But I gotta say that it was the extended CD release of The Sea Hawk that first made me fall in love with Korngold.
And I tend to listen to Gerhardt's Return of the Jedi album more than the OST. It's just a great take all around.
Um, that was more than one! 
PS Ford is also exactly right about the Holdridge album.
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