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Posted: |
Jan 22, 2021 - 3:53 AM
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By: |
iain k
(Member)
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This is more a function of how the strings are recorded these days. Methods that put more distance between the players and the microphones are in favour. The resulting sound is warmer, more of a cohesive section with less high frequency detail.
In post production, plug-ins or gear that emphasize the low end are sometimes used, like additive EQ, tape saturation, compression of the bass signal (below ~150 Hz on the Contrabass), etc. However, low pass filtering is not common. On a good set up and mix, in my opinion, the post production tends to be more subtle because the engineer has done much of the heavy lifting with the set-up.
This is especially true of the big scores recorded at the famous stages.
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