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BTW, did Matzler just outright quit FSM a few moments ago? Where's the link to the review and what happened to his profile? Canceled, rather than quit, perhaps?
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Are you sure about that or are Metzler's comparisons based on Bill Wrobel's handwritten transcriptions, which could for all intents and purposes been copied incorrectly? -Erik- Erik, it's the latter. Quartet worked from Herrmann's manuscripts, and I have it on good authority from people who could compare the critical videos with Herrmann's score that it's Bill's transcriptions that are wrong. I also have it on good authority that these supposedly missing bars were emphatically crossed out by Herrmann. I can only guess Bill copied the crossed out bars and thought they were meant to be there when they aren't. Basically, all this nastiness towards Quartet's release is based on a dubious reference point. Cheers
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Gotta say quite a performance from my fellow countryman (I guess, based on the name). Metzler registered today, dropped his 48-page-(!)-opinion (lol?) and vanished into thin air... well. Is it just me, or does it seem that Mr. Metzler was "disappeared" from the board? Normally, there would be a blank space where his post was, but there is none. Vanished! In any case, I don't know why some posters resorted - by default - to personal attacks against this fellow. Granted, a 48 page "review" may seem odd, and he may have had an agenda against Quartet, but I would have been curious to hear the arguments about Endless Night (which I purchased three copies of) pro AND con.
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