|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: |
Oct 1, 2020 - 5:29 PM
|
|
|
By: |
Alex Klein
(Member)
|
Possibly that's what Barry was thinking, but I believe you've just beautifully described why the 007 theme worked so well because we're waiting for the familiar melody to relieve the tension . Though I think how he arranged it is also part of the genius that is John Barry. As a side note, Barry did use the melody in the underwater battle scene, albeit very briefly. In the end, however, he stuck with the rhythmic pattern, including in the climactic fight that sees Largo's death. If you ask me, the 007 rhythmic pattern would fit almost any action scene like a glove, including scenes in the current Bond movies. I can only think Arnold and Newman (and now Zimmer) don't use it because they want to leave their own musical mark in the series. Whether or not they have succeeded doing that is another story, of course. Alex
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|