I've given Max Richter's AD ASTRA a few spins recently while working and it is definitely on this list for me.
Lorne Balfe’s half of the album hits pretty hard too.
For me it’s Goldenthal’s TITUS and Trever Jones’ DARK CRYSTAL. Both films operate in this whole other strange, eclectic, and at times off-putting world, and their scores, even at their most bombastic, do wonders to sell you on it.
