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 Posted:   Nov 13, 2019 - 11:10 PM   
 By:   Molasar   (Member)

Happy 80th Birthday to electronic music pioneer Wendy Carlos. Her film work, beginning with A Clockwork Orange, helped stoke my interest in synthesized soundtracks back when I was a child. I hope she’s making the most out of her apparent retirement from the music industry. Her personally curated and very detailed website hasn’t been updated since 2009. Her albums are now out of print and hard to find. A shame since Ms. Carlos had been so articulate about her craft and worked tirelessly to preserve her music and release as much of it as possible.
Just yesterday I googled the question “whatever happened to Wendy Carlos?” and I came upon this intriguing recent article about her.

https://www.culturedmag.com/wendy-carlos/

 
 
 Posted:   Nov 14, 2019 - 2:53 AM   
 By:   Rameau   (Member)

Happy birthday Wendy. She played quite a big part in my life. After buying the soundtrack to A Clockwork Orange & liking the synth stuff, I bought the albums Switched-On Bach & The Well-Tempered Synthesizer, & that started me on a journey with classical music which I'm still on. I did buy the Switched On-Box Set (CD) some years ago, about £35 in HMV, it costs a fortune now, I don't listen to them very often, but it's good to have them.

There was another synth album of classical music by Hans Wurman (jumping on the bandwagon) The Moog Strikes Bach (RCA), no way near as good as the Carlos albums, but I really liked it, & rather annoyingly it's never been released on CD.

 
 Posted:   Nov 14, 2019 - 5:25 AM   
 By:   LordDalek   (Member)

The greatest mistake Sony Records ever made was selling Wendy Carlos' catalog back to her. The second greatest was selling Chicago's catalig back to them.

 
 Posted:   Nov 14, 2019 - 8:55 AM   
 By:   'Lenny Bruce' Marshall   (Member)

Those BACH albums were recorded on MONOPHONIC Moogs!

Amazing#

 
 Posted:   Nov 14, 2019 - 9:28 AM   
 By:   other tallguy   (Member)

Time to listen to Tron. Happy birthday, Wendy.

 
 
 Posted:   Nov 14, 2019 - 9:31 AM   
 By:   gyorgyL   (Member)

I listen the 2CDs of Sonic Seasonings quite often smile

 
 
 Posted:   Nov 14, 2019 - 9:52 AM   
 By:   leagolfer   (Member)

Carlos was creative & unique, I use to wonder why she gave-up movies after Tron that was a fine end too scoring, yea, she equalized with her adaptions work her ambient stuff too & Synth-Bach's etc, those album styles are great, "Switched on Brandenburg's" is one of my fav's & "Beauty in the Beast" & "Digital Moonscapes" are both cool visions both have great feeling too of fun & great energies that's a different soundscape to my usual palette but I thoroughly enjoy em.

Happy Birthday.. 80th, Wendy Carlos. Thanks have many more.

 
 Posted:   Nov 14, 2019 - 11:21 AM   
 By:   Sean Nethery   (Member)

I will always remember buying the LP of Digital Moonscapes at the same time as Amadeus - loved it ever since!

I think of this as her masterpiece, especially the very smart way she both recreates an orchestral palette synthetically and then plays with it ever so subtly.

But I love all her stuff, and so wish I had bought the Switched on Bach collection and Sonic Seasonings when they first appeared on CD.

 
 
 Posted:   Nov 14, 2019 - 12:35 PM   
 By:   mikael488   (Member)

Carlos was creative & unique, I use to wonder why she gave-up movies after Tron that was a fine end too scoring, yea, she equalized with her adaptions work her ambient stuff too & Synth-Bach's etc, those album styles are great, "Switched on Brandenburg's" is one of my fav's & "Beauty in the Beast" & "Digital Moonscapes" are both cool visions both have great feeling too of fun & great energies that's a different soundscape to my usual palette but I thoroughly enjoy em.

Happy Birthday.. 80th, Wendy Carlos. Thanks have many more.


Tron was not Wendy's last film work though; she worked on at least two more feature-lenght films
in the '80s and '90s - 'Split second' (1991 - score cancelled midway through) and 'Woundings' (1998).

 
 Posted:   Nov 14, 2019 - 2:50 PM   
 By:   Molasar   (Member)

The homepage of Wendy Carlos’s website says her distribution deal with East Side Digital abruptly ended. That was in 2009. Since then all her recent and meticulously remastered recordings have been allowed to go out of print. Because she has gone silent we have no idea how her music will be made available again.
Carlos’s two volume Rediscovering Lost Scores, released 2005, features the bulk of her unused score to Stanley Kubrick’s The Shining. An eerie and fascinating listen! This release also features more music from Tron in HD. Perhaps a soundtrack specialty label could reach out to Ms. Carlos or her people and make a bid to reissue this important genre artifact.

 
 
 Posted:   Nov 14, 2019 - 2:54 PM   
 By:   Cinefanart   (Member)

Happy Birthday Wendy Carlos......there's not many scores which optimise the eighties as being groundbreaking in every sense of the word and that's Tron.

Excuse me while I give it a whirl again.....

 
 Posted:   Nov 14, 2019 - 3:23 PM   
 By:   'Lenny Bruce' Marshall   (Member)

Carlos was creative & unique, I use to wonder why she gave-up movies after Tron that was a fine end too scoring, yea, she equalized with her adaptions work her ambient stuff too & Synth-Bach's etc, those album styles are great, "Switched on Brandenburg's" is one of my fav's & "Beauty in the Beast" & "Digital Moonscapes" are both cool visions both have great feeling too of fun & great energies that's a different soundscape to my usual palette but I thoroughly enjoy em.

Happy Birthday.. 80th, Wendy Carlos. Thanks have many more.


Tron was not Wendy's last film work though; she worked on at least two more feature-lenght films
in the '80s and '90s - 'Split second' (1991 - score cancelled midway through) and 'Woundings' (1998).


The.selections from WOUNDINGS, included on RLT are terrific.
Is the film available on DVD?

 
 Posted:   Nov 14, 2019 - 3:24 PM   
 By:   Octoberman   (Member)

Ms. Carlos, you are a groundbreaker in every sense of the word.
Thank you for the music.
Happy birthday.
smile

 
 Posted:   Nov 14, 2019 - 5:18 PM   
 By:   Paul MacLean   (Member)

I have always been a tremendous fan of Tron, as well as her work on A Clockwork Orange, and non-film works like Digital Moonscapes.

I still find it very sad and frustrating that, during the 1980s -- the decade when synthesizer scores were most en vogue -- one of the most important pioneers of electronic music was mostly ignored by filmmakers.

 
 Posted:   Nov 14, 2019 - 5:25 PM   
 By:   Octoberman   (Member)

I see a few shout-outs to "Digital Moonscapes".
That one is probably my favorite--with "Sonic Seasonings" a close 2nd, I reckon.
And "Tron" my favorite WC score.

 
 Posted:   Nov 14, 2019 - 7:05 PM   
 By:   'Lenny Bruce' Marshall   (Member)

I have always been a tremendous fan of Tron, as well as her work on A Clockwork Orange, and non-film works like Digital Moonscapes.

I still find it very sad and frustrating that, during the 1980s -- the decade when synthesizer scores were most en vogue -- one of the most important pioneers of electronic music was mostly ignored by filmmakers.


Not sure if she was ignored or wasn't she wasn't pursuing film projects.

But, she didn't have the pop background of the other synth specialists . That.might have worked against her.
?

 
 Posted:   Nov 14, 2019 - 7:17 PM   
 By:   Octoberman   (Member)

Not sure if she was ignored or wasn't she wasn't pursuing film projects.
But, she didn't have the pop background of the other synth specialists . That.might have worked against her.
?



I would agree.
Movie producers in the 80's would get their synth scores from Moroder or Faltermeyer or Vangelis, etc.
Those guys were tested and true commodities.
Carlos might (and I stress MIGHT) have been seen as being too old-school "classical" to be suitable for scoring something like "Flashdance" or films of that nature.
If that was the case, then it's their loss. Scores like "Tron" or "The Shining" proved she was versatile enough to deliver the goods.

 
 Posted:   Nov 14, 2019 - 7:18 PM   
 By:   Paul MacLean   (Member)


But, she didn't have the pop background of the other synth specialists .
?


Like rock stars such as Maurice Jarre?

 
 Posted:   Nov 14, 2019 - 7:22 PM   
 By:   'Lenny Bruce' Marshall   (Member)


But, she didn't have the pop background of the other synth specialists .
?


Like rock stars such as Maurice Jarre?


Bad example. He was a symphonic composer.

 
 Posted:   Nov 14, 2019 - 7:22 PM   
 By:   'Lenny Bruce' Marshall   (Member)


But, she didn't have the pop background of the other synth specialists .
?


Like rock stars such as Maurice Jarre?


Bad example. He was a symphonic composer.

 
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