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Well, I don't know who those people were who were asking for it, 'cause I certainly never saw them.
But that's no way to predict what will sell and what will not sell. I could go through the Kritzerland catalogue, for example (or any label's catalogue) and point out tile after tile of scores next to nobody was asking for, but the label did it anyway.
And yet a number of these titles, from various, labels, sell anyway. I could point out examples of titles you'd think would sell well, but don't (some with people who were asking for them over the years).
And my own two cents on that Scott score: for me it wasn't the cover, but rather the score. I'll leave it at that rather than get probably a little insulting.
Really? Great theme, fun score. But people lap up The Great Race - comedy score, everyone wanted it. As you say, no way to predict and therefore I do what pleases me.
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Really? Great theme, fun score. But people lap up The Great Race - comedy score, everyone wanted it.
Mancini seems to be almost uniquely immune to the comedy score curse.
Yavar
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Really? Great theme, fun score. But people lap up The Great Race - comedy score, everyone wanted it.
Mancini seems to be almost uniquely immune to the comedy score curse.
Yavar
Yes, extremely odd to me, given some of the all-time great comedy scores of Mr. Previn, Mr. Duning, Mr. Shire, even Alfred Newman. Go know.
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