|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Based solely on his superb work for Gargoyles and a bit of Batman TAS, I would buy anything of his in a similar orchestral vein. Yavar
|
|
|
|
|
|
|
|
I watched the pilot last week, after reading about the score in another thread. And of course, it's Carl Johnson, so I took a chance. The pilot ... terrible. Poorly written, with writing on a level of a person still a year or two into fan fiction; badly plotted, over all just lame, with bad voice acting, and boring. the "icing" on the cake is the generic chosen one cliché. I can't believe Speilberg attached his name to this. So, the score ... orchestral, had some moments, but over all I found it un-engaging. Maybe there's more bits in the rest of the episodes, but it would require skimming for the music.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|