Music duties being farmed out to friends and relatives pretty much sums it up.
Seems to me what Hollywood needs right now is a Selznick/Zanuck type -- a literate, hard-ass studio chief with a good idea for narrative. Someone who knows how to read a script. Someone who knows what composer is right for what project. Someone who's interested in prestige productions.
Someone who's not Bob Iger, in other words, waving through another soulless CGI remake, superhero extravaganza, or reboot of HOME ALONE.