Even though I'd been warned away from the film since I wasn't so high on its sort-of remake, What's Up, Doc?, I watched Bringing Up Baby for the first time earlier this year. Nail, meet head.
Even though I'd been warned away from the film since I wasn't so high on its sort-of remake, What's Up, Doc?, I watched Bringing Up Baby for the first time earlier this year. Nail, meet head.
I loved What's Up, Doc? when it came out (I was 11 at the time). I suspect I'd still enjoy it now, though I'm pretty mixed on Bogdanovich (my guilty pleasure favorite of his is At Long Last Love), but if nothing else it brought Madeline Kahn to the big screen. (Though I hear it wasn't a great production, I'm still a little sad I missed my chance to see her in Born Yesterday during my 1989 trip to NY).
I stopped reading the Kubrick biography by Vincent Lobrutto when it claimed THE OMEN had used O Fortuna by Carl Orff and MGM's big three were BEN-HUR, LAWRENCE OF ARABIA and DOCTOR ZHIVAGO.
There's really no excuse for a book about a particular person or subject to be chronically error-ridden in this day and age when fact-checking is just a few mouse-clicks away.
Same with the Air Force One soundtrack - people thought it was only Jerry Goldsmith for a time but Joel McNeely helped him because they were short on time.
