Non-English spoken films are always more valuable than English spoken films. Indi- and arthouse films are always more valuable than any other kind of film and are by no means extremely formulaic, predictable and snobtastically empty in their own way.
When the technology portrayed is no longer conform to state of the art, the film's general message is to be completely overlooked and the film itself is automatically to be dismissed. Colossus for example is no longer to be seen because the absence of 3-D screens, and something as basic as a mouse makes its warning completely ridiculous and void.
Why didn't they get Leonard Rosenman to score THE STAR WARS? Some good tone pyramids would have unified that score in ways that John Williams totally missed.
Why didn't they get Giorgio Moroder to score STAR TRACK THE MOTION PICTURE? Goldsmith can't write disco, and that movie needed something to move it along.
New FSM Rules! No hiding behind silly pseudonyms or characters names. From now on, you can only create and contribute to a post/thread under your OWN, REAL name.
New FSM Rules! No hiding behind silly pseudonyms or characters names. From now on, you can only create and contribute to a post/thread under your OWN, REAL name.
Now there's a SNAP Thanos would be proud of.
Should it become FSM "law", I'd be more than happy to oblige.
Don't like the fact that Star Trek has sucked for over twenty-five years? Do what I do, and stick with the classic, original TV series, and you won't be disappointed.*
*Large swaths of the second season and the entirety of the third season excluded
