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 Posted:   May 20, 2018 - 7:34 AM   
 By:   Jim Phelps   (Member)

Can someone point to a few examples of the bad orchestral performance?

There aren't any. IIRC FSM the magazine started that in one of their reviews, or perhaps in one of their many Goldsmith articles.

 
 
 Posted:   May 21, 2018 - 9:46 AM   
 By:   bobbengan   (Member)

Yavar's passion for Goldsmith has inspired me to revisit a number of his works that I've dismissed or never explored at all in the past - this being one of the later. Excited to get it and dive in.

Two for two right now with FINAL CONFLICT and Tadlow's THE SALAMANDER being strong-to-excellent works I've been enjoying a lot on this end of late. We'll see how this one stacks up!

 
 Posted:   May 21, 2018 - 10:18 AM   
 By:   Yavar Moradi   (Member)

Yavar's passion for Goldsmith has inspired me to revisit a number of his works that I've dismissed in the past or never explored at all in the past - this being one of the later. Excited to get it and dive in.

Two for two right now with FINAL CONFLICT and Tadlow's THE SALAMANDER being strong-to-excellent works I've been enjoying a lot on this end of late. We'll see how this one stacks up!


Thanks for the vote of confidence! Glad you loved those two scores as I do. This one does sometimes have some synths you probably will not like, just to warn you. But I think the orchestral sections will win you over.

Yavar

 
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