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 Posted:   Nov 17, 2011 - 2:45 AM   
 By:   Bob DiMucci   (Member)

But no one has yet addressed my idea of a compilation of non-LP cues. This would serve as a complement to the RCA albums and would not "compete" against them.

And I hear what you are saying. And, depending upon the wording of the contracts, this could be a possibility. BUT IF a contract very simply gives RCA the exclusive right, forever, to issue any music from a score, it wouldn'y matter if the music appeared on an LP 40 years ago or not; it wouldn't matter if the new release complements, duplicates, or doesn't even resemble any LP; it wouldn't matter if the new release is comprised of music from one score that RCA has the rights to or from many, and it wouldn't matter if the new release is called by a film's name or is titled "Grant Whistles Dixie." No one, but no one, other than RCA could issue a note of the music, now or forever . . . unless the pile of gold proffered was big enough.

As one indication as to how airtight the RCA contracts must be, have you ever wondered why there have never even been any re-recordings of the complete scores to any of these famous Mancini films? Labels have been able to license individual tracks or short suites for compilation albums, but the asking price for licensing a complete score must be prohibitive.

I look forward to the day some label can breach the wall.

 
 
 Posted:   Nov 17, 2011 - 5:12 AM   
 By:   OnyaBirri   (Member)



As one indication as to how airtight the RCA contracts must be, have you ever wondered why there have never even been any re-recordings of the complete scores to any of these famous Mancini films?



Interesting. I've never asked that question, because I don't think they could re-record those scores accurately. They would have a hard time finding players who could play in the groove of WWII era West Coast jazz guys, and I'm sure they'd get the production values all wrong. Lalo Schifrin's re-recording of "Mannix" being a prime example.

There have a been a number of Mancini scores released by specialty labels in recent years. If anyone from those labels is on this board, I'd be interested to hear their take on this issue.

 
 
 Posted:   Nov 17, 2011 - 9:47 AM   
 By:   OnyaBirri   (Member)

Incidentally, not to hijack the thread, but U.S. RCA titles from the early CD era, mastered by a guy named Dick Baxter, have some of the worst digital mastering I've ever heard. Several Mancini titles received this shabby treatment.

 
 
 Posted:   Nov 17, 2011 - 11:45 AM   
 By:   Bob DiMucci   (Member)

Incidentally, not to hijack the thread, but U.S. RCA titles from the early CD era, mastered by a guy named Dick Baxter, have some of the worst digital mastering I've ever heard. Several Mancini titles received this shabby treatment.

Many early CDs were problematic in their mastering, but unlike some labels, RCA doesn't seem to be very interested in remastering its earlier work, except maybe to add fake surround sound to them. But perhaps the recent Sony remasterings of the Gerhardt series show promising signs for the future.

 
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