|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
LA-LA LAND RECORDS PRESENTS NEW RELEASES: Tues, 1pm (PST) SEPTEMBER 21, 2010 New Releases available for order at www.lalalandrecords.com Tues, 1pm (PST), SEPTEMBER 21, 2010 “GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES: LIMITED EDITION” Music by John Scott Limited Edition of 3000 Units RETAIL PRICE: $19.98 NOW SHIPPING GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES: LIMITED EDITION LLLCD 1144 Music by John Scott Limited Edition of 3000 Units NOW SHIPPING RETAIL PRICE $19.98 ORDER “GREYSTOKE, THE LEGEND OF TARZAN, LORD OF THE APES: LIMITED EDITION” SEPT. 21 at www.lalalandrecords.com La-La Land Records presents the premiere CD release of composer John Scott’s (THE FINAL COUNTDOWN, SHOOT TO KILL, NORTH DALLAS FORTY) magnificent orchestral score to the 1984 Warner Bros. feature film GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES, starring Christopher Lambert, Andie MacDowell, Ralph Richardson, Ian Holm and James Fox, directed by Hugh Hudson. Scott’s brilliant score bursts with the violence and vitality of the jungle, yet is also heart-moving and surprisingly gentle. This re-issue was produced by MV Gerhard and remastered by James Nelson from the original Warner Bros. ¼ inch album masters. While no elements were secured to give this wonderful score the expanded treatment it deserves, we were able to pull the OVERTURE and END CREDITS off the original magnetic track and present it here as Bonus Material. CD Booklet features in-depth liner notes by film music writer Jeff Bond. This release is limited to 3000 Units. TRACK LISTING: 1. The Family (2:52) 2. Greystoke (3:31) 3. Catastrophe (2:57) 4. Child Of The Apes (2:30) 5. Pygmy Attack (1:16) 6. D’arnot’s Vision (1:31) 7. Tarzan, Lord Of The Apes (2:13) 8. Tarzan Leaves The Jungle (1:32) 9. Edge Of The World (3:09) 10. (Gardens Of Greystoke) Chanson De Matin (0:55) 11. The Weight Of Greystoke (2:50) 12. (The Dancing Lesson) Sontag Polka (1:07) 13. Dance Of Death (3:10) 14. Half Of Me Is Wild (1:06) 15. Return To The Jungle (3:11) Bonus Tracks: 16. Overture (1:41) 17. Closing (End Titles) (2:59) Total Running Time: 38:30 NEW PERMANENT PRICE REDUCTIONS!!!! at www.lalalandrecords.com OVER 40 great La-La Land titles PERMANENTLY REDUCED at fantastic prices… NOW $19.98: THE OUTER LIMITS NOW $15.98: BAD BOYS, OUTLANDER, BATMAN: MASK OF THE PHANTASM, RUNAWAY TRAIN, MARS ATTACKS, 28 WEEKS LATER, GREEN LANTERN, NIGHT OF THE CREEPS, CHILD’S PLAY, THAT CHAMPIONSHIP SEASON, PANIC IN YEAR ZERO NOW $9.98: LOST IN SPACE, FARSCAPE VOL. 2, SPACEBALLS, TANGO & CASH, HANG ‘EM HIGH/AVIATOR, THE BIG COUNTRY, THE DARK CRYSTAL, FARSCAPE VOL. 3, BLAZING SADDLES, NOT WITHOUT MY DAUGHTER, LIBRARIAN 3, HEROES, LAST HOUSE ON THE LEFT, CAPRICA, ALAN QUATERMAIN, ZATOICHI, TRICK ‘R TREAT, TAKING WOODSTOCK, BOOK OF BLOOD NOW $5.98: CELLULAR, DEVIL’S REJECTS, MAY, MY FAVORITE MARTIAN, SUPERMAN DOOMSDAY, JUSTICE LEAGUE, MESSENGERS, AQUAMARINE, TEEN TITANS, BATMAN: GOTHAM KNIGHT, EUREKA, ALVIN AND THE CHIPMUNKS, BOOGEYMAN ALSO AVAILABLE FROM LA-LA LAND RECORDS DUNSTON CHECKS IN: LIMITED EDITION LLLCD 1147 Music by Miles Goodman Limited Edition of 1200 Units Presenting the premiere release of composer Miles Goodman’s (DIRTY ROTTEN SCOUNDRELS, HOUSESITTER, WHAT ABOUT BOB?) original score to the 1996 Twentieth Century Fox family feature film DUNSTON CHECKS IN, starring Jason Alexander, Faye Dunaway, Eric Lloyd and Rupert Everett, directed by Ken Kwapis. Mr. Goodman fashions a delightful, sophisticated orchestral score in the grand comic farce tradition - bursting with energy and themes - to buoy all the rambunctious fun of the lead simian’s adventures within a posh, five-star hotel. Produced by Nick Redman and Michael Matessino, and mastered by Daniel Hersch at DigiPrep, this release is limited to 1200 units and features in-depth liner notes, including comments from the film’s director and others, by film music writer Daniel Schweiger. HELL’S BELLES: LIMITED EDITION LLLCD 1149 Music by Les Baxter Limited Edition of 1200 Units Presenting the CD premiere of Les Baxter’s (THE DUNWICH HORROR, PANIC IN YEAR ZERO, BEACH BLANKET BINGO) original score to the 1970 AIP motion picture HELL’S BELLS, starring Jeremy Slate, Adam Roarke, and Jocelyn Lane, and directed by Maury Dexter. Baxter’s groovy, full-throttle rock score punches this fun biker flick into overdrive with uber-catchy riffs, fun vocals and late 60’s rock-era spills and chills. Produced by Ford A. Thaxton and mastered by James Nelson, this special release presents the original LP presentation, remastered, along with more than 15 minutes of never-before-released film-version score tracks. CD Booklet features in-depth liner notes by film music writer Randall D. Larson. Limited to 1200 units. THE LONE GUNMEN / HARSH REALM: LIMITED EDITION LLLCD 1135 Music by Mark Snow Limited Edition of 2000 Units Presenting the premiere release of acclaimed composer Mark Snow’s (THE X-FILES, SMALLVILLE, GHOST WHISPERER) original scores to the Chris Carter television series THE LONE GUNMEN, (spin-off of THE X-FILES), and HARSH REALM. Aside from THE LONE GUNMEN’S infectious main theme, the spin-off series allowed Snow to creatively explore a variety of styles and genres in dynamic fashion, while HARSH REALM offered him an opportunity to take his trademark atmospherics into new areas of techno-sophistication and profound emotion. Produced by Mark Snow and MV Gerhard, and mastered by James Nelson, this collection of music from two Mark Snow – Chris Carter TV collaborations is limited to 2000 units and features exclusive liner notes by Julie Kirgo. BEACH BLANKET BINGO: LIMITED EDITION LLLCD 1142 Music by Les Baxter Limited Edition of 1200 Units Presenting composer Les Baxter’s (THE DUNWICH HORROR, PANIC IN THE YEAR ZERO, THE RAVEN, HELL’S BELLES, BIKINI BEACH) original score to the 1965 AIP beach party classic BEACH BLANKET BINGO, starring Frankie Avalon and Annette Funicello, directed by William Asher. Mr. Baxter’s fun, and naturally far-out and groovy, music serves an outstanding example of the indelible sound he crafted for all of AIP’s beach-themed musical comedies. Produced by Ford A. Thaxton and James Nelson, and mastered by James Nelson, this release is limited to 1200 units and features in-depth, exclusive liner notes by Randall Larson. Due to licensing rights issues, the music-only backing tracks of the film’s songs appear here without vocals. Given the condition of the master tapes, having been in storage for more than 45 years, the tracks on this release were painstakingly enhanced to the best quality possible. BATMAN (1989): LIMITED EDITION (2CD-SET) LLLCD 1140 Music by Danny Elfman Limited Edition of 5000 Units As part of our Expanded Archival Collection, La-La Land Records presents the world premiere release of the film version of Danny Elfman’s acclaimed original score to the 1989 Warner Bros. blockbuster BATMAN, starring Jack Nicholson, Michael Keaton and Kim Basinger and directed by Tim Burton. With a running time of 144 minutes, this 2-CD SET, produced by Dan Goldwasser, Neil S. Bulk and MV Gerhard, and remastered by James Nelson, features the previously unreleased film version (mix/edit) of Mr. Elfman’s score, as well as a remastered presentation of the 1989 soundtrack album and never-before-released Bonus Tracks. 20 Page CD Booklet features in-depth liner notes by Jeff Bond. Limited Edition of 5000 Units KRULL: LIMITED EDITION (2CD-SET) LLLCD 1143 Music by James Horner Limited Edition of 3000 Units Presenting James Horner’s newly remastered motion picture score to the 1983 Columbia Pictures sci-fi/adventure/fantasy KRULL, starring Ken Marshall, Lysette Anthony and Liam Nesson and directed by Peter Yates. Previously out of print, this 2-Disc re-issue of one of Mr. Horner’s most striking film scores is produced by Ford A. Thaxton and remastered by James Nelson, and features bonus tracks. 16 Page CD Booklet features exclusive, in-depth liner notes by Jeff Bond. Limited Edition of 3000 Units.
|
|
|
|
|
|
|
|
|
Wonderful! One of the great John Scott scores of the 80's. Many thanks-
|
|
|
|
|
Not quite: the links do not lead anywhere. I don't know what you are seeing but its up there. Orders are being received. MV
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
We did reach out to Mr. Scott after we secured full rights for this reissue, but he was respectfully not interested in participating. Luckily, while WB had no additional elements for an expansion, they had the album master for the LP, so we went ahead with that and the two bonus tracks we were able to secure. James Nelson made it sound great and we're excited to get Mr. Scott's great score back out there... and finally on CD. MV
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: |
Sep 21, 2010 - 6:09 PM
|
|
|
By: |
ToneRow
(Member)
|
I had the boot for many years untill I gave it away a few months ago. It was an OK score, but a little too much violence and dissonance for my taste. But the more evocative bits were truly beautiful. Also glad to see that they preserved the LP program (here's a case where sloppy archiving actually comes to my rescue!). That musical violence and dissonance, Thor, which John Scott wrote for "Greystoke" is what makes this a better-than-average score and indicates Scott's musical talents and capabilities (capabilities beyond the scope of many of the current people writing music for films in the 21st century). Which Media Ventures type of composer could come up with soundtrack music sounding like the Pygmy Attack music heard in "Greystoke"? I'd classify John Scott (stylistically) as somewhere between Jerry Goldsmith and John Williams. While John Scott's music has not attained the levels of innovation trail-blazed by Jerry Goldsmith, Scott employs dissonance in his film scores considerably more frequently (and to greater effect) than that which is heard in the scores of John Williams. In a way, I wish soundtracks by John Williams would sound more like those of John Scott's; then I'd appreciate them more than I do. Nonetheless, "Greystoke" is not John Scott's finest composition of all, nor is this soundtrack a complete program of Scott music (some tracks hailing from works of Edward Elgar). I cherish my 30+ John Scott soundtracks, and his "Greystoke" is certainly one of his stand-apart scores from the 1980s. Members of this board should be made aware that track #2 is a selection from Elgar's Symphony No.1, and Elgar's Chanson de Matin is the very brief source for the Gardens of Greystoke track. That Sontag Polka is by D'Albert. To my ears, "Greystoke" is to John Scott's oeuvre what "Papillon" is within Jerry Goldsmith's canon - lyrical yet savage musical depictions of Man vs. Nature (and Man vs. Man).
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|