I mentioned it over in the recent GOLDFINGER appreciation thread. John Scott's SHOOT TO KILL has a lot of saxophone.
Bruce Smeaton's ROXANNE also saxophone heavy.
Surprisingly, a couple of films that have saxophone-playing characters like HURRY SUNDOWN and THE CONVERSATION use very little to no sax in the score proper.
I've been on the lookout for scores with that smoky, city-at-night saxophone sound, of which that Cop track above is a fine example. Would not say no to a release. I've been listening to a comp made up of tracks from Trevor Jones' Angel Heart and Richard III. The recent Sliver release features the sound in a more subtle way, I'd say it's a key element but it may not qualify as sax heavy. And there's a game soundtrack that does it pretty well - Halo 3 ODST. I'm keen to hear of more.
One of the best saxophone score tracks that I know of is on Elliot Goldenthal’s Golden Gate. James Horner’s 48 hrs. and especially Another 48 hrs. are favourites.
Don't forget Bill Conti's BABY BOOM. Never had a CD release and I doubt there will ever be one.
You beat me to it. No CD release, but the Twilight Time release of the movie has a pretty good isolated score, if you can look past the annoying baby sounds on part of it.
Funky underscore along with heavy leather-lunged saxophone solos that are perfect to accompany you the day you leave your philandering, Boomer weasel husband.
