Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 Posted:   May 16, 2024 - 2:59 AM   
 By:   Bill Carson, Earl of Poncey   (Member)

I think our opinions on films could not be MORE diametrically opposed, Mitch.
...


With that, I think we are in total agreement! smile


Yeah but Mitch's film opinion/ratings could not be more diametrically opposed... to everyone! Lol. Love him. wink

P.s Don't mention Jaws or the Godfather! Lol

 
 
 Posted:   May 16, 2024 - 3:05 AM   
 By:   Hurdy Gurdy   (Member)

Haha...yes.
I've just returned from an alternate reality where John Barry did the music for OVERBOARD and JAWS...and he gave them both 12 out of 10.

big grin

 
 Posted:   May 16, 2024 - 3:08 AM   
 By:   Bill Carson, Earl of Poncey   (Member)

Ha! Mitch, he's got ya buddy lol big grin

 
 Posted:   May 16, 2024 - 4:12 AM   
 By:   Solium   (Member)

If Barry composed JAWS??? The horrors!!!! Instead of tense and dramatic it would’ve put the audience to sleep!

 
 Posted:   May 16, 2024 - 4:13 AM   
 By:   Bill Carson, Earl of Poncey   (Member)

Now now, let's not have any dissing of Mr Barry.

 
 Posted:   May 16, 2024 - 4:43 AM   
 By:   Solium   (Member)

Now now, let's not have any dissing of Mr Barry.

My bad, I confused Barry with Morricone. big grin

 
 Posted:   May 16, 2024 - 8:55 AM   
 By:   MusicMad   (Member)

Haha...yes.
I've just returned from an alternate reality where John Barry did the music for OVERBOARD and JAWS...and he gave them both 12 out of 10.

big grin


Whilst I'm the first to suggest that a John Barry score invariably improves a film (making it more enjoyable for the viewer) ... this does not equate to turning mediocre films into great ones. Consider The Legend of the Lone Ranger (1981) and Ruby Cairo (1993) ... smile

 
 
 Posted:   May 16, 2024 - 9:19 AM   
 By:   Prince Damian   (Member)

If Barry composed JAWS??? The horrors!!!! Instead of tense and dramatic it would’ve put the audience to sleep!

But at least the shark would have come across as a nicer chap.

 
 Posted:   May 17, 2024 - 8:49 AM   
 By:   MusicMad   (Member)

The Man with the Golden Arm (1955) ... 8-/10

Melodramatic and studio bound but great performances from the whole cast make this constantly watchable.

I prefer Frank Sinatra in his Pal Joey guise but here his acting is superb: his facial expressions when he's jailed early on for wearing stolen clothes show real conviction (no pun intended); the 2min single take when he goes cold turkey is believable ... watching him prepare his arm ready to inject appears authentic. He even managed a recording session during the filming: 17 Oct 55 when he recorded Love Is Here to Stay and a couple of singles.

Kim Novak and Eleanor Parker are great in their roles pulling Frankie both ways whilst Darren McGavin is excellent as the sleazy drug-pusher.

And, of course, there is Elmer Bernstein's fabulous score; there is a bar-room scene between Frankie and Louie in which the main theme is heard, in a quieter performance, which seems out of place, otherwise I'm with it all the way.

Picture quality was good, sound less so, especially early on, but it is only the overly melodramatic storyline which keeps my rating at under 8. I saw the film years ago but don't recall enjoying it as much.

 
 Posted:   May 17, 2024 - 11:32 PM   
 By:   MusicMad   (Member)

Mercury Rising (1998) ... 6/10

Re-visit (last time?) an enjoyable thriller in which the characterisation of the leads is more prominent than the story. There is little logic in the plot: no-one knows the ultra secret code has been broken so killing Simon makes no sense.

But the oft-told story of the cop/agent (here: FBI) out-of-favour with his bosses taking on the system allows Bruce Willis to extend his John McClane persona and a superb performance by Miko Hughes as Simon make this an emotional film.

The finale is a mess and special effects look weak (e.g. train sequence) but, for me, the film works as it's not the usual shoot-'em-up actioner.

As for the score: John Barry scores the emotion and, for me, it's perfect. I don't know whether he had scored the action scenes or felt they were better unscored but in a couple of noticeable sequences the sound design changes ... it's as if Mrs. Mills has joined the LSO, playing links between the symphonic movements: perfectly good ... in another environment.

 
 Posted:   May 18, 2024 - 11:18 PM   
 By:   MusicMad   (Member)

Invitation to a Gunfighter (1964) ... 7/10

Magnetic: the best way to describe Yul Brynner in this slow-moving, dramatic western which has racial intolerance at its core. Good support from George Segal and Janice Rule - though I'm unconvinced she was the right actress for the role - whilst Pat Hingle played his usual annoying part.

Much of the story is studio bound and there is a feeling of cheapness about the production. But with Brynner in charge - his character finds the town-folk dislike him because of his ethnicity, despite wanting him to kill the returning Confederate soldier - the film is very enjoyable.

A great score from David Raksin, even if the main theme "hook" is over-used.

 
 
 Posted:   May 19, 2024 - 2:54 AM   
 By:   Rameau   (Member)

Star Trek 11: The Wrath Of Khan (1982) Good cheesy fun.

After the slow motion mis-fire of The Motion Picture, this much lower budget sequel sort of saved the franchise. It does look cheap, but has a good story & fast pace, & the cast sell it (esp. Ricardo Montalban as the baddie Khan). Next up, The Search For Spock (of course).

 
 Posted:   May 19, 2024 - 3:59 AM   
 By:   Solium   (Member)

Star Trek 11: The Wrath Of Khan (1982) Good cheesy fun.

After the slow motion mis-fire of The Motion Picture, this much lower budget sequel sort of saved the franchise. It does look cheap, but has a good story & fast pace, & the cast sell it (esp. Ricardo Montalban as the baddie Khan). Next up, The Search For Spock (of course).


I thought Ricardo Montalban was in Star Trek 2?

 
 Posted:   May 19, 2024 - 4:17 AM   
 By:   Solium   (Member)

The Boy and the Heron (2023) 3-5

Let me say upfront I'm not a Hayao Miyazaki fanatic, then again I'm not a fanatic in general of anyone. I call balls and strikes as I see it.

That said I love his early works going way back to Future Boy Conan, Lupin the 3rd, Nausicaä, Laputa, Porco Rosso and to a lessor extent Kiki and Totoro. The last two simplistic fair saved by Joe Hisaishi's charming soundtracks.

But over the years I feel his animated films have become less spectacular from a visual standpoint and the characters are dull, lack motivation and character development. Instead we've gotten stories that seem directionless and very WEIRD characters that are hard to relate to.

This is the case with The Boy and the Heron. While the character animation is smooth and well done the characters themselves are underdeveloped and have no personalities. Much like his simpler films Kiki, Totoro and Spirited Away there isn't much motivation or story.

Unlike Kiki and Totoro in particular Heron lacks the charm of those films and more importantly doesn't have a great soundtrack to help carry us along on the journey. The music is very sparse here.

The animation also lacks "atmosphere" as most scenes regardless if they are daytime, night time, inside or outside all look like they were "filmed" in broad daylight. The backgrounds are pretty interesting but less detailed than his earlier works. Effects animation is minimal and (as Ive complained before) I hate the use of CGI enhanced effects in a primarily 2D animated film.

Really outside of the Heron (which could be a CGI character) there was no reason from a visual standpoint to make this into an animated film as its mostly human characters doing human things.

This is not a film for kids, they'd be bored to death and some of the scenes and themes might be to intense for them.

 
 
 Posted:   May 19, 2024 - 4:21 AM   
 By:   Rameau   (Member)

Star Trek 11: The Wrath Of Khan (1982) Good cheesy fun.

After the slow motion mis-fire of The Motion Picture, this much lower budget sequel sort of saved the franchise. It does look cheap, but has a good story & fast pace, & the cast sell it (esp. Ricardo Montalban as the baddie Khan). Next up, The Search For Spock (of course).


I thought Ricardo Montalban was in Star Trek 2?


https://www.imdb.com/title/tt0084726/?ref_=hm_rvi_tt_i_1

 
 Posted:   May 19, 2024 - 4:37 AM   
 By:   Solium   (Member)

Star Trek 11: The Wrath Of Khan (1982) Good cheesy fun.

After the slow motion mis-fire of The Motion Picture, this much lower budget sequel sort of saved the franchise. It does look cheap, but has a good story & fast pace, & the cast sell it (esp. Ricardo Montalban as the baddie Khan). Next up, The Search For Spock (of course).


I thought Ricardo Montalban was in Star Trek 2?


https://www.imdb.com/title/tt0084726/?ref_=hm_rvi_tt_i_1


I know that, but you wrote Star Trek "Eleven".

 
 
 Posted:   May 19, 2024 - 4:44 AM   
 By:   Prince Damian   (Member)

Star Trek 11: The Wrath Of Khan (1982) Good cheesy fun.

After the slow motion mis-fire of The Motion Picture, this much lower budget sequel sort of saved the franchise. It does look cheap, but has a good story & fast pace, & the cast sell it (esp. Ricardo Montalban as the baddie Khan). Next up, The Search For Spock (of course).


I thought Ricardo Montalban was in Star Trek 2?


https://www.imdb.com/title/tt0084726/?ref_=hm_rvi_tt_i_1


I know that, but you wrote Star Trek "Eleven".


That was JJ Abrams , wasn't it.

 
 Posted:   May 19, 2024 - 7:05 AM   
 By:   Nicolai P. Zwar   (Member)

Avatar - The Way of Water (James Cameron, 2022) 7/10

When AVATAR hit the screens in 2010, most people would agree that it was a technical milestone and singlehandedly responsible for the 3D-revival in the cinema, but that it’s story was basically just Pocahontas/Dances With Wolves with tall blue aliens. It wasn’t even subtle about it. Nevertheless, it became a huge hit and the most successful movie of all time.
In comes AVATAR - WAY OF WATER, 12 years later a sequel. And once again, it became a big box office hit. Why? It is certainly not because of the story, the cardboard villains or the predictable conflicts. The story is easily told and by the book:
Years after the events of the first film, humans from Earth (the “sky people”) come back to colonize Pandora, since it’s so much nicer there than on Earth. Jake Sully, now fully living live as a Na’vi, is the leader of a resistance fight. When Quaritch (Stephen Lang), who was killed in the first movie, returns as a “recombinant” (Avatars with implanted memories rather than remote controlled), Sully and his family have to flee, because Quartich is out to kill them.
Sully and his family find refuge by natives that are ocean rather than jungle dwellers
Quaritch eventually catches up with them. They fight.

It’s really by the numbers and doesn’t offer many surprises… but wow, was this nevertheless a “good” movie, it was good in that we enjoyed watching it. Not because of the story, not because of the battle scenes, not because of the clichéd characters… but because it had a real sense of awe, a sense of wonder. That’s what’s missing from so many movies these days. I would have loved to move to that ocean village. And just explored the seas and the animals and the plants and just… wow… the movie was over three hours long, but it didn’t feel long at all, because the best part – the middle part – of the movie is ironically when very little happens and we were just immersed in this wonderful ocean world. No doubt, this is a movie that lives from its visuals, from its atmosphere… we watched it on a big OLED screen on 4K Bluray, and it looked marvelous.

Interestingly, these ocean Na’vi people (turquoise instead of blue) reminded me very much of the Zora folk from Nintendo’s THE LEGEND OF ZELDA games… what’s next, Vulcano Na’vi like Zelda’s Gorons? Heck, apparently even yes, I think Cameron said something like this.

But no matter what, count me in for part III… forget the story, just take me to these wonderful places.


 
 Posted:   May 19, 2024 - 10:34 AM   
 By:   Solium   (Member)

Godzilla X Kong- 3-5

I was willing to accept a dumb popcorn movie if it was well made and entertaining. I found it to be like any of the Transformers movies, just a huge bore. Nothing of importance happens, never do I feel anyone is in danger or there’s anything at stake.

The movie just crawls along and stretches a 10 minute plot into a two hour movie. Most scenes felt redundant. Monster fight, searching the Hollow Earth, monster fight, searching the Hollow Earth, since and repeat.
The little deaf girl was key to everything and they made her out to be this spiritual princess, except she doesn't do anything.

The CGI was passable but it really looked like a cartoon or video game rather than a live action movie. I can’t think of a single scene or shot that really grabbed my attention. Most of the monster fight scenes are obscured by the elements, water, fire, fog, mist, sand, lens flairs.

The music was dull and uninspiring. Droning sound design with a few “wonder” like statements.

Since most of the film takes place in “Hollow Earth” we really don’t get the size of these monsters. There’s a whole new ape colony underground lead by a “mustache twirling" evil ape and a baby child ape who actually was the best character in the film. He was three dimensional and the only one with a story arc!

I didn’t like how they presented the apes. Probably for ease of motion capture they were very human like in movement, gestures and expressions. They were far more intelligently advanced than they should’ve been. They’re simply not monsters anymore.

They included a new monster for Godzilla and Kong to fight but he was really generic and dull. He shot ice instead of fire yet his “ice beam” glowed like it was white hot. I guess it was supposed to be frost? The CGI for that monster was awful.

The over all moral of the story makes no sense. Godzilla and Kong are supposedly the protectors of earth but they cause far more destruction and death ( to hundreds of thousands if not millions of humans!) in service of defeating the “evil” ape and the ice monster.

Finally, Godzilla was hardly in the film. They actually show him sleeping, at least twice! I never liked his design even though his proportions are better in this new film. This Godzilla is an awful design and there’s no good way to animate his body.

 
 Posted:   May 19, 2024 - 11:21 PM   
 By:   MusicMad   (Member)

Destry Rides Again (1939) ... 7/10

I've not seen it for many years but have always held a fond memory so found myself slightly disappointed that I didn't enjoy it more. James Stewart shows many of the mannerisms which became his style; Marlene Dietrich's performance was OTT but iconic; Brian Donlevy was excellent as the evil land-grabbing boss.

The film wasn't as funny as I'd remembered but there's plenty to smile about. The huge number of extras in many scenes is unusual when compared with many newer films.

Other than the songs (Friedrich Hollaender & Frank Loesser) I can't say I noticed Frank Sinner's score.

 
You must log in or register to post.
  Go to page:    
© 2024 Film Score Monthly. All Rights Reserved.
Website maintained and powered by Veraprise and Matrimont.