And I’d like, belatedly perhaps, to lead the plaudits for Mr Phelps, whose name as the most recent poster on a thread pretty much guarantees that I’ll check it out.
And I’d like, belatedly perhaps, to lead the plaudits for Mr Phelps, whose name as the most recent poster on a thread pretty much guarantees that I’ll check it out.
My sincere thanks to you, TG, as you have provided many a chuckle and food for thought in the nearly decade and a half we have toiled against the stodgy, humorless, and musically-conservative status quo on this board.
I don't know about the rest of youse, but Tall Guy and Onyabirri have delivered some quality work on the "Alan Meyerson Score Mixing Seminar" thread, which is fast becoming one of my personal favorite topics.
For me, Manderley's posts have always been fascinating. His encyclopedic knowledge of all aspects of film production (not just film music) taught me a lot. A compendium of his posts through the years would be a master class for anyone interested in film history.
For me, Manderley's posts have always been fascinating. His encyclopedic knowledge of all aspects of film production (not just film music) taught me a lot. A compendium of his posts through the years would be a master class for anyone interested in film history.
Hear him, hear him!
Manders and his love of cats and dry humour is one of this forum’s greatest pleasures.
I recall years ago, during a discussion on how people chose playlists, one poster said that they just skip around until they were satisfied. Another member replied that they wouldn't recommend trying that in their neighbourhood.
