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(...) I would compare it to the best work of Maurice Jarre. Ugh, hyperbole much? I just wonder where it ranks next to Solar Crisis.
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This "outrage" is really pointless. The film and the score, by the way, are getting rave reviews. Many critics already call it one of the best films of the year. Major awards might crown this achievement.
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Posted: |
Jun 30, 2014 - 3:36 PM
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By: |
RoryR
(Member)
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Really can't believe what I'm reading here in defense of Giacchino's goofy cue titles. Oh, how standards have fallen. If it where a gonzo, zany comedy film, this wouldn't bother me, but this is supposed to be a serious movie, not just an empty-headed "fun" summer blockbuster, like the latest TRANSFORMERS piece of cultural shit. Not only that, but for me, who's favorite film is and always will be the original PLANET OF THE APES, it's like a slap in the face. It's like Giacchino is saying to me personally (which of course I know he isn't literally but, figuratively....) it's like he's saying, "I wrote the music for this, but...." I can't continue because I just don't understand the mentality behind it! I just don't get doing this -- because this for posterity. I'm a fan of Giacchino. I wanted him to score RISE and was very glad when I read he was going to score this one because of all the current film music composers working I think he, outside of John Williams, displayed in previous efforts the best sensibilities for this kind of score. But now, it's like at the last minute he decided to take a dump on the thing, as if to say, "Folks, artistically, don't take this music seriously, it's all just a goofy lark. I'm just a musical hack." It's nuts! A hundred years from now are these the cue titles he wants film scholars to be reading? And for all those who will now attack me with the cliched responses of "Seriously? Really? Come on, lighten up!" Sorry, but seriously and really this is how it emotionally affects me. No, sir.... I don't like it.
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