The Cutting Edge of its day, except with a likable heroine. (Seriously, how the hell did The Cutting Edge get THREE followups?
And why isn't The Alan Parsons Project featured on the cover? The best track on the whole album!
Probably his Project really fit in the assault-on-the-tearducts approach of the rest. Also Melissa Manchester was bigger than them at the time (I didn't follow (or buy) music back in 1979. So I'm going by their mainstream success.) I believe