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Can anyone give a sonic comparison between this new edition compared to the previous Intrada release.
I'll probably bag it anyway, but I hope there's been an improvement in the balance between the highs and lows.
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The chronological order of the score is as follows:
01. Main Title
02. Strange Neighbors
03. Test Run
19. Grand Slam
20. Laser Beam
04. Shrunk
05. A New World
06. A Long Way Home
07. Bee Flight (start to 2:08)
08. The Machine Works
07. After the Bees (2:08 to 2:48)
09. Watering The Grass
10. Ant Rodeo
11. Flying Szalinski (start to 1:08, while "Astride the Ant" is repeated at the end of the album, it's still attached to this cue from 1:09-1:56)
12. Letting Antony Go
13. Night Time
14. Scorpion Attack
15. Lawn Mower!
16. Eaten Alive
17. Big Russ Volunteers
18. Thanksgiving Dinner And End Credits
WHICH MEANS we need a real expanded album - like species that have the seperate cues in film order and not in-between tracks and maybe the first CD on a cd2 as that was arranged by Horner
and there must be some alternates
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This is from the Wiki page...
After going years unreleased, James Horner's soundtrack to the film was made available by Intrada Records on March 6, 2009. The song that Amy dances to in the kitchen is "Turn It Up" by Nick Kamen, written by Jeffrey Pescetto and Patrick DeRemer.
The soundtrack was limited to a 3,000-copy release. Horner's main title music incorporates cues from the score by Nino Rota from Federico Fellini's film Amarcord (1973) and Raymond Scott's piece "Powerhouse B" (1937),[18] the latter often referenced in Carl Stalling's Warner Bros. cartoon scores. Scott's piece was used without payment or credit, leading his estate to threaten legal action against Disney. Disney paid an undisclosed sum in an out-of-court settlement and changed the film's cue sheets to credit Scott.[19] Horner's main title music underscores all the major moments involving Szalinski's technology.
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I was was able to get a copy of this from the monsters in motion website before it sold out there as well. I think I caught the final copy they had
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I've given this score many chances over the years, and sorry to say I just CAN'T get into it. And it has nothing to with cribs, which I don't give a monkey's toss about, but that there's too much LOUD zaniness.
I mean, I HAVE it on my harddrive still, but I've deleted it from my iTunes.
I reckon that the producers wanted Horner to out Elfman, Elfman who was at the time a fresh and dynamic new voice. The results weren't brilliant and the obvious cribs are were but a fraction of it.
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