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Wow. I really hate having to post this. This is flat and lacking spirit. The production, too, is pedestrian. Such a disappointment. Sigh.
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Mine is still in the mail, but I listened to it on youtube today. Not the most essential album to own, I'm afraid. There's nothing really new about the pre-Brosnan titles - just that we've heard them in better performances. It's a miracle, though, that they have turned the Craig era songs into something that can be performed by a philharmonic orchestra. This would have been a lot more fun if they had changed the arrangements or perhaps augmented with some of the less familiar themes. Even "We Have All The Time In The World" is missing. I'm afraid there's no real Bond feeling to this album. I still like to listen to the LSO album conducted by John Cacavas - any fans of this one?
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The reviews I've had from Bond fans are that this is TERRIBLE. So much so I cancelled my order. I don't need yet another collection of tepid, middle-of-the-road Bond interpretations. Cheers
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I think this is the best re-recording 007 album alongside "Bond For Orchestra" by Carl Davis. Davis' versions are more powerfull, but B25 album contains more Barry-love-theme style, than Davis album. And I'm a die-hard Bond fan
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So, its back to Moviola II: Action and Adventure and the listenable stretches of the Nic Raine/Prague Phil Bond: Back in Action albums, I suppose?
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I don't know what to say. Just listen to Barry's own recordings for Columbia in the 1960s. Literally night and day. Why can't they do it like this any longer? All talented musicians, I'm sure, but the lack of inspiration is frightening. It's not like they have to write new scores/themes. They just have to make something entertaining out of the existing material. Add a few bars from other themes here and there, improvise,... I enjoy the reconstruction of the missing "Goldfinger" tracks a lot more than this entire album (and I really despise synths!).
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