Silvestri has a pretty good track record of getting his scores out there (especially on CD) so I'm hoping someone like Intrada or LLL or Quartet might get a shot at getting this one out to us Luddites.
Silvestri has a pretty good track record of getting his scores out there (especially on CD) so I'm hoping someone like Intrada or LLL or Quartet might get a shot at getting this one out to us Luddites.
It's Watertower, and for what i know, they releases (i believe) both digital and CD.
If it's anything like An American Pickle, the other theatrical WB movie that got moved to HBO MAX, it'll get a digital release around the same time as the movie drops.
1 Witches Are Real 2:25 2 My First Witch 3:45 3 What You Saw 3:07 4 Chickenafied 2:45 5 Enter the Witches 3:57 6 Grand High Witch 3:21 7 Witches 3:31 8 Instant Mouse 4:07 9 A Narrow Escape 4:40 10 Fourth Floor 3:13 11 It Can Be Very Dangerous 3:11 12 The Potion 3:56 13 Let's Make A Potion 3:58 14 The Mission 2:33 15 Soup Is On 2:45 16 Pigtails 3:29 17 A Stolen Key 3:27 18 Let Me Out 2:33 19 I Didn't Hear A Thing 3:08 20 Pea Soup 2:23 21 End Credits (The Witches) 5:54
So interesting how different people have very different preferences for a composer's various styles! My preferred Silvestri is Van Helsing/Xmas Carol, I'm excited to hear what this is all about!
Yes, Ready Player One and Welcome To Marwen were two vintage/textbook Silvestri scores to my ears. But even his other recent stuff is pure Silvestri to me, from his Avengers films to his Zemeckis films. He's just great whatever way you split it.
And Roger, looking forward to your next post saying 'CD coming from Intrada hopefully November/December 2020'
Yes, Ready Player One and Welcome To Marwen were two vintage/textbook Silvestri scores to my ears. But even his other recent stuff is pure Silvestri to me, from his Avengers films to his Zemeckis films. He's just great whatever way you split it.
Actually those two, are among the best Silvestri's stuff in recent years.
Some very good brass, woodwind, and string writing in those clips. It sounds very reminiscent of a stately early-to-mid 1990s orchestral fantasy score.
