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I think everyone who reads this thread and wants the score should drop him an email and express the interest.
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While I apprecie what he's doing, what it is, is a new model to not get legal clearance from the rights holders, and avoid the AFM. If he handed out promtional CD's, he might fall into some grey area, but this -- I don't imagine it's anything but trouble. Somebody on this board, it might have been Thaxton, said about a year or two ago, when somebody here inquired about the scores for this show, something along the lines of "Good things come to who wait". The studio must have some interest, otherwise the Dennis McCarthy CD, sold at his site, wasn't legal then, and the Grateful Dead one from Silva Screen, also not so. I'm betting some label would get more talk from the studio.
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Passage of time doesn't make something right. Doing something repeatedly doesn't make a person in the right. And last I heard, promotional CD's are just that -- promotional; hey are not licensed for sale. I'm, sue Lukas or MV can step in here and clear it up, even give some vague idea of the AFM fees that could be associated with the usage. Assuming there was no choir, which would cost more. And whether releasing this stuff, might hinder a future multi-CD set. If a composer wants to hand out promos to people not in the industry, he can -- not supposed to, but I've yet to see a single composer get in trouble for this. If he wants to ask for a little when a person contacts him, or that person offers some, that's between him and the individule, though still circumnavigating the AFM (though in a more grey area with a promo). And, as MV pointed out: "Something to keep in mind when companies produce projects like this -- we are still held accountable for stuff like AFM and SAG fees." Which I assume, for SAG, means if they use a picture (or likeness?) of any of the actors, they have to pay for that, too, so if Goldstein puts anybody on the inserts... Again,. I'm happy he replies to fans, cares, and wants to make the effort.
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