Is this one of the Horner scores where Horner references his other work the least? Or am I just not familiar enough with his oeuvre to not recognize it? In any case, this is a truly beautiful score that I doubt I would have ever gave a second look too if not for the enthusiasm expressed for it on this board.
Is this one of the Horner scores where Horner references his other work the least?
There's a theme at the end of "The Great Migration" where Horner re-used his main theme from Journey Of Natty Gann verbatim (albeit with a choir added). Other than that, it's one of his more "original" efforts.
Is this one of the Horner scores where Horner references his other work the least?
There's a theme at the end of "The Great Migration" where Horner re-used his main theme from Journey Of Natty Gann verbatim (albeit with a choir added). Other than that, it's one of his more "original" efforts.
Thanks, Jack. I took a look at his IMDB page and it was frankly an ignorant comment to original make/ask because 75% of the projects he's scored I've never seen- including some of the most prominent ones. I was just going by how often I was hearing the same strains in some of the early to mid 80's films. Happy to know LBT was a more inspired work. It sounds like he must have been enjoying himself.
I should make myself a little more open to him in the future, I think.
Unman, Wittering and Zigo/The Naked Face - Michael J. Lewis
The UWZ score is a small masterpiece!...
Happy to hear that too. I have it on the shelf, saving it for a rainy day pick me up.
Listening to this right now
Definitely some intriguing cues sprinkled in here that I wouldn't have otherwise been motivated to investigate.
I think it would be smart for every label to put out a nominally priced, year end retrospectives to spur future sales.