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 Posted:   Oct 26, 2020 - 11:48 AM   
 By:   batman&robin   (Member)

Just can't wait to hit the "buy" button! Thanks a lot to Intrada!

 
 Posted:   Oct 26, 2020 - 2:30 PM   
 By:   afn   (Member)

Having read this, I just rewatched the movie.

I still very much like it, but for the life of me I can't remember anything musically apart from some lonely patriotic trumpet cues and the occasional half-buried action track so I wonder how much music there is in it anyway that it now even warrants an expansion... especially given the fact that more than once we have prominently featured songs instead of the score filling up the sound track.

 
 
 Posted:   Oct 26, 2020 - 2:50 PM   
 By:   Hurdy Gurdy   (Member)

Is it Rambo 3 this scores' main theme echoes, or something else (Executive Decision?).
It's deffo something by Goldsmith I've already got.

 
 Posted:   Oct 26, 2020 - 3:21 PM   
 By:   Yavar Moradi   (Member)

Rambo III. For me this score plays very much as a sequel to that one.

Yavar

 
 
 Posted:   Oct 26, 2020 - 4:06 PM   
 By:   Movieman5   (Member)

Available for pucharse now along with Land before time

http://store.intrada.com/s.nl/it.A/id.12180/.f

 
 Posted:   Oct 26, 2020 - 4:36 PM   
 By:   Amer Zahid   (Member)





Expanded and remastered Jerry Goldsmith soundtrack on 2 CDs! Dreamworks Pictures presents, Rod Lurie directs, Robert Redford, James Gandolfini, Mark Ruffalo, Clifton Collins Jr., Delroy Lindo star. A clash of wills, a test of strength… behind bars! Gandolfini is the military prison warden, Redford the new inmate with a twist: he’s also a decorated general, not accustomed to following but leading, now a fallen hero just doing his time. Before long his ideals put him in conflict with the warden’s and the other prisoners find themselves “pawns” in a giant chess game with their lives at stake. The chess metaphor (note the film’s title) anchors the increasingly dangerous game playing out between the two protagonists. An all-out battle looms ahead. Complex film had the misfortune of being completed just as the terrible events of September 11, 2001 took place. The impact affected the mood and outcome of the film itself with the American flag as a centerpiece. In fact, Jerry Goldsmith completed his score close to the terror attacks and named his primary theme, “September 11, 2001”. The incredibly moving, solemn minor-key theme plays typically on solo trumpet, scored by the composer for ace trumpeter Malcolm McNab, who contributes a personalized paragraph in the booklet notes specifically for this release. But the score offers much more: as conflicts build, Goldsmith increases the tension as well. War does come and Goldsmith attacks with his unique brand of ferocious, percussive action writing. New Intrada 2-CD set presents Goldsmith’s full score with numerous previously unreleased cues, all taken from the original 3-channel digital stereo session mixes, culminating in the lengthy, climactic “Battle For The Castle”  (composed by Mark McKenzie), also being released for the first time. Here aggressive staccato rhythms and orchestral punctuation mark the violent confrontation.  Still more action hits with Goldsmith’s “Hold Them” and “Taking Command”. No matter how intense or exciting the score should become, listeners will always find the ever-noble, ever-expressive sound of Malcolm McNab and his golden trumpet taking the spotlight. Several alternates also appear as well as three versions of the climactic “The Flag” sequence. CD 2 presents the classical music (which the warden sometimes listens to), conducted and/or supervised by Jerry Goldsmith as well as a remastered presentation of the original Decca album as prepared by Bruce Botnick. Kay Marshall designs dramatic package, Jeff Bond contributes notes, Mark McKenzie orchestrates, Bruce Botnick engineers, Jerry Goldsmith composes & conducts. Intrada Special Collection 2-CD set available while quantities and interest remain!




CD 1 - Complete Score
01. The Castle (1:39)
02. Irwin Arrives (2:12)
03. The Cell Block (1:00)
04. My Turn (1:02)
05. Rain (2:02)
06. The Rock Pile (4:58)
07. My Mission (Original) (1:41)
08. No Wall (0:53)
09. The Dog Tags (1:03)
10. Let’s Go Ladies (2:36)
11. The Salute (1:08)
12. Winter’s Report (0:42)
13. Full Alert (2:51)
14. Fading Away (1:16)
15. Military Justice (2:18)
16. The Count Down/Hold Them (4:07)
17. Taking Command (3:37)
18. Battle For The Castle (6:22)
19. Fall In (2:38)
20. The Flag (Revised No. 2) (7:00)
21. September 11, 2001 Theme From The Last Castle (2:41)
      Total Score Time: 54:45

The Extras
22. The Cell Block (Alternate) (1:00)
23. My Mission (Alternate) (1:43)
24. The Count Down/Hold Them (Early Take) (4:06)
25. The Flag (Original) (6:55)
26. The Flag (Revised No. 1) (5:48)
      Total Extras Time: 19:43
      CD 1 Total Time: 74:35


CD 2 - Classical Source Music –
      Conducted/Supervised By Jerry Goldsmith
01. Symphony No. 40 In G Minor, K. 550 (1:00)
      (Wolfgang Amadeus Mozart)(Movement II, Andante)
02. Piano Sonata In C Major, K. 545 (2:36)
      (Wolfgang Amadeus Mozart)(Movement II, Andante)
03. Piano Sonata In B-Flat Major, K. 570 (0:49)
      (Wolfgang Amadeus Mozart)(Movement III, Allegretto)
04. Goldberg Variations, BWV 988, Variation 3 (3:42)
      (Johann Sebastian Bach)
05. Goldberg Variations, BWV 988, Variation 7 (Long) (2:41)
      (Johann Sebastian Bach)
06. Goldberg Variations, BWV 988, Variation 7 (Short) (1:07)
      (Johann Sebastian Bach)
Source Music Supervised By Jerry Goldsmith Time: 12:05

07. Concerto For Oboe, Violin,
      Cello And Orchestra In D Major (Antonio Salieri) (Movement 1) (9:14)

Original Decca Soundtrack Album
08. The Castle (1:32)
09. Irwin Arrives (2:11)
10. The Rock Pile (4:58)
11. Get Behind The Mule (Performed By John Hammond) (5:51)
12. Let’s Go Ladies (3:35)
13. Full Alert (2:51)
14. Military Justice (3:17)
15. The Count Down (2:19)
16. Hold Them (1:48)
17. Taking Command (3:31)
18. The Flag (5:49)
19. September 11, 2001 – Theme From The Last Castle (2:40)
20. Chiseled In Stone (Performed by Dead Hall) (3:45)
      Original Album Time: 43:06
      CD 2 Total Time: 64:41

 
 Posted:   Oct 26, 2020 - 5:33 PM   
 By:   spielboy   (Member)

the classical themes FINALLY

thanks!!

 
 
 Posted:   Oct 26, 2020 - 5:42 PM   
 By:   McCrutchy   (Member)

I always remember the trumpet from the main theme, even though it must be over a decade since I've seen the film. I ordered my copy!

 
 Posted:   Oct 26, 2020 - 6:17 PM   
 By:   Sirusjr   (Member)

I had not really listened to the score before until I saw the announcement. After another listen I liked the trumpet enough to give it a purchase. Not the best late Goldsmith but I can listen to it more than Timeline, which never clicked with me even on another listen.

 
 Posted:   Oct 26, 2020 - 8:19 PM   
 By:   Amer Zahid   (Member)

Ordered!

 
 Posted:   Oct 26, 2020 - 11:05 PM   
 By:   Steve H   (Member)

Rambo III. For me this score plays very much as a sequel to that one.

Yavar

I agree. If Goldsmith were able to have scored Stallone's 2006 Rambo I always imagined this is what it would've sounded like. It was a huge shame he wasn't still with us for that score as I think the film is hugely underated.

 
 Posted:   Oct 27, 2020 - 2:47 AM   
 By:   Totoro   (Member)

Why there is music composed by Mark McKenzie?

Did he co-composed with Goldsmith or was hired later to re-score?

 
 Posted:   Oct 27, 2020 - 3:58 AM   
 By:   Henry Jones   (Member)

From Mark McKenzie on his own website:

"One of the greatest cinema composers ever, Academy Award Winning Jerry Goldsmith asked me to compose the 6 minute prison battle at the end of the Robert Redford / James Gandolfini movie THE LAST CASTLE. Jerry had it in his contract that he could ask whoever he wanted if he needed help. Jerry gave me no instructions but I used his hero theme at the climax. I also incorporated Jerry’s ascending thirds theme in the action portion. After finishing composing, I called Jerry to have him review a mock up. He said he didn’t need to see or hear it..he’d hear it soon enough. After I conducted the first rehearsal at the old CBS Radford recording stage with an 80 piece orchestra, the music executive unwilling to make a deal before hand happily called my agent and made a very good deal for me. No changes were made. We recorded it on take three with the amazing Los Angeles Musicians."

My guess is Jerry was probably already ill, and planed an additional composer possibility in his contract.

 
 
 Posted:   Oct 27, 2020 - 4:35 AM   
 By:   Hurdy Gurdy   (Member)

Yeah, it was happening more and more, as Goldsmith got weaker and weaker from his illness.
Joel McNeely helped on AIR FORCE ONE* and John Debney on LOONY TUNES BACK IN ACTION.
I think there were others too.

*although that one might have been due to ridiculous time crunch issues...Randy Newman rejected etc.

 
 
 Posted:   Oct 27, 2020 - 7:37 AM   
 By:   jfallon   (Member)

Yeah, it was happening more and more, as Goldsmith got weaker and weaker from his illness.
Joel McNeely helped on AIR FORCE ONE* and John Debney on LOONY TUNES BACK IN ACTION.
I think there were others too.

*although that one might have been due to ridiculous time crunch issues...Randy Newman rejected etc.


If this was the reason why he handed over some composer duties it makes me more of a fan of his latter work. Such a sad passing and he composed to the end... Mackenzie did a fantastic job with that cue. Some of his best career writing.

 
 
 Posted:   Oct 27, 2020 - 8:55 AM   
 By:   CCOJOE   (Member)

Absolutely ordered!!

 
 
 Posted:   Oct 27, 2020 - 9:09 AM   
 By:   patrick_runkle   (Member)

I hate, hate, hate myself for what I'm about to say, but: There's no way this couldn't have fit on one disc? Really?

 
 Posted:   Oct 27, 2020 - 9:51 AM   
 By:   Yavar Moradi   (Member)

I hate, hate, hate myself for what I'm about to say, but: There's no way this couldn't have fit on one disc? Really?

Not an unreasonable question and I’m certainly surprised about spending $30 on The Last Castle myself, but the way this could have fit on one disc would be to omit not only the remastered original album (which might have unique takes/edit points different from the film) but also all of the classical source music which Jerry himself conducted and/or supervised. I realize that sort of thing is perhaps only interesting to huge fans of the film or of Jerry Goldsmith, but I’m a huge enough fan of the latter that I confess I’m interested to hear Jerry’s take on these as a conductor in particular.

Yavar

 
 
 Posted:   Oct 27, 2020 - 9:56 AM   
 By:   Steven Lloyd   (Member)

I hate, hate, hate myself for what I'm about to say, but: There's no way this couldn't have fit on one disc? Really?

It's not worthwhile to hate yourself, so forgive yourself instead. But: the LAST CASTLE score as heard in the film runs just under 55:00, while alternates of several cues push the length of Disc 1 past 74:00. Then Disc 2 offers 21:00 of classical pieces by Mozart, Bach, and Salieri, that are source music in the film for villain James Gandolfini -- and which are important enough to the movie that one member here already posted his gratitude for their inclusion in the set.

Therefore, no -- this wouldn't have fit on one disc. Buyers uninterested in the classical source needn't take the second disc out of the jewel case. But since Intrada had to pay the original album's licensors for the right to issue this expanded release, then why not throw in the UMG album as well?

 
 Posted:   Oct 27, 2020 - 4:09 PM   
 By:   spielboy   (Member)

the remastered original album (which might have unique takes/edit points different from the film)

who says so?

 
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