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Finishing SEASON 2:
"Call Girl"
By: John Parker
https://www.dailymotion.com/video/x6n0m0z
Warner Bros. purchase link:
Highlights:
17:00 in.
20:36 in.
33:45 in.
37:18 in.
44:21 in.
50:03 in.
"Royal Marriage"
By: John Parker
https://www.dailymotion.com/video/x6n0m10
Warner Bros. purchase link:
Highlights:
1:53 in. The disco club disco source music.
21:41 in.
22:24 in. More disco club disco source music.
25:06 in.
"The Outsiders"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6n4tpz
Warner Bros. purchase link:
Highlights:
0:00 in.
About 8:10 in. The country bar country source music.
14:52 in.
25:23 in. Brief funky cue.
34:42 in. Funky. Very little FX.
"John Ewing III: Part 1"
By: Bruce Broughton
https://www.dailymotion.com/video/x6n4tq1
Warner Bros. purchase link:
Highlights:
4:48 in. Some funky music.
14:53 in. Also some funky music.
22:44 in.
35:06 in.
"John Ewing III: Part 2"
By: Bruce Broughton
https://www.dailymotion.com/video/x6n4tq0
Warner Bros. purchase link:
Highlights:
0:00 in.
4:19 in.
11:04 in. Short but nice.
14:00 in.
26:02 in.
29:18 in.
37:32 in.
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SEASON 3:
"Whatever Happened to Baby John?: Part 1"
By: Jerrold Immel
https://www.dailymotion.com/video/x6n8495
Warner Bros. purchase link:
Highlights:
0:00 in.
11:00 in.
31:39 in.
35:07 in. Joining a cue already in progress for the off-kilter presentation of the series main theme.
39:15 in.
"Whatever Happened to Baby John?: Part 2"
By: Jerrold Immel
https://www.dailymotion.com/video/x6n8496
Warner Bros. purchase link:
Highlights:
7:18 in.
9:57 in.
14:41 in.
16:20 in.
19:44 in.
21:15/28:40/30:39 in.
21:33 in.
34:03 in.
39:34 in.
Without checking, I think that's the same off-kilter cue from the previous episode, I hear in about the middle of the episode.
(40:45)
J.R.: "I wouldn't count on livin' that long if I was you."
"The Silent Killer"
By: Bruce Broughton
https://www.dailymotion.com/video/x6n8494
Warner Bros. purchase link:
Highlights:
Nothing.
Obviously, if I were compiling a set of season three scoring, I'd skip this episode score.
For the guys here: 26:28 in. You're welcome.
"Secrets"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6nbcqq
Warner Bros. purchase link:
Highlights:
1:41 in.
4:17 in. The counter point to the strings and woodwinds, sounds like "Jaws" shark music.
9:02 in.
19:09 in.
21:10 in.
30:32 in.
36:25/39:22 in.
44:53 in.
"The Kristin Affair"
By: Bruce Broughton
https://www.dailymotion.com/video/x6nbcqr
Warner Bros. purchase link:
Highlights:
1:41 in. Also in one long "For the guys here"...
26:35 in.
"The Dove Hunt"
By: John Parker
https://www.dailymotion.com/video/x6nbcqs
Warner Bros. purchase link:
Highlights:
10:15 in.
12:12 in.
14:54 in.
21:00 in.
22:15/26:40 in.
39:16 in.
"The Lost Child"
By: Bruce Broughton
https://www.dailymotion.com/video/x6nem6u
Warner Bros. purchase link:
Highlights:
13:30 in.
21:32 in.
26:53 in.
This score was nominated for an Emmy. The other competition that year:
"Lou Grant"
Episode: "Hollywood"
Composer: Patrick Williams
(WINNER)
"Eischied"
Episode: "Only the Pretty Girls Die, Part 2"
Composer: John Cacavas
"Paris"
Episode: "Decisions"
Composer: Fred Karlin
"Skag"
Episode: "Pilot"
Composer: Billy Goldenberg
"Rodeo"
By: John Parker
https://www.dailymotion.com/video/x6nem6w
Warner Bros. purchase link:
Highlights:
1:44 in.
19:12 in
28:43 in.
44:52 in.
47:15 in.
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Continuing SEASON 3:
I forgot to ad Emmy information to a title in the first batch of season three episodes, so I've gone back and added that.
"Mastectomy: Part 1"
By: Bruce Broughton
https://www.dailymotion.com/video/x6nhyc1
Warner Bros. purchase link:
Highlights:
7:10 in.
24:45 in.
If I were compiling a set of season three scoring, I'd probably not include either cue.
"Mastectomy: Part 2"
By: John Parker
https://www.dailymotion.com/video/x6nhyc2
Warner Bros. purchase link:
Highlights:
0:00 in.
19:10 in.
26:41 in.
37:30 in.
About 43:20 in.
45:42 in.
If I were compiling a set of season three scoring, I'd probably only include some of these.
"The Heiress"
By: John Parker
https://www.dailymotion.com/video/x6nhyc3
Warner Bros. purchase link:
Highlights:
26:32 in.
"Ellie Saves the Day"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6nldlf
Warner Bros. purchase link:
Highlights:
4:22 in.
11:45 in.
39:23 in.
41:29 in.
44:21 in.
"Mother of the Year"
By: John Parker
https://www.dailymotion.com/video/x6nldlg
Warner Bros. purchase link:
Highlights:
1:42 in.
33:51 in.
39:53 in.
43:51 in.
"Return Engagements"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6nldlh
Warner Bros. purchase link:
Highlights:
1:41 in.
5:35 in.
16:08 in.
About 21:10 in.
25:25 in.
29:02 in.
34:37 in.
39:14 in.
44:07 in.
"Love and Marriage"
By: Bruce Broughton
https://www.dailymotion.com/video/x6novq9
Warner Bros. purchase link:
Highlights:
0:00 in.
5:28 in.
23:30 in.
"Power Play"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6novqb
Warner Bros. purchase link:
Highlights:
0:00 in. Contains some funk.
1:42 in. Also contains some funk.
6:43 in.
23:16 in. Roller disco club disco source music.
34:17 in.
"Paternity Suit"
By: John Parker
https://www.dailymotion.com/video/x6novqa
Warner Bros. purchase link:
Highlights:
40:29 in.
44:41 in.
For the guys here: 35:50 in. You're welcome.
J.R.: "I'm amazed you're not a better loser, after all the experience you've had."
"Jenna's Return"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6ntkfh
Warner Bros. purchase link:
Highlights:
17:50 in.
33:45 in.
38:05 in.
44:17 in.
"Sue Ellen's Choice"
By: Bruce Broughton
https://www.dailymotion.com/video/x6ntkfi
Warner Bros. purchase link:
Highlights:
1:42 in. Spirited sports music.
11:05 in.
22:44/23:52 in.
40:24 in.
"Second Thoughts"
By: Jerrold Immel
https://www.dailymotion.com/video/x6ntkfj
Warner Bros. purchase link:
Highlights:
2:11 in.
26:59 in.
32:20 in. And the cue after the commercial break.
44:04 in.
Out-of-context quote:
"I'd like to stay home and let me do it if you'll let me."
"Divorce, Ewing Style"
By: John Parker
https://www.dailymotion.com/video/x6ny79s
Warner Bros. purchase link:
Highlights:
8:38 in.
11:17/13:31 in.
17:33 in.
28:20 in.
29:40/31:57/44:32 in. Music with a light funky beat.
35:13 in.
40:15 in.
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Finishing SEASON 3:
"Jock's Trial: Part 1"
By: Bruce Broughton
https://www.dailymotion.com/video/x6ny79r
Warner Bros. purchase link:
Highlights:
1:42 in.
"Jock's Trial: Part 2"
By: John Parker
https://www.dailymotion.com/video/x6ny79t
Warner Bros. purchase link:
Highlights:
13:55 in.
23:48 in.
34:24 in.
37:07 in.
40:32 in.
"The Wheeler Dealer"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6o4nq4
Warner Bros. purchase link:
Highlights:
0:00 in.
1:42 in.
5:14 in.
12:54 in.
22:51 in.
31:26 in.
32:40 in.
42:56 in.
"A House Divided"
By: Bruce Broughton
https://www.dailymotion.com/video/x6o4nq6
Warner Bros. purchase link:
Highlights:
0:00 in.
1:41 in.
18:00 in.
21:18 in.
23:22 in.
26:45 in. Can be tagged on to another cue of similar style.
30:54 in.
About 41:50 in.
44:13 in.
And so started the infamous: Who shot J.R.?
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SEASON 4:
All of season four.
There was a union strike and most of season four was either tracked and/or had original
scoring by John Scott. I don't have a firm answer and so I am skipping all those episodes. Below is where the strike apparently ended, as composers started being credited again.
I'm not interested in the details of the strike, so this is all I will say about it.
Sadly, the resolve of "Who shot J.R.?" fell before the original scoring returned.
Over a decade later "The Simpsons" would do their own thing on this, with "Who Shot Mr. Burns?"; even the second part of the episode had it's own light parody of the reveal.
"The Quest"
By: Bruce Broughton
https://www.dailymotion.com/video/x6otti7
Warner Bros. purchase link:
Highlights:
0:00 in.
1:45 in.
18:27 in.
21:28 in. Short but good. And the plucky fun cue after the commercial break.
24:50 in.
38:38 in. More plucky music.
43:31 in. Over two minutes of plucky sneaking around music.
"Lover, Come Back"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6otti8
Warner Bros. purchase link:
Highlights:
1:42 in.
4:01 in.
11:25 in.
23:52 in.
27:02 in.
30:35 in.
33:34 in. Maybe tag on 37:06 in.
43:03 in.
"The New Mrs. Ewing"
By: Bruce Broughton
https://www.dailymotion.com/video/x6p54sp
Warner Bros. purchase link:
Highlights:
1:42 in.
11:34 in.
18:27 in.
32:02 in.
39:32 in.
43:52 in.
45:27 in.
"The Mark of Cain"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6p54so
Warner Bros. purchase link:
Highlights:
0:00 in.
1:42 in.
3:50 in.
7:31 in.
22:15 in.
27:16 in. And the cue after the commercial break.
29:44 in.
39:19 in.
(37:47)
"The Gathering Storm"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6p54sq
Warner Bros. purchase link:
Highlights:
0:00 in.
1:41 in.
3:06 in.
29:17 in.
"Ewing vs. Ewing"
By: Bruce Broughton
https://www.dailymotion.com/video/x6pbljn
Warner Bros. purchase link:
Highlights:
0:00 in.
1:42 in.
About 42:40 in.
"New Beginnings"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6pbljm
Warner Bros. purchase link:
Highlights:
33:56 in.
If I were compiling a set of season four scoring, I'd skip this episode score.
"Full Circle"
By: Bruce Broughton
https://www.dailymotion.com/video/x6pbljo
Warner Bros. purchase link:
Highlights:
1:40 in.
14:14 in.
16:45 in.
22:17 in.
25:14 in. And the cue after the commercial break.
36:18 in.
"Ewing-Gate"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6ph76c
Warner Bros. purchase link:
Highlights:
1:42 in.
11:48 in.
3717 in.
41:35 in.
J.R.: "Nobody's ever gonna get ol' J.R.."
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SEASON 5:
All season five loads are minus the preview and opening credits.
"Missing Heir"
By: Jerrold Immel
https://www.dailymotion.com/video/x6ph76d
Highlights:
0:00 in.
33:02 in.
40:22 in.
"Gone, But Not Forgotten"
By: Bruce Broughton
https://www.dailymotion.com/video/x6ph76e
Highlights:
0:00 in.
6:34 in. Joining a cue already in progress.
8:37 in.
13:33 in. Spanish guitar and alto flute leading. And the upbeat, albeit short cue, after the commercial break.
14:56 in.
18:34 in.
26:15 in.
36:01 in.
41:27 in. Biting staccato brass, strings, lower octave piano hits, and more. Mostly drama with some tense stuff. Over three minutes long, to the end of the episode.
That's most of the score. I can't image skipping any of the cues I cited, on an official release.
Sometimes it's baffling why some episode scores get nominated for an award and others don't.
Even though Broughton appears to often have trouble finding out what to do and when to score on the series, when he does do scoring, a lot of times it's interesting and way more colorfully orchestrated then the show even needs (which is not an insult), so it's often interesting to hear.
"Showdown at San Angelo"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6pryvs
Highlights:
0:00 in.
1:37 in.
3:29 in.
8:45 in. Piano, strings, a dash of woodwinds.
12:25 in.
15:25 in.
18:18 in. Opens with a solo bass flute, leading to solo piano.
43:00 in.
Unless I skimmed passed shorter cues by accident, that's all but five cues.
"Little Boy Lost"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6pryvr
Highlights:
0:00 in.
2:52 in.
11:14 in.
15:00 in.
29:54 in.
32:01 in.
40:11 in.
"The Sweet Smell of Revenge"
By: Bruce Broughton
https://www.dailymotion.com/video/x6pryvt
Highlights:
0:00 in.
6:37 in.
9:50 in. Continues after the commercial break.
17:50 in.
36:00 in.
39:30 in.
40:55 in.
"The Big Shut Down"
By: John Parker
https://www.dailymotion.com/video/x6pwej5
Highlights:
23:59 in.
27:11 in.
33:53 in. Could be tagged onto the opening of the cue after the commercial break
"Blocked"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6pwej6
Highlights:
28:21 in.
32:35 in.
37:05 in.
"The Split"
By: Bruce Broughton
https://www.dailymotion.com/video/x6pwej7
Highlights:
0:00 in.
6:30 in.
12:03 in.
16:43 in.
20:20 in.
22:05 in.
27:10 in.
30:21 in.
31:58 in.
40:31 in.
About 44:25 in.
"Five Dollars a Barrel"
By: Bruce Broughton
https://www.dailymotion.com/video/x6q1qj5
Highlights:
0:00 in.
8::18 in.
14:42 in.
20:27 in.
28:42 in.
40:41 in.
"Starting Over"
By: John Parker
https://www.dailymotion.com/video/x6q1qj6
Highlights:
1:20 in.
21:53 in. Joining a cue already in progress.
34:07 in.
38:21 in.
41:16 in.
43:00 in.
"Waterloo at Southfork"
By: Lance Rubin
https://www.dailymotion.com/video/x6q1qj7
This is Rubin's first effort for the series.
Highlights:
0:00 in.
5:18 in.
8:04 in.
26:05 in.
33:37 in.
38:58 in.
"Barbecue Two"
By: John Parker
https://www.dailymotion.com/video/x6qdgyj
Highlights:
0:00 in.
11:03 in.
25:14 in.
28:07 in.
44:00 in.
I wouldn't be opposed to having all the country source music cues he did for the dance (beginning somewhere about 30:00 in and until 43:59 in).
"The Search"
By: Bruce Broughton
https://www.dailymotion.com/video/x6qdgxi
Highlights:
3:52 in.
About 5:40 in.
13:32 in.
15:27 in.
18:35 in.
23:20 in.
28:15 in.
4358 in.
This episode score was nominated for an Emmy. The other competition that year:
"Little House on the Prairie"
Episode: "He Was Only Twelve, Part 2"
Composer: David Rose
(WINNER)
"The Incredible Hulk"
Episode: "The Triangle"
Composer: Joe Harnell
"Lou Grant"
Episode: "Hometown"
Composer: Patrick Williams
"Denial"
By: Bruce Broughton
https://www.dailymotion.com/video/x6qdgxg
Highlights:
0:00 in.
3:45 in.
7:22 in.
8:50 in.
10:55 in. And the cue after the commercial break.
2210 in.
26:59 in.
27:44 in.*
35:50 in.+
38:00 in.
* = That's some spectacular White Out. It's almost like that's impossible!
+ = I don't think he waa acting and I think that drink thing wasn't in the script.
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Posted: |
Oct 24, 2019 - 10:21 PM
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By: |
deepscan
(Member)
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SEASON 4:
All of season four.
There was a union strike and most of season four was either tracked and/or had original
scoring by John Scott. I don't have a firm answer and so I am skipping all those episodes. Below is where the strike apparently ended, as composers started being credited again.
I'm not interested in the details of the strike, so this is all I will say about it.
J.R.: "Nobody's ever gonna get ol' J.R.."
Well, then, I will pick up from where you left off.
The musicians were also involved in this union strike.
Having seen season 4 originally when it was on CBS, I can tell you this was library stock music that Lorimar also used on its other TV shows at the time (like “8 Is Enough”). Hard to believe though that John Scott (if he did indeed contribute any original music on the strike episodes) also wrote the bombastic score for “Greystoke: The Legend of Tarzan, Lord of the Apes”.
David Rose, on the other hand, refused to go this route for “Little House on the Prairie” for the most part, so he used tracked music from his scores for earlier episodes. The only time that library music was ever used during the strike season was during some minor sections for the two-part episode “To See The Light”.
Believe it or not, tracked music is still used today for TV shows, especially sitcoms.
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Finishing SEASON 5:
"Head of the Family”
By: Jerrold Immel
https://www.dailymotion.com/video/x6qj6t9 (minus the preview and opening credits)
Highlights:
25:55 in.
28:18 in.
For the guys here: 2:59 in. You're welcome.
"The Phoenix”
By: Bruce Broughton
https://www.dailymotion.com/video/x6qj6ta
Highlights:
1:12 in.
11:19/13:10 in.
17:48 in.
20:55 in.
"My Father, My Son”
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6qj6tb
Highlights:
4:35 in.
9:52 in.
18:02 in.
38:08 in.
"Anniversary”
By: Bruce Broughton
https://www.dailymotion.com/video/x6qwp17
Highlights:
2:31 in.
9:15 in.
33:51 in. And the cue after the commercial break.
41:50 in.
"Adoption”
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6qwp16
Highlights:
0:00/23:00 in. Light disco exercise [source] music.
3:23 in.
19:14 in.
24:19 in.
26:55 in.
29:26 in.
44:34 in.
"The Maelstrom”
By: Lance Rubin
https://www.dailymotion.com/video/x6qwp18
Highlights:
0:00 in.
0:49 in.
2:45 in.
4:04 in.
7:41 in.
14:52 in.
21:20 in.
29:46 in.
Well, that's a new one on me after having seen so much television. Usually when a female character finds out some guy has photo graphs all over his secret room walls, she flees. Here, is embraces him and they moved towards gettin' it on.
"The Prodigal”
By: Bruce Broughton
https://www.dailymotion.com/video/x6r2o0t
Highlights:
0:00 in.
1:48 in.
19:17 in.
22:23 in. Short but good.
2407 in.
28:07 in.
31:04 in.
34:01 in.
40:46 in.
"Vengeance”
By: Bruce Broughton
https://www.dailymotion.com/video/x6r2o0u (minus the preview and opening credits)
Highlights:
2:16 in.
4:36 in.
15:38 in.
20:36 in.
23:46 in.
26:42 in.
34:12 in.
41:58 in.
"Blackmail”
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6r2o0v (minus the preview and opening credits)
Highlights:
0:00 in.
10:35/13:28 in.
24:2 in. And the cue after the commercial break.
26:39 in.
35:47 in.
39:36 in.
"The Investigation”
By: Bruce Broughton
https://www.dailymotion.com/video/x6rehf8
Highlights:
0:00/2:07 in.
4:58 in.
6:31 in.
14:41 in.
17:11 in.
24:35 in.
25:45 in.
27:44 in.
32:03 in.
Too bad most of these are short cues.
"Acceptance”
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6rehfa
Highlights:
0:00 in.
21:25 in.
24:25 in.
26:46 in.
28:10 in.
29:58 in.
32:08 in.
35:42 in.
39:23 in.*
* = An especially powerful scene considering the actor wasn't written off, he died in real life.
"Goodbye, Cliff Barnes”
By: Bruce Broughton
https://www.dailymotion.com/video/x6rehf9 (minus the preview and opening credits)
Highlights:
4:23 in.
About 9:00 in.
22:22 in.
28:47 in.
32:08/33:25 in.
38:41 in.
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SEASON 6:
"Changing of the Guard”
By: Jerrold Immel
https://www.dailymotion.com/video/x6rghgw
Highlights:
1:47 in.
3:25 in.
6:55 in.
26:08 in.
35:40'; in.
39:41 in.
42:30 in. For a short bit there it sounded like one of those 1980's upbeat with a beat cues Delerue did.
"Where There's a Will”
By: Bruce Broughton
https://www.dailymotion.com/video/x6rghgx
Highlights:
0:00 in.
1:47 in.
12:55 in. And the cue after the commercial break.
23:19 in.
26:32 in.
28:13 in.
36:58 in.
I'm trying to do more episodes every day so I can hopefully finish the series in two weeks in stead or three weeks (and some days).
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Posted: |
Oct 27, 2019 - 1:06 PM
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By: |
Broughtfan
(Member)
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Hey Justin. Thanks for doing this, especially in calling attention to Bruce Broughton's exemplary work on this series. As good as his scores in the seasons already profiled are I find that his Season 8 work (his last season on the show) is simply as good as television music gets, his final two scores for the series, "Dead Ends" and "Terms of Estrangement" (the latter, featuring, IMO, some of the most sophisticated-sounding string writing for series television, recorded just before Bruce left to start work on "Silverado") being two of my all-time favorites (and two scores that couldn't be more different in terms of tone, orchestration).
Now everyone here knows why I am 'Broughtfan,' Bruce, to my mind, being one of this country's shinning film composer lights. Says volumes that when Jerry G had to bow out of "Tombstone" he recommended Bruce for the job (could any composer/aspiring composer on this board imagine a more confirmed validation of one's work, especially coming from someone of Goldsmith's stature?)
Any plans to do Quincy? Hawaii Five-O? Amazing Stories?
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Hey Justin. Thanks for doing this, especially in calling attention to Bruce Broughton's exemplary work on this series.
You're welcome.
Any plans to do Quincy? Hawaii Five-O? Amazing Stories?
As I concentrate on series that have no had any official releases, or small piddly ones (like "Gunsmoke"), "Amazing Stories" is not a consideration.
I'm waiting for news from Intrada about whether or not they can proceed with "Hawaii Five-O" once the lawsuit over the theme is over.
No plans at this time for "Quincy", but I'll never say never.
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Posted: |
Oct 28, 2019 - 12:15 PM
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By: |
Broughtfan
(Member)
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Justin, did you come across any "Dynasty" or "Falcon Crest" score as highly stylized as the "Ewing Blues?" BTW: orchestration (18 players): Alto Sax, Trumpet, 2 Pianos/Electric Piano, Harp, Guitar (steel, nylon and 12 string), 1 Perc (doubling timpani, triangle, glock, etc.) 6 Viole (viola), 4 Celli, One CB (I did an analysis of the cues for a short paper).
If ever a score deserved a music composition Emmy this one did. At times melancholy, at times playful, at times ominous, at times plaintive, this superb score covers the gamut of moods/situations and does so most effectively. Just a great study in not only musical mood setting but also in variation/reharmonization techniques (thematic material harmonized in triads, thirds/fourths mix, etc.)...and it's just plain cool (the main siciliana-like figure is, to my mind, quite Faure-like).
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I'll check the score again and read my threads and see if anything leaps to mind. :-)
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SEASON 7:
"The Road Back"
By: Jerrold Immel
https://www.dailymotion.com/video/x6s702o (minus the opening preview [assuming there even was one])
Highlights:
1:26 in.
7:44 in.
32:48 in.
40:50 in. The ice skating source music.
"The Long Goodbye"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6s702p (minus the opening preview)
Highlights:
1:15 in.
10:52/13:42 in.
22:35 in.
40:07 in.
"The Letter"
By: Bruce Broughton
https://www.dailymotion.com/video/x6s702q (minus the opening preview)
Highlights:
3:15 in.
7:38 in.
18:00 in.
25:03 in.
27:08 in.
39:50 in.
43:42 in.
(11:40)
Broughton won an Emmy for this episode score. The losing competition that year:
"Emerald Point N.A.S."
Episode: "The Homecoming"
Composer: Angela Morley
"Mr. Smith"
Episode: "Mr. Smith Falls in Love"
Composer: Patrick Williams
"St. Elsewhere"
Episode: "In Sickness and in Health"
Composer: J. A. C. Redford
"Trapper John, M.D."
Episode: "Send in the Clowns"
Composer: John Parker
"My Brother's Keeper"
By: Bruce Broughton
https://www.dailymotion.com/video/x6s8uqu (minus the opening preview)
Highlights:
1:11 in.
3:01 in.
7:14 in.
12:51 in. And the cue after the commercial break (too bad this one is less than a minute long).
15:24 in.
17:49 in.
28:05 in.
33:32 in.
35:29 in.
42:32 in.
"The Quality of Mercy"
By: Jerrold Immel
https://www.dailymotion.com/video/x6s8uqv (minus the opening preview)
Highlights:
13:33 in.
About 23:40 in. And the cue after the commercial break.
28:18 in.
30:33 in.
37:25 in.
46:32 in.
For the guys here: 18:44 in. You're welcome
"Check and Mate"
By: Bruce Broughton
https://www.dailymotion.com/video/x6s8uqx (minus the opening preview)
Highlights:
1:11 in.
3:51 in.
14:48 in.
16:42 in.
22:56 in.
39:16 in.
(12:30, 32:58)
"Ray's Trial"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6sbbrj (minus the opening preview)
Highlights:
1:11 in.
4:31 in.
9:41 in.
15:30/30:12 in. Acoustic guitar and violins.
17:26 in. The county-flavored country bar source music
23:52 in. More county-flavored country bar source music.
35:10/40:44/41:28 in.
"The Oil Baron's Ball"
By: Bruce Broughton
https://www.dailymotion.com/video/x6sbbrk (minus the opening preview)
Highlights:
18:42 in.
20:39 in.*
29:21 in.*
* = Cougar on the prowl. Cougar has caught it's prey.
"Morning After"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6sbbrl (minus the opening preview)
Highlights:
7:52 in.
10:08 in.
18:25 in.
20:34 in.
23:59 in.
25:14 in.
28:42 in.
33:33 in.
37:54 in.
42:53/45:20 in.
"The Buck Stops Here"
By: Bruce Broughton
https://www.dailymotion.com/video/x6sdrde (minus the opening preview)
Highlights:
1:11 in.
4:41 in.
7:13 in.
9:36 in.
18:39 in.
26:48 in.
44:50 in.
I'll be doing more episodes on Monday through Wednesday and then spend the other days finishing "King of the Hill".
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