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Aisle Seat 2-24: Olive, Big Hero 6, Watership Down
Posted By Andy Dursin 2/23/2015 - 9:00 PM
Lifted by one of Bill Murray’s more memorable and believable performances, Theodore Melfi’s ST. VINCENT (***½, 103 mins., 2014, PG-13; Anchor Bay) might be formulaic, but its earnest and warmhearted story makes it a refreshing change of pace for viewers disappointed with the likes of Christopher Nolan’s “Interstellar” and other, recent assaults on the senses coming out of Hollywood.
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Film Score Friday 2/20/15
Posted By Scott Bettencourt 2/19/2015 - 9:00 PM
Intrada announced three new soundtrack releases this week, all consisting of previously unreleased score tracks from films from three different eras -- a two-disc edition of Dimitri Tiomkin's score for Howard Hawks' beloved 1959 Western RIO BRAVO, starring John Wayne, Dean Martin and Angie Dickinson; the score to Disney's popular '70s sci-fi adventure ESCAPE TO WITCH MOUNTAIN, by Oscar winner Johnny Mandel (The Sandpiper, Being There, Point Blank); and Joel McNeely's score for Disney's animated Peter Pan spinoff TINKER BELL AND THE GREAT FAIRY RESCUE.
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February Issue of FSM Online Is Live!
Posted By Tim Curran 2/18/2015 - 2:00 AM
The February edition of FSM ONLINE is now live. For this month’s cover story, Kyle Renick met up with Academy Award-nominee Jóhann Jóhannsson in New York City to talk about THE THEORY OF EVERYTHING. Also this issue, Cary Wong measures up the Oscar contenders in Wong’s Turn; MATTHEW MARGESON goes undercover with Henry Jackman for KINGSMAN: THE SECRET SERVICE; the conclusion of Gold Rush’s comprehensive look at the life and music of ERICH WOLFGANG KORNGOLD; JASON GRAVES scores the alternate-reality adventure game THE ORDER: 1886; an interview with author STEPHEN C. MEYER about his book, EPIC SOUND: MUSIC IN POSTWAR HOLLYWOOD BIBLICAL FILMS; a biblical Score Restore uncovers and extended ALFRED NEWMAN cue from DAVID AND BATHSHEBA; the second half of John Cockshaw’s artistic interpretation of LORD OF THE RINGS, inspired by the scores of HOWARD SHORE; the producers of SCORE: A FILM MUSIC DOCUMENTARY chat about their work on the upcoming documentary; a new column, THE NOIR FILES, explores the dark world of film-noir music; an audio commentary and review of the new album of CHRISTOPHER GUNNING’s 2003 score to POLLYANNA; Soundtrack Obscurities offers some forgotten gems to fend off winter cabin fever; more embedded audio clips, and more.

Subscribers, you’ll get notification by email shortly. Or, just go here to log in. For those who want to join FSM ONLINE, go here, click on the “Subscribe” link and follow the instructions. And email us if you have any questions.

Sincerely,

Your Friends at FSM ONLINE

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Aisle Seat 2-17: February Blizzard Edition
Posted By Andy Dursin 2/16/2015 - 9:00 PM
Just before Roger Ebert passed away, I was emailed by one of his assistants, who had watched a video I uploaded on Youtube of one of Siskel & Ebert’s “Holiday Gift Guides.” These annual shows – wherein the critics stepped outside the balcony to review home theater equipment, tech gadgets and the occasional video games – were among the tapes I had saved recording Gene and Roger’s show growing up, and her email enabled me to get in contact with the ailing Pulitzer Prize-winning author before his death.
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Film Score Friday 2/13/15
Posted By Scott Bettencourt 2/12/2015 - 9:00 PM
Varese Sarabande has announced that on March 17 they will be releasing the U.S. edition of the two-disc soundtrack CD of Michael Giacchino's score to the Wachowskis' sci-fi epic JUPITER ASCENDING (Sony has just released the soundtrack in Europe).


Alexandre Desplat has won BAFTA's Film/Original Music award for his score for THE GRAND BUDAPEST HOTEL. Desplat's Grand Budapest also won the Grammy for Best Score Soundtrack for Visual Media. John Williams won Best Instrumental Composition for the cue THE BOOK THIEF from the film of the same name. FROZEN won Grammys for Best Song Written for Visual Media and Best Compilation Soundtrack for Visual Media. 

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Film Score Friday 2/6/15
Posted By Scott Bettencourt 2/5/2015 - 9:00 PM
Intrada has announced two new CDs which are being released this week.

The third and so far final sequel to Jaws was released in the summer of 1987, four years after the guilty pleasure that is Jaws 3-D. Inspired possibly by the commercial and critical success of the female-driven Aliens in 1986, JAWS THE REVENGE saw Lorraine Gary reprising her role from the first two Jaws films as Ellen Brody, who travels to the Bahamas after a personal tragedy only to find that tragedy has followed her in the form of a vengeance-minded shark. TV and film veteran Joseph Sargent, whose filmography includes such classics as Colossus: The Forbin Project and The Taking of Pelham One Two Three, was the director, and the score was composed by the maestro of cinematic paranoia, Michael Small. A soundtrack LP was announced at the time of the film's release but never materialized; a composer promo CD featuring only 28 minutes of music (presumably the planned LP sequencing) was released over a decade ago, so Intrada's Jaws the Revenge is the first commercial release of the score, featuring Small's score in its entirety including unusued cues and alternates. The booklet features a discussion of the score by Doug Fake as well as more than you'd ever want to know about the film's inevitably troubled production history (has making a Jaws film ever gone smoothly?), courtesy of me.

Intrada is also releasing the score for the second of Walt Disney Studios' ongoing series of animated Peter Pan spinoffs, TINKER BELL AND THE LOST TREASURE, scored, as were the other Tinker Bell films, by Joel McNeely.


La-La Land has announced their planned schedule of February CD releases.

Next week they will release a CD featuring Henry Jackman's scores for the two comedies directed by Seth Rogen and Evan Goldberg, THE INTERVIEW and THIS IS THE END; the score for director Matthew Vaughn's brand-new spy action comedy KINGSMAN: THE SECRET SERVICE, starring Taron Egerton, Colin Firth, Samuel L. Jackson, Mark Strong and Michael Caine, with a score by Vaughn's regular composer, Henry Jackman, and Matthew Margeson; and their long-anticipated, two-disc release of Andrew Powell's oddly beloved pop-symphonic score for director Richard Donner's lavish romantic-fantasy-swashbuckler LADYHAWKE, starring Matthew Broderick, Michelle Pfeiffer and Rutger Hauer.

On February 24 they are currently planning to release Frederik Wiedmann's score for writer-director Paul Schrader's spy thriller DYING OF THE LIGHT, starring Nicolas Cage and Anton Yelchin, as well as a re-release of their expanded edition of John Wiliams' 1941.


Varese Sarabande has entirely redesigned their website, and on their new site they have announced the March 17 soundtrack release of the Oscar-nominated documentary VIRUNGA, featuring its score by Patrick Jonsson, who has worked in the music department for several recent Patrick Doyle scores. For those who assumed that J. Ralph scored every Oscar nominated documentary (Man on Wire, The Cove, Hell and Back Again, Chasing Ice, Finding Vivian Maier), fear not -- Mr. Ralph composed Virunga's main and end title song, "We Will Not Go" (the Varese site does not yet list whether the song will be included on the CD).

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Aisle Seat 2-3: Twilight Time, Olive Winter Releases
Posted By Andy Dursin 2/2/2015 - 9:00 PM
Tom Holland’s FRIGHT NIGHT (***½, 106 mins., R, 1985) was released at the tail end of summer 1985 and became an instant sleeper hit. Not just a silly “teen vampire flick,” “Fright Night” captivated many critics who appreciated the film’s characters and sense of humor, along with its salute to old-fashioned horror, particularly at a time when slasher films had become all the rage. With Richard Edlund’s special effects giving the film a modern sensibility, the film bridged the gap between the old and the new, and remains a viewer favorite in the genre nearly 30 years after its original release.
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Film Score Friday 1/30/15
Posted By Scott Bettencourt 1/29/2015 - 9:00 PM
Counterpoint has just released Sol Kaplan's score for the 1952 Australia-set adventure KANGAROO, starring Maureen O'Hara, Peter Lawford and Richard Boone, and directed by two-time Oscar winner Lewis Milestone (All Quiet on the Western Front, Ocean's 11).


The latest release from Kritzerland is a two-disc set featuring two scores by composer Paul Glass (Lady in a Cage, Bunny Lake Is Missing) -- the little seen 1964 drama ETHAN, and the Oscar-nominated documentary short GEORGE GROSZ'S INTERREGNUM.


Quartet's slate of new releases includes the score to the 1969 race car film SAFARI 5000, scored by Oscar nominee Toshiro Mayuzumi (The Bible, Reflections in a Golden Eye); the first CD release of the LP tracks for Guido & Maurizio DeAngelis' score for KILLERFISH; and CHRISTOPHER SLASKI FILM WORKS, a collection of the composer's work including cues from such films as the Brothers Quay's The Piano Tuner of Earthquakes and Kevin Spacey's Bobby Darin biopic Beyond the Sea.


 Intrada plans to release two new CDs next week.

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Aisle Seat 1-27: Jean De Florette, Manon of the Spring, The Judge
Posted By Andy Dursin 1/26/2015 - 9:00 PM
Not just one of the great French imports of the 1980s but a glistening cinematic accomplishment that possesses a timeless quality, Claude Berri’s adaptations of Marcel Pagnol’s JEAN DE FLORETTE and MANON OF THE SPRING (****, 123 mins./113 mins., 1986, PG) have at last arrived in a beautiful Blu-Ray double feature this week from Shout Factory.
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Film Score Friday 1/23/15
Posted By Scott Bettencourt 1/22/2015 - 9:00 PM
Intrada announced two new CD releases this week, including three scores for two films, composed by three Oscar-winning composers.

Meryl Streep made a rare entry into the action adventure genre with 1994's thriller THE RIVER WILD, directed by Curtis Hanson (who would follow it up with the Oscar winners L.A. Confidential and Wonder Boys). The film's original score was composed by three-time Oscar winner Maurice Jarre, but very late in the game the filmmakers decided to replace the score completely and hire another A-lister, Jerry Goldsmith. MCA released around 30 minutes of Goldsmith's score on CD at the time of the film's release, but Intrada's two-disc River Wild features Goldsmith's complete hour-long score, plus 16 minutes of alternates, on Disc One, with Jarre's 50-minute unused score, plus 25 minutes of alternates, on Disc Two.


Music Box has confirmed that next month they will be releasing an expanded CD-set of one of the last great scores by one of the greatest of all film composers. When director Brian DePalma filmed Paul Schrader's script Deja Vu, the first of his feature length homages to Hichcock's Vertigo, it was only natural that he would hire his Sisters composer, Vertigo's own Bernard Herrmann. Released in 1976 as OBSESSION, the film featured Herrmann's penultimate score (he died hours after recording Taxi Driver at the end of 1975) but was his last film to receive a theatrical release. Though Herrmann had not received an Oscar nomination since Anna and the King of Siam in 1946, both of his posthumously released scores were nominated, and London released 39 minutes of highlights from Herrmann's romantic and overpoweringly emotional Obsession on LP, a sequencing which has since recieved at least two CD releases. Music Box's two-disc Obsession features a remastering from best available sources of Herrmann's complete score on Disc One, with the LP sequencing on Disc Two.

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