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CHRISTOPHER GORDON
 
1 EMMY NOMINATION 
BEST PICTURE NOMINEE: Master and Commander: The Far Side of the World 
TOP GROSSING FILMS: 
1. Master and Commander: The Far Side of the World--93 (U.S. gross in millions)
2. Daybreakers--29  
3. Mao’s Last Dancer--4  
 
His most recent feature to get a U.S. release was Anne Fontaine’s Adore, starring Naomi Watts, Robin Wright and Xavier Samuel, with fellow Australian Antony Partos receiving an additional music credit. 

JONNY GREENWOOD 

BEST PICTURE NOMINEE:
There Will Be Blood
TOP GROSSING FILMS: 
1. There Will Be Blood--40
2. The Master--16   
3. Inherent Vice--8  
4. We Need to Talk About Kevin--1  
 
Following his startling work on Paul Thomas Anderson’s masterful There Will Be Blood, Greenwood reunited with the filmmaker for both The Master and Inherent Vice, and Anderson directed the shot-on-film music video “Daydreaming” for Greenwood’s band Radiohead. Greenwood also wrote scores for Lynn Ramsay’s disturbing We Need to Talk About Kevin and the Japanese-language film version of Haruki Murakami’s Norwegian Wood. Greenwood has scored Ramsay’s new film, You Were Never Really Here (starring Joaquin Phoenix), and is scoring Anderson’s next, currently untitled film, starring Daniel Day-Lewis as a fashion designer in 1950s London.

RUPERT GREGSON-WILLIAMS
 
1 EMMY NOMINATION
BEST PICTURE NOMINEE: Hacksaw Ridge
TOP GROSSING FILMS:
1. Wonder Woman--399 (as of 8/4/17)
2. Grown Ups--162
3. Over the Hedge--155
4. Click--137
5. Grown Ups 2--133  
6. Bee Movie--126
7. The Legend of Tarzan--126 
8. I Now Pronounce You Chuck & Larry--119
9. Bedtime Stories--109
10.  Just Go With It--102   
 
Until recently best known for scoring Adam Sandler productions (and for being Harry Gregson-Williams’ brother), he’s had a remarkable career boost in the last year or so -- first by replacing Mario Grigorov on the surprise hit The Legend of Tarzan, then by replacing John Debney on Best Picture nominee Hacksaw Ridge, and finally by scoring this year’s superhero smash Wonder Woman. He continues to score Sandler’s projects (which are now Netflix releases) and TV miniseries like The Crown and the long-awaited adaptation of The Alienist, starring Daniel Bruhl and Luke Evans.
 
 
BEST PICTURE NOMINEES: Precious: Based on the Novel Push by Sapphire
TOP GROSSING FILMS: 
1. Precious: Based on the Novel Push by Sapphire--47 
 
In May of 2015, Grigorov was announced as a surprising choice to score the big-budget The Legend of Tarzan. Less surprisingly, he was ultimately replaced by a Remote Control composer, Rupert Gregson-Williams (a similar thing happened with Money Monster, where offbeat composer choice Michael Andrews was replaced by RC’s Dominic Lewis). He’s been keeping busy in television, scoring both the Lifetime remake of Flowers in the Attic and its sequel, Petals in the Wind. He’s also scoring the World War II drama Another Mother’s Son, and co-wrote (with J.K. Rowling) the original song “Blind Pig” for last year’s Fantastic Beasts and Where To Find Them.
 
TOP GROSSING FILMS: 
1. The American--35 
2. A Most Wanted Man--17  
 
Gronemeyer has been keeping busy as a recording artist but his only recent film was the John LeCarre adaptation A Most Wanted Man, from his usual collaborator, photographer-turned-director Anton Corbijn (Corbin’s latest film, Life, was scored by Her’s Owen Pallett).

DAVE GRUSIN
 
1 OSCAR, 8 NOMINATIONS 
1 EMMY NOMINATION 
7 GRAMMYS 
BEST PICTURE NOMINEES: The Graduate, The Goodbye Girl, Heaven Can Wait, Reds, On Golden Pond, Tootsie 
TOP GROSSING FILMS: 
1. Tootsie--177 
2. The Firm--158 
3. On Golden Pond--118 
4. The Graduate--104 
5. The Goodbye Girl--92 
6. Heaven Can Wait--81 
7. The Electric Horseman--61 
8. The Goonies--61 
9. Hope Floats--60 
10. Tequila Sunrise--41
 
He scored the 2013 coming-of-age film Skating to New York, directed by veteran cinematographer Charles Minsky, and provided additional music for the 2014 documentary Keep on Keepin’ On.

ANDREA GUERRA
 
TOP GROSSING FILMS: 
1. The Pursuit of Happyness--162 
2. Letters to Juliet--52  
3. Hotel Rwanda--23
4. Nine--19 
5. Playing for Keeps--13  
6. Extraordinary Measures--12  
 
He is still working regularly in Europe, while his last film to get a major U.S. release was the Gerard Butler romantic comedy Playing for Keeps in 2012.
 
1 EMMY NOMINATION 
TOP GROSSING FILMS: 
1. Underworld: Awakening--62  
2. Takers--57  
3. Underworld--51 
4. No Good Deed - 46
5. Underworld: Rise of the Lycans--45 
6. Prom Night--43 
7. Blue Crush--40 
8. Death Race--36 
9. Crank--27 
10. Resident Evil: The Final Chapter--26 
 
He has been working steadily in episodic television on such series as Halt and Catch Fire, The Messengers, and the spinoff Fear the Walking Dead. He scored the woman-in-jeopardy thriller No Good Deed, starring Taraji P. Henson and Idris Elba, and having scored three of the Underworld films, he took on another female-dominated action franchise with this year’s Resident Evil: The Final Chapter.
 
TOP GROSSING FILMS: 
1. Red Riding Hood--37  
2. State of Play--36 
3. The Rite--33 
4. Escape Plan--25  
5. The Last King of Scotland--17 
6. Queen of Katwe--8
7. Mandela: Long Walk to Freedom--8
8. Touching the Void--4 
9. Inside Job--4 
10. Emperor--3  
 
In 2013 he balanced prestige and trash by scoring Mandela: Long Walk to Freedom and the Arnold/Sly team-up Escape Plan. More recently he scored the barely-released Lance Armstrong biopic The Program and the thriller Bastille Day, whose French release was yanked due to the real life tragedy; it was retitled The Take for its brief U.S. release. For the small screen he’s scored the Hulu miniseries adaptation of Stephen King’s 11.22.63 and the remake of Roots. His latest release is Mira Nair’s moving biographical drama Queen of Katwe, and in 2015 he was invited to join the Academy’s Music Branch.
 

REINHOLD HEIL & JOHNNY KLIMEK
 
TOP GROSSING FILMS: 
1. One Hour Photo--31 
2. Cloud Atlas--27  
3. One Missed Call--26 
4. The International--25 
5. Killer Elite--25  
6. Land of the Dead--20 
7. I, Frankenstein--19  
8. The Cave--15 
9. The Darkness--10  [Klimek only]
10. Run Lola Run--7 
 
Surprisingly, the longtime composer team is now working separately. Klimek is continuing his collaboration with Tom Tywker, most recently on A Hologram for the King (scored with its director), and the Klimek/Tykwer team also scored the Wachowskis’ Sense8. Klimek is also working regularly with Australian genre specialist Greg McLean, on such films as Wolf Creek 2 and 2016’s disappointing The Darkness. Heil has been working in episodic television, including Berlin Station and the Syfy channel series Helix.
 
BEST PICTURE NOMINEE: Winter’s Bone
TOP GROSSING FILMS: 
1. Last Chance Harvey--14
2. Out of the Furnace--11  
3. Winter's Bone--6    
4. Keeping Mum--1 
5. Married Life--1 
6. Locke--1 
 
Hinchliffe continued his collaboration with acclaimed writer-director Ira Sachs with 2016’s Little Men, and last year he also scored Ricky Gervais’ Special Correspondents and the third season of Peaky Blinders. His other recent output has been especially eclectic, including the romantic comedy Man Up, the Michael Douglas thriller Beyond the Reach, and the Tom Hardy tour-de-force Locke.
 
2 OSCAR NOMINATIONS 
BEST PICTURE NOMINEES: Shine, Elizabeth 
TOP GROSSING FILMS: 
1. Legend of the Guardians: The Owls of Ga’Hoole--55 
2. Australia--49
3. Hanging Up--36 
4. Shine--35 
5. Elizabeth--30 
6. Sanctum--23  
7. Aquamarine--18 
8. Sliding Doors--11 
9. Strictly Ballroom--11
10. The Railway Man--4 
 
Hirschfelder had one of his most satisfying scores with 2014’s The Railway Man (which would make a great double feature with Unbroken). In 2015 he scored Russell Crowe’s directorial debut, The Water Diviner, but the opening credits noted the participation of several “additional” composers, including Ludivico Einaudi and Lisa Gerrard. Last year saw the release of the period dark comedy-drama The Dressmaker, whose score sounded like a cross between Carter Burwell and a Morricone Western.

DAVID HOLMES
 
TOP GROSSING FILMS: 
1. Ocean's Eleven--183 
2. Ocean's Twelve--125 
3. Ocean's Thirteen--117 
4. Out of Sight--37 
5. Analyze That--32
6. Haywire--18  
7. ’71 – 1  
 
He scored the gripping IRA thriller ’71 and the recent Ben Whishaw miniseries London Spy. His latest score is for Steven Soderbergh’s welcome return to feature filmmaking, the caper comedy Logan Lucky.
 
1 GRAMMY NOMINATION
TOP GROSSING FILMS: 
1. Harry Potter and the Half-Blood Prince--301 
2. Harry Potter and the Order of the Phoenix--291
3. Chimpanzee--28
4. African Cats--15  
 
He scored the DisneyNature documentaries African Cats and Chimpanzee, but otherwise has been working largely in episodic television.

ALBERTO IGLESIAS
 
3 OSCAR NOMINATIONS
TOP GROSSING FILMS: 
1. Exodus: Gods and Kings--65  
2. The Constant Gardener--33
3. Tinker Tailor Soldier Spy--24
4. The Kite Runner--15
5. Volver--12
6. Talk to Her--9 
7. All About My Mother--8 
8. Bad Education--5 
9. Broken Embraces--5
10. The Skin I Live In--3
 
Iglesias continues to work as Pedro Almodovar’s composer-of-choice, including last year’s Julieta. He had his highest grossing (and most expensive) project with Ridley Scott’s Biblical epic Exodus: Gods and Kings (its international grosses were more than three times its modest U.S. take), and he scored the Patricia Highsmith adaptation The Two Faces of January. The Spanish drama Ma Ma, starring Penelope Cruz, received a limited U.S. release in 2016.
 
1 EMMY NOMINATION 
BEST PICTURE NOMINEES: In the Name of the Father 
TOP GROSSING FILMS: 
1. Notting Hill--116 
2. Cliffhanger--84 
3. The Last of the Mohicans--75 
4. The League of Extraordinary Gentlemen--66 
5. Sea of Love--56 
6. Arachnophobia--53 
7. G.I. Jane--48 
8. The Dark Crystal--40 
9. Crossroads--37 
10. Thirteen Days--34
 
His last feature released in the U.S. was the Jackie Chan/Steve Coogan remake of Around the World in 80 Days. According to IMDB, his latest project is a thriller titled To Tokyo.

DAVID JULYAN
 
TOP GROSSING FILMS: 
1. Insomnia--67 
2. The Prestige--53 
3. The Cabin in the Woods--42  
4. The Descent--26 
5. Memento--25
 
The cult classic The Cabin in the Woods was most recent film to get a major U.S. release, though he has other projects upcoming including Broken Vows and The Crucifixion.
 
1 OSCAR 
BEST PICTURE NOMINEES: Finding Neverland 
TOP GROSSING FILMS: 
1. Unfaithful--52 
2. Finding Neverland--51 
3. Lost Souls--16 
4. Evening--12 
5. The Visitor--9 
6. Get Low--9  
7. City Island--6
8. Washington Square--1
 
While he remains prolific in scoring documentaries and other features, he hasn’t had a film released in the U.S. since 2009’s Get Low.
 
1 EMMY NOMINATION
BEST PICTURE NOMINEES: Sideways, Up in the Air
TOP GROSSING FILMS:
1. Wedding Crashers--209  
2. Freaky Friday--110
3. Legally Blonde--90
4. Legally Blonde 2: Red White & Blonde--89
5. Failure to Launch--88
6. Mean Girls--86
7. Up in the Air--83
8. Sideways--71
9. About Schmidt--65
10. 17 Again--64 
 
Kent had several films in a row that managed to garner little attention in theaters, including Mark Waters’ Vampire Academy, Jason Reitman’s misguided Labor Day, and Jason Bateman’s directorial debut, Bad Words. The Kent-scored remake of the '60s caper Gambit managed to miss a Los Angeles release entirely, despite Colin Firth and Cameron Diaz in the leads and a screenplay by the Coen brothers. His frequent collaborator Alexander Payne has been moving in a different musical direction of late, using only track-in music for The Descendants and using both original and tracked-in Mark Orton pieces for Nebraska. Lately, Kent has balanced film work with more nontraditional projects like “The Zen Effect Breathwork Experience,” a live event performed in New York and Los Angeles. His most recent release was the animated Rock Dog, but he has a welcome reunion with Payne for the upcoming sci-fi comedy Downsizing, starring Matt Demon and Kristen Wiig.
 
TOP GROSSING FILMS: 
1. Scary Movie--157 
2. Look Who's Talking--140 
3. Bad Santa--60 
4. Clueless--56 
5. Date Movie--48 
6. Dude, Where's My Car--46 
7. Look Who's Talking Too--46 
8. Because I Said So--42 
9. A Night at the Roxbury--30 
10. Can't Hardly Wait--25
 
His most recent feature released in theaters was the indie Aftermath, starring Anthony Michael Hall, shot in 2006 but not shown in Los Angeles until 2014 (not to be confused with the Schwarzenegger Aftermath released this year).

HARALD KLOSER
 
TOP GROSSING FILMS:
1. The Day after Tomorrow--186 
2. 2012--166  
3. Independence Day: Resurgence--103  
4. 10,000 BC--94 
5. Alien vs. Predator--80 
6. White House Down--73  
7. The Thirteenth Floor-11
8. Anonymous--4  
 
He’s continued his scoring/producing relationship with disaster auteur Roland Emmerich on the Shakespeare drama Anonymous, the high-concept action movie White House Down and, most recently, on the long awaited Independence Day sequel (like the others, a collaboration with composer Thomas Wander).
 
3 EMMY NOMINATIONS
TOP GROSSING FILMS: 
1. Nocturnal Animals--10 
2. A Single Man--9
3. Battle for Terra--1
 
Korzeniowski received three Emmy nominations for his music for Penny Dreadful, which recently finished its third and (sadly) final season. On the feature front, he scored the Disneyland-set indie Escape from Tomorrow and replaced James Horner on the little seen 2013 version of Romeo and Juliet. His most recent film, the thriller Nocturnal Animals, reunited him with Single Man director Tom Ford.
 
TOP GROSSING FILMS: 
1. A Walk in the Woods--29   
2. Our Idiot Brother--24  
3. Silent House--12  
4. Boys Don't Cry--11 
5. Dirty Pretty Things--8 
6. Margin Call--5 
7. The Skeleton Twins-- 5 
8. Choke--2 
9. High Art--1 
10. The Woodsman--1
 
The 2015 film version of Bob Bryden’s A Walk in the Woods proved to be Larson's highest grossing film to date. Other recent projects include the dramedy The Skeleton Twins, John Slattery’s directorial debut God’s Pocket (featuring one of Philip Seymour Hoffman’s final performances), the quasi-documentary Casting JonBenet, and a shared credit on Todd Solondz’ typically bleak Wiener-Dog.
 
TOP GROSSING FILMS:
1. San Andreas--155   
2. Journey 2: The Mysterious Island--103  
3. Journey to the Center of the Earth--101
4. Percy Jackson: Sea of Monsters--68   
5. City of Ember--7
6. The Space Between Us--7
7. How She Move--7
8. Incarnate--4
9. Skinwalkers--1
 
He continues his collaboration with director Brad Peyton, with 2015’s big hit San Andreas and 2016’s much less successful horror film Incarnate, and he wrote a lovely score for the young-adult sci-fi romance The Space Between Us.
 
2 EMMYS, 11 NOMINATIONS 
TOP GROSSING FILMS: 
1. Boogeyman--46 
2. The Messengers--35 
3. Army of Darkness--11 
4. Brotherhood of the Wolf--10 
5. Evil Dead 2--5 
6. The Evil Dead--2
 
LoDuca has scored a few features in recent years, including Joe Dante’s unfortunate Burying the Ex and the Nicolas Cage vehicle Pay the Ghost, but he’s been much more prolific in television, with The Librarians and, inevitably, Ash vs. Evil Dead.
 
TOP GROSSING FILMS: 
1. Moana--248 
2. Twister--241 
3. Tarzan--171 
4. Speed--121 
5. Con Air--101 
6. Planes--90  
7. Brother Bear--85 
8. Training Day--76 
9. The Haunted Mansion--75 
10. Bad Boys--65 
 
For the last few years, Mancina’s only recent features had been Disney’s Planes and its sequel, but late last year he had his biggest hit yet - - the animated 3D Moana.
 
BEST PICTURE NOMINEE: Black Swan
TOP GROSSING FILMS:
1. Black Swan--106 
2. Noah--101   
3. Sahara--68
4. Ghost in the Shell--40  
5. Smokin' Aces--35
6. Murder by Numbers--31
7. Definitely, Maybe--31
8. Doom--28
9. The Wrestler--26
10. Faster--23  
 
Mansell took a rare venture into megabudget effects spectacle with the live-action version of Ghost in the Shell, but ended up sharing the scoring credit with Lorne Balfe and the film was one of the year’s biggest box-office disappointments. Mansell’s ongoing partnership with director Darren Aronofsky led to their most ambitious project, 2014’s Noah, but surprisingly, Johann Johannsson will score Aronofsky’s upcoming psychological thriller Mother!
 
BEST PICTURE NOMINEES: Traffic  
TOP GROSSING FILMS:
1. Traffic--124 
2. Contagion--75  
3. The Lincoln Lawyer--57 
4. War Dogs--43  
5. Drive--35  
6. sex, lies and videotape--24 
7. Solaris--14
8. Spring Breakers--14 
9. Wicker Park--13 
10. Pump up the Volume--11 
  
Martinez continues his two major filmmaker collaborations, scoring Steven Soderbergh’s cable series The Knick and giving Nicolas Winding Refn’s The Neon Demon an attractively glossy synth score. His most recent feature is War Dogs (which also featured tracked-in cues from four other Martinez scores), but though he was unexpectedly announced to score Logan, the latest Wolverine film, Marco Beltrami ended up scoring that critical and commercial smash.
 
 
TOP GROSSING FILMS: 
1. U-571--77 
2. Surrogates--38 
3. 3 Ninjas--29 
4. 3 Ninjas Kick Back--11
 
Marvin has been the principal composer for all six seasons of Grimm. (Yes, Grimm has been on for six seasons).
 
1 EMMY, 2 NOMINATIONS
TOP GROSSING FILMS: 
1. Holes--67 
2. Return to Neverland--48 
3. The Jungle Book II--47 
4. A Million Ways to Die in the West --43   
5. Uptown Girls--37 
6. Vegas Vacation--36 
7. The Avengers--23 
8. Iron Will--21 
9. Flipper--20 
10. Pooh's Heffalump Movie--18 
 
His work on TV’s American Dad for Seth Macfarlane led to scoring Macfarlane’s 2014 feature spoof A Million Ways to Die in the West, which paid homage to beloved Western scores like Broughton’s Silverado. He has also scored several of Disney’s Peter Pan spinoffs.

8 OSCARS, 19 NOMINATIONS
11 GRAMMYS, 20 NOMINATIONS
1 TONY, 4 NOMINATIONS
BEST PICTURE NOMINEE: Beauty and the Beast [1991]
 
1. Beauty and the Beast [2017]--504  
2. Beauty and the Beast [1991]--218
3. Aladdin--217
4. Tangled--200
5. Pocahontas--141
6. Enchanted--127
7. The Little Mermaid--111
8. The Hunchback of Notre Dame--100
9. Hercules-- 99
10. Sausage Party--97  
 
While Menken may no longer be the king of the animated musical -- his version of The Snow Queen became the Lopez/Anderson-Lopez blockbuster Frozen -- he’s still a major figure on the musical stage, with the Broadway version of Newsies running an impressive 1,004 performances and currently touring, and other recent shows include Leap of Faith, The Apprenticeship of Duddy Kravitz and A Bronx Tale. The recent live-action feature remake of his Beauty and the Beast is now the 8th highest grossing film of all time in the U.S., and live-action remakes of Aladdin and The Little Mermaid are expected to follow. Last year he scored Sausage Party with Christopher Lennertz, making use of his Disney experience for distinctly R-rated ends.
 
 
1 OSCAR, 1 HONORARY OSCAR, 6 NOMINATIONS 
1 GRAMMY, 4 NOMINATIONS 
BEST PICTURE NOMINEES: The Mission, Bugsy 
TOP GROSSING FILMS: 
1. In the Line of Fire--102 
2. Disclosure--83 
3. The Untouchables--76 
4. Wolf--65 
5. Mission to Mars--60 
6. The Hateful Eight--54   
7. Bugsy--49 
8. Casualties of War--18 
9. Love Affair--18 
10. Frantic--17 
 
Morricone received his sixth nomination -- as well as his first “competitive” Oscar -- for Quentin Tarantino’s The Hateful Eight (despite the prominent use of tracked-in cues from his Thing and Exorcist II scores). He continues writing and recording new scores despite health issues that frequently force him to cancel announced concerts, and he continued his long partnership with Cinema Paradiso auteur Giuseppe Tornatore with La Corrispondenza, pairing Jeremy Irons and Olga Kurylenko. The French film Come What May had a limited U.S. release.
 
BEST PICTURE NOMINEE: The Reader
TOP GROSSING FILMS:
1. The Reader--34
 
He was originally announced for both Limitless and Extremely Loud and Incredibly Close, but his only recent full score was for 2013’s underrated Kill Your Darlings (he also had some music in Me and Earl and the Dying Girl). He continues to be an acclaimed and prolific concert composer, and his recent works include the 2011 opera Two Boys, based on the amazing true-crime case that also inspired the British film Uwantme2killhim? He has scored John Cameron Mitchell’s comedy How to Talk to Girls at Parties, and according to IMDB has scored a new miniseries remake of Howards End. His latest major work is an opera based on, of all things, Marnie.
TOP GROSSING FILMS: 
1. Guess Who--67 
2. Miami Vice--63 
3. Kick-Ass--48   
4. 28 Days Later--45 
5. Friday after Next--33 
6. The Last House on the Left--32 
7. Snatch--30 
8. 28 Weeks Later--28 
9. All about the Benjamins--25 
10. City by the Sea--22 
 
Murphy has scored no features since his shared credit on Kick-Ass in 2000.

JAVIER NAVARRETE
 
1 OSCAR NOMINATION 
1 EMMY
1 GRAMMY NOMINATION 
TOP GROSSING FILMS
1. Wrath of the Titans--83  
2. Pan's Labyrinth--37   
3. Mirrors--30 
4. Inkheart--17
5. The Warrior’s Way--5  
 
He won an Emmy in 2012 for Philip Kaufman’s cable movie Hemingway & Gellhorn, starring Clive Owen and Nicole Kidman. 2015’s Zhongkui: Snow Girl and the Dark Crystal didn’t get much of a theatrical release in the U.S. but the score CD was available from Lakeshore.

BLAKE NEELY
 
3 EMMY NOMINATIONS 
TOP GROSSING FILMS: 
1. Life As We Know It--53  
2. Magnificent Desolation--33 
3. The Wedding Date--31 
4. First Daughter--9
 
Neely scored the well-reviewed 2014 documentary The Case against 8, but has been far more prolific in the small-screen productions of Greg Berlanti, as the principal composer for superhero hits Arrow, The Flash and Supergirl, as well as the Archie-inspired Riverdale.

DAVID NEWMAN
 
1 OSCAR NOMINATION 
TOP GROSSING FILMS: 
1. Alvin and the Chipmunks: The Squeakquel--219    
2. Ice Age--176 
3. Scooby-Doo--153 
4. The Flintstones--130 
5. The Nutty Professor--128 
6. Nutty Professor II: The Klumps--123 
7. Dr. Dolittle 2--112 
8. How to Lose a Guy in 10 Days--105 
9. Daddy Day Care--104 
10. The Cat in the Hat--100
 
He scored the indie 5 Flights Up, pairing Diane Keaton and Morgan Freeman, and has his first box-office hit ($85 million and counting) in several years with the recently released Girls Trip.
BEST PICTURE NOMINEE: The Piano 
TOP GROSSING FILMS: 
1. The Piano--40 
2. Gattaca--12 
3. The End of the Affair--10 
4. The Cook, the Thief, His Wife and Her Lover--7 
5. The Libertine--4 
6. Carrington--3 
7. Ravenous--2 
8. Man on Wire--2
 
Nyman’s music is frequently used in documentaries these days, such as 2015’s Ingrid Bergman In Her Own Words. He was briefly the composer of Spike Lee’s Oldboy remake, which ended up with a Roque Banos score.  
 
TOP GROSSING FILMS: 
1. Vantage Point--72 
2. The Perfect Guy--57  
3. Hansel & Gretel: Witch Hunters--55 
4. The Mortal Instruments: City of Bones--31  
5. The Fourth Kind--25 
6. Season of the Witch--24
7. Babylon A.D.--22
8. The Eagle--19
9. The Edge of Seventeen--14 
 
Recent films include the stalker thriller The Perfect Guy, the Icelandic comedy-drama Rams (that country’s submission for the 2015 Foreign Language Oscar) and the underrated teen comedy The Edge of Seventeen. He’s been busier in television, with producer Dick Wolf’s various Chicago series (Fire, P.D., Med), while his latest feature is the action-comedy The Hitman’s Bodyguard, pairing Ryan Reynolds and Samuel L. Jackson, so expect profanity.
 

Parts One, Two, Three, Four, Five, Six, Seven and Eight of this series can be accessed on the website.
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Comments (4):Log in or register to post your own comments
Minor addendum to Joseph LoDuca's entry: one of his more recent credits was on the (surprisingly good) Child's Play sequel, Curse of Chucky and he's set to reunite with its writer/director Don Mancini on this fall's Cult of Chucky.

Minor addendum to Joseph LoDuca's entry: one of his more recent credits was on the (surprisingly good) Child's Play sequel, Curse of Chucky and he's set to reunite with its writer/director Don Mancini on this fall's Cult of Chucky.

For me the series peaked with Bride of Chucky (with Katherine Heigl!), though some of the self-referential Jennifer Tilly moments in Seed of Chucky amuse me in retrospect, as they did at the time.

Haven't seen any of the post-Seed entries, which I assume are direct-to-video, or whatever the streaming-age terminology is these days.

More to the point - how did you manage to get so many characters in your heading???!!! :)

Good question!

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