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The jam-packed December edition of FSM ONLINE is now live. In this issue, the cover story is an interview with HOWARD SHORE on THE HOBBIT: THE DESOLATION OF SMAUG, and also marks the long-awaited FSMO return of DOUG ADAMS. Also in this issue are the first part of an exclusive video documentary feature with GEORGE FENTON; ALEX EBERT discusses his music for ALL IS LOST, the Robert Redford boating accident film; ALEX HEFFES finds the musical voice for Nelson Mandela in LONG WALK TO FREEDOM; ROLFE KENT scores LABOR DAY, the new Jason Reitman movie; a detailed analysis of JOHN BARRY’S FROM RUSSIA WITH LOVE; an audio interview DEBBIE WISEMAN, discussing her latest work including the BBC’s THE WHALE; the TORN PAGES column takes a look at five rejected scores for TV; reality TV music moguls Jeff Lippencott and Mark T. Williams tackle every show from THE APPRENTICE to SHARK TANK to THE BIGGEST LOSER; a Composer’s Corner review of STORMDRUM 3; Cary Wong's MEMO TO THE ACADEMY MUSIC BRANCH; more embedded audio clips, and more.
 
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Film Score Monthly Online
Outside the Box
Appreciating Simple Things: Jan A. P. and Joanna
John Debney’s Disappearing Act
Mixing It Up with Dennis Sands
A Zur Thing
Gold Rush: Striking It Rich With the Classics
Score Restore: The Taking of Pelham 1-2-3
Wong's Turn: Classical Corner 2014
Ear of the Month Contest
Torn Pages: Trust Me
Today in Film Score History:
September 23
Bernard Herrmann records his score for The Alfred Hitchcock Hour episode “The Life Work of Juan Diaz” (1964)
Clifford Vaughan born (1893)
Craig Safan records his score for the Amazing Stories episode "The Main Attraction" (1985)
Dave Grusin begins recording his score to The Yakuza (1974)
David Raksin begins recording his score for The Magnificent Yankee (1950)
Gino Paoli born (1934)
Lionel Newman begins recording his score for North to Alaska (1960)
Malcolm Arnold died (2006)
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© 2014 Film Score Monthly. All Rights Reserved.