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The September edition of FSM ONLINE is now live. In this issue, the cover story is an interview with BEAR MCCREARY on Joss Whedon’s upcoming return to television, AGENTS OF S.H.I.E.L.D. Also in this issue are a detailed look at the N.Y. PHILHARMONIC’s current week-long ART OF THE SCORE film music event, including an interview with the world-famous ALEC BALDWIN, who spearheads the concert campaign; a chat with NATHAN JOHNSON, who discusses his eclectic work on Joseph Gordon-Levitt’s directorial debut DON JON; an audio interview with CHRISTOPHER GORDON, who scores the Naomi Watts/Robin Wright film ADORE; a GORDON-themed SCORE RESTORE; LORNE BALFE talks about his work on the new SALINGER documentary; the new film music-based documentary feature CHASING NOTES nears completion; JOHN SWIHART relives 10 seasons of HOW I MET YOUR MOTHER and moves on to WE ARE MEN; an audio interview with orchestrator and Tiomkin archivist PATRICK RUSS; a multi-faceted TORN PAGES; more embedded audio clips, and more.


And don't forget to check out the new ePub and PDF versions of FSMO to take with you on the go!


Subscribers, you’ll get notification by email shortly. Or, just go here to log in. For those who want to join FSM ONLINE, go here, click on the “Subscribe” link and follow the instructions. And email us if you have any questions.

Sincerely,
Your Friends at FSM ONLINE

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Today in Film Score History:
March 27
Charlie Chaplin et al win score Oscar for Limelight (1973)
Dave Pollecutt born (1942)
Dudley Moore died (2002)
Ferde Grofe born (1892)
Hans Zimmer wins his first Oscar, for The Lion King score (1995)
Jerry Goldsmith begins recording his score for Gremlins (1984)
Jerry Goldsmith begins recording his score to Star Trek V: The Final Frontier (1989)
Jerry Goldsmith begins recording his score to Winter Kill (1974)
John Williams begins recording his score for SpaceCamp (1986)
Lalo Schifrin begins recording his score for Coogan’s Bluff (1968)
Recording sessions begin for Nathan Barr's score to Hostel Part II (2007)
Tony Banks born (1950)
Victor Young wins posthumous Best Score Oscar for Around the World in 80 Days (1957)
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© 2017 Film Score Monthly. All Rights Reserved.