Film Score Monthly
Screen Archives Entertainment 250 Golden and Silver Age Classics on CD from 1996-2013! Exclusive distribution by SCREEN ARCHIVES ENTERTAINMENT.
Wild Bunch, The King Kong: The Deluxe Edition (2CD) Body Heat Friends of Eddie Coyle/Three Days of the Condor, The It's Alive Ben-Hur Nightwatch/Killer by Night Gremlins Space Children/The Colossus of New York, The
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
LOG IN
Forgot Login?
Register
Search Archives
Film Score Friday
Latest Edition
Previous Edition
Archive Edition
The Aisle Seat
Latest Edition
Previous Edition
Archive Edition
View Mode
Regular | Headlines
All times are PT (Pacific Time), U.S.A.
Site Map
Visits since
February 5, 2001:
14916936
© 2018 Film Score Monthly.
All Rights Reserved.
Return to Articles

The 100-degree September edition of FSM ONLINE is now live. In this issue’s cover story, NATHAN JOHNSON uses found objects to tackle the music for the Bruce Willis/Joseph Gordon-Levitt “realistic sci-fi” vehicle LOOPER. Also in this issue are an interview with MARCO BELTRAMI, who scores the Clint Eastwood starrer TROUBLE WITH THE CURVE; an audio interview with DIRK BROSSÉ on his score for the new BBC/HBO five-part series PARADE’S END; the first installment of TORN PAGES, Gergely Hubai's new series of rejected score stories that themselves went unused in his recent book TORN MUSIC; MARCELO ZARVOS discusses his work on the Bradley Cooper plagiarism drama THE WORDS; COMPOSER’S CORNER reviews the new BERLIN WOODWINDS sample collection; ANTON SANKO jumps from Mormons in BIG LOVE to a Jewish demon in THE POSSESSION; CHRISTIAN HENSON scores the Irish horror-comedy GRABBERS; WONG’S TURN is still angry about the state of soundtrack collecting; more embedded audio clips, and more.
 
Subscribers, you’ll get notification by email shortly. Or, just go here to log in. For those who want to join FSM ONLINE, go here, click on the “Subscribe” link and follow the instructions. And email us if you have any questions.
 
Sincerely,
 
Your Friends at FSM ONLINE

Return to Articles Author Profile
Comments (1):Log in or register to post your own comments
Realistic sci-fi? Looper is just Timecop if remade by an design student.

Film Score Monthly Online
Remembrances of Johann Johannsson
Film Music at the Sundance Film Festival
Black Panther: Rhythms of Wakanda
A Night with Cliff Martinez
Talking to the Animals
Aliens Ate His Film Score
Ear of the Month Contest: Valentine Edition, Vol. 2
Wong's Turn: Almost Every Score You Just Nominated for an Oscar Was Wrong
Today in Film Score History:
February 23
Alfred Newman and Bernard Herrmann begin recording their score for The Egyptian (1954)
Allan Gray born (1904)
David Buttolph begins recording his score for The Horse Soldiers (1959)
Erich Wolfgang Korngold wins Original Score Oscar for The Adventures of Robin Hood, the first year the award goes to the composer instead of the head of the studio's music department; Alfred Newman wins Score Oscar for Alexander's Ragtime Band (1939)
Jerry Fielding begins recording his score for Hunters Are for Killing (1970)
Lorne Balfe born (1976)
Rachel Elkind born (1939)
Richard Markowitz records his score for the Mission: Impossible episode “Live Bait” (1969)
Ron Jones records his score for the Star Trek: The Next Generation episode "The Offspring" (1990)
FSMO Featured Video
Video Archive • Audio Archive
Podcasts
© 2018 Film Score Monthly. All Rights Reserved.