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THE CINCINNATI KID: LALO SCHIFRIN SCORES VOL. 1 (1964-1968) PROPHECY ISLANDS IN THE STREAM BLACK SUNDAY NORTHWEST PASSAGE: CLASSIC WESTERN SCORES FROM MGM VOL. 2 BULLITT MIKLOS ROZSA TREASURY (2000 EDITION) THE FIVE MAN ARMY (THE 5 MAN ARMY) JEREMIAH JOHNSON
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I paid good money to see The Burbs in the theater. When it was over, I wanted my money back. And my time.

The Burbs came out the year after Big. It was THE NEXT TOM HANKS MOVIE (I think Punchline was the next movie production-wise, but it got held back. I saw it at a preview sometime after The Burbs. At least this is how I remember it 2 decades later.) Anyway, anticipation ran high for The Burbs due to the charm of both Hanks and the movie Big. Plus it had Carrie Fisher in it, always a boon to big Star Wars nerds like me.

(By the way, does anyone else recall in 1988-89ish when Starlog printed a story titled something like "Is Star Wars Fandom Dead?")

Anyway, expectations were high. But The Burbs fell flat. Labored and unfunny, I remember little about the film except that i was bitterly disappointed.

I knew nothing about the Varese Sarabande Soundtrack Club (original incarnation) until after it died, so the initial release of the soundtrack completely passed me by. I eventually heard the End Titles on the Varese 25th Anniversary set and it didn't really strike me as anything extraordinary. It has a pleasant enough tune, with a goofy Patton pastiche and then the "hilarious" whistle stuff at the very end. in short, it didn't make me want to fork over the big bucks for the out of print club cd.

Then the expanded edition came out.

I ordered it, caught in a wave of Jerry-mania. My expectations were again high. Here was music that fetched a high dollar on the resale market, so it had to be good, right?

Lesson learned. Sometimes a CD is scarce for a good reason.

This score left me flat, just like the movie, It's Jerry in his mickey-mousing comedy mode, which is hardly Jerry at his best. Goldsmith and comedy generally never went well together. And this movie, which strove to be both weird and funny, didn't even benefit from a fabled "Jerry scored the ideal movie in his head rather than the crappy movie in reality" boost. It's just as labored and unfunny as the film it accompanied. Really, the End Titles neatly sums up the entire score. Everything you'd ever really want from The Burbs is contained in that suite.

So if you're one of those just now getting into Jerry and kicking yourself for missing the now sold-out deluxe edition, don't worry. You're not missing anything. It's just another bottle cap in my collection and one I rarely dig out.

 

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I never got the expanded CD but I had the same reaction to the movie and for the most part, the score. Although the guy in the supporting role with Hanks seemed game, and you would think Bruce Dern and Brother Theodore would have meant comedy gold, I don't recall chuckling once during this movie. The one thing I'd say about the score is the music that leads into the end title is really beautiful and might have made a nice contribution to another movie. At any rate, comedy is the most subjective genre of all and I know there are plenty of people on the board who treasure the memory of all the belly laughs they got from The 'burbs but all I can remember is the pain...

I saw The Burbs at the cinema. I didn't get the original Varese CD but I did buy the expanded one. Tis okay but not high on the list of a classic at all.

I have said before but for those who missed it, Jerry's comedy scores sounded like someone who tried to tell a joke but got the punchline wrong or forgot the joke halfway through or got the joke back to front and said the punchline before the rest of the joke. A bit like a woman! :rolleyes: Maybe it was his feminine side coming out!

Just the opposite for me. One of my absolute favorite funny flicks of all time that I never tire of watching. I still laugh watching it today just as much as I did 21(!) years ago when it first came out. I'll never forget being treated to this as a special sneak preview about a month or so before its regular release and absolutely loving every minute of it.

I never had the score until the expanded edition came out, but I snapped it up instantly and loved it. My second favorite Goldsmith/Dante collaboration, right behind Innerspace.

It's a terrible film, but my favorite "silly" Jerry score

I guess I'm in the minority here. I love both the score AND the film. I think they're a lot of fun.

I desperately wanted to like THE BURBS, but I just couldn't embrace it, even when I tried a second time a few years later. Absolutely love the score, especially the end title music, but I just can't get through the movie again (though I did like Bruce Dern in it, but I like him in anything).

I desperately wanted to like THE BURBS, but I just couldn't embrace it, even when I tried a second time a few years later. Absolutely love the score, especially the end title music, but I just can't get through the movie again (though I did like Bruce Dern in it, but I like him in anything).

I like Dern best in Silent Running.

THE 'BURBS is one of the greatest films of all-time.

The 'burbs is probably the only Goldsmith comedy score I really like. I don't count other Dante films as they are generally more genre films with comedic elements. I actually like the movie quite a bit now despite the fact that some of it was improvised during the writer's strike leaving it flat for many. And frankly any movie with Brother Theodore gets my approval!

Neil, you aren't disbarred, but are getting close to it. Watch your step young man! ;)

Love the score but have forgotten the movie. I do remember though that Hanks looked very tired and detached for the most part, like he was trying to give that aloof, Bill Murray sort of performance but without the timing and charm.

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