I felt the score very effective for the most post, a bit too much sound design at times. Very effective, hell yes. Oscar material, nope ( although it was much, much more effective than the award winning The Social Network - another electronic / sound design score ).
Easy to see why some would detest the score, but, for the film, a good choice.
This was the worst score I heard in a film last year
yeah, whatever you say.
And now for a GRAVITY de luxe edition!!!
I agree with the Quoted poster, as a score I think it's pretty meh. As an exercise in sound design, it's very effective. Till I recently listened to it on Spotify I though the scoring in Gravity was actually quite limited. I thought it was mostly the work of the sound editors, and not a composer.