 |
|
|
|
|
|
|
|
|
|
|
It took me quite some time to warm to Eflman's efforts not because I dislike him (I own a ton of his scores) or that he didn't write a theme (he did, several actually) but his heavy handed approach (choir, big orchestra) just seemed wrong for this character. I think Horner missed the boat on this too.
For me this guy nailed Spidey's sound perfectly.
http://www.youtube.com/watch?v=ZEG17yTgJrg&list=PL8EF87BC08B2CB79C
then again, it also has sentimental charm but listen to how much mileage he gets out of that 3 note motif. LOVE IT! Someone please release this.
|
|
|
|
|
|
Blah no thank you! If Tyler had been chosen that would have been better...but Zimmer's music, sounds like Man Of Steel all over again.
Doesn't sound anything like MOS. Nowhere near the same intervallic relationships in the melody. If anything it uses pandiatonicism a la Aaron Copland's Fanfare for the Common Man. Not the worst thing I could imagine for a modern super hero.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Oooohhh! I like what I hear. Horns! Bring on the horns!!!
From VI Control Index and Hans himself
..And Yes, the snippet on the website is mine. Arturo Sandoval, Johnny Marr, Andy Page and myself...Just a demo (!) not mixed or anything. Comes from the experiment pile...
-H-
|
|
|
|
|
|
|
|
|
|
|
 |
Posted: |
Jan 20, 2014 - 1:45 AM
|
|
|
|
By: |
Machionic
(Member)
|
From recent interview with Steve Jablonsky:
That's a good question. There was actually...I don't know if I'm supposed to say this but whatever, nobody told me not to. I did get a call months and months ago about the next SPIDER-MAN and that Marc [Webb], the director, was interested. He liked my work and that was terrific. I was all excited. I've never done a superhero movie and I know there are a lot of them out there, but it would be a great one to do.
I literally woke up the next morning, sat up in bed and went, "Oh my God, I have Transformers 4 to do," right on top of each other. I called my agent and all I said was, "Transformers 4", and he said, "All right." We had to call Sony and said, "We're sorry." They were very respectful, "We don't want to interfere with your relationship with Michael".
I was sad, but I do have to stick with Michael. They were two huge projects and they would be the same exact schedule and it would be impossible to do both, to do a good job on both if I was trying to do them at the same time.
|
|
|
|
|
|
|
From Horner to Jablonsky?
Webb must have been forced and blackmailed.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First clip from the film including what I gather is Zimmer's score...
The film as a whole looks dreadful... hard to say much about the score from this clip, but it's certainly a different sound from Zimmer.
https://www.youtube.com/watch?v=32G6S6osKsM&feature=player_embedded
Chris
I disagree - I think it looks great, and the snippet of the score intrigues me.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
