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I played the LLL version the other night and had the same reaction as Basil. The main title is much improved. And it's nice to have to old LP version remastered. My only initial reservation is the cue "He'll Cross It" -- I remember the timpani on the Intrada version simply blew me away; the LLL version seems a bit more tame. But I'll have to A/B the two properly to confirm.
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That's all well and good, but are the FILM tracks sonically better than the Intrada release??????? I ask this because I actually e-mailed Doug and told him that the job he did on remaastering the score was jaw-dropping... sounding as though it was recorded digitially! I just want to know if I should QUADRUPLE-dip for this! Thoughts?!
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My only initial reservation is the cue "He'll Cross It" -- I remember the timpani on the Intrada version simply blew me away; the LLL version seems a bit more tame. But I'll have to A/B the two properly to confirm. Yes, the timpani is more powerful on the Intrada. However, on the same track, listen to the guitar at 1:24 to 1:32: nice and clear on the LLL - barely audible on the Intrada. Something I wish BOTH releases had got right: the track “Maria’s Theme (Demo)” is relegated to the bonus tracks, but it is not a demo, it’s actual score for the scene where James Stewart talks to Raquel Welch on the balcony.
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bump
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BUMP AGAIN!!!!
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And bump a THIRD time....ANYONE?
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bump
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That's all well and good, but are the FILM tracks sonically better than the Intrada release??????? I ask this because I actually e-mailed Doug and told him that the job he did on remaastering the score was jaw-dropping... sounding as though it was recorded digitially! I just want to know if I should QUADRUPLE-dip for this! Thoughts?! Hi Jim. Are the FILM tracks sonically better than the Intrada release? I don't know. Interesting question though. Over to the experts. Great score anyway. Love the LLL.
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Something I wish BOTH releases had got right: the track “Maria’s Theme (Demo)” is relegated to the bonus tracks, but it is not a demo, it’s actual score for the scene where James Stewart talks to Raquel Welch on the balcony. Interesting. So where should it appear in the track order of the main program? Between "The Imposter" and "Procession To The Gallows."
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That's all well and good, but are the FILM tracks sonically better than the Intrada release??????? I ask this because I actually e-mailed Doug and told him that the job he did on remaastering the score was jaw-dropping... sounding as though it was recorded digitially! I just want to know if I should QUADRUPLE-dip for this! Thoughts?!
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