|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I imagine it will have that 'modern groove' that runs through his AVATAR and KARATE KID scores. That's no bad thing btw.
|
|
|
|
|
I worship at Horner's altar and actually nurture a fleeting hope for a return of some of the wonder from his earlier scores. The Super Hero genre has so disappointed me of late so I hope he delivers. All the best!
|
|
|
|
|
|
|
|
Danny Elfman's Spider-Man was one of the first score themes I consciously realized I was a fan of, so it's been one of my favorite themes for a decade now (wow...yeah, a decade since Spider-Man). But, I'm still totally open and excited to hear what Horner comes up with. I hope it'll be melodic and lush! This is wonderful, especially considering the considerable debate that occurred upon release about whether or not there actually was a "theme" in Elfman's score. I believe it was Ford Thaxton (forgive me if I'm wrong, not trying to slander anyone, just trying to remember old threads) who dared anyone to phone him up and whistle the theme to him, so convinced was he that there was not a theme. Anyway, I always liked Elfman's Spiderman music, theme or no. And, as always, I am eager to find out how Horner adapts his danger motif into this new score. P.S. I am seriously not trying to start an anti-Horner thread. Horner is great at what he does.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Once again, compared to what passes as a theme in 2012, Spider-man DOES sound like Batman.
|
|
|
|
|
I wonder if the score to Battleship will sound like Star Wars in 2022.
|
|
|
|
|
|
|
|
|
|