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 Posted:   Mar 17, 2011 - 4:11 PM   
 By:   Solaariz   (Member)

Hi I'm a first time poster here but looking to see what approach you all would suggest Giacchino take for for the super 8 score.
I made a YouTube video with some tracks that I think would be fitting. Also I made a video on why I think Super 8 is an important film. Check them out if you like and let me know what you think!

super 8 score

http://www.youtube.com/watch?v=wHzTO9HD6lM&feature=youtube_gdata_player

Why the world needs Super 8 : updated video

http://www.youtube.com/watch?v=6JBuMBBFENA&feature=youtube_gdata_player

 
 
 Posted:   Mar 17, 2011 - 5:52 PM   
 By:   nxbusby   (Member)

Hi I'm a first time poster here but looking to see what approach you all would suggest Giacchino take for for the super 8 score.
I made a YouTube video with some tracks that I think would be fitting. Also I made a video on why I think Super 8 is an important film. Check um out if you like and let me know what you think!

super 8 score

http://www.youtube.com/watch?v=wHzTO9HD6lM&feature=youtube_gdata_player

Why the world needs Super 8

http://www.youtube.com/watch?v=p3NlPsj4Gko&feature=youtube_gdata_player



Well said. And well done. Super 8 is by far the most anticipated score of the year for me. Even higher than War Horse. I think of the quieter passages of Lost, the Barryesque strings, combined with the magic of E.T. and thats all it takes. As for JJ....I love almost all his projects (Not Undercovers. That was terrible), and hope this is a big hit for him. Especially since its the only original film this summer. Automatic points.

 
 Posted:   Mar 18, 2011 - 8:09 AM   
 By:   William Stromberg   (Member)


It was quite an honor that you started your video off with my music and to have it included with all that great Williams stuff. Yes, I was definitely going for that 70s Williams sound when I composed it.wink

This is exactly the kind of film we need now and the style I would like to compose more than any other.

 
 
 Posted:   Mar 18, 2011 - 8:28 AM   
 By:   TownerFan   (Member)

While it's inevitable there will be more than a nod to Williams' 80s style in this score, I sincerely hope Giacchino will be let free to do his own true thing and write it following his (very good) dramatic instinct while reacting to story and characters, more than following the inevitable instructions of a Williams-heavy temp track impossible to replicate. Considering how much Abrams trusts his composer, this shouldn't be a problem, but I hope Giacchino will be given almost carte blanche to do his own thing.

 
 
 Posted:   Mar 18, 2011 - 8:46 AM   
 By:   Musicman416   (Member)

Mr. Stromberg, what is that music by you at the start? I loved it, and was racking my brain trying to figure out what it could be. Kudos!

 
 Posted:   Mar 18, 2011 - 8:48 AM   
 By:   mastadge   (Member)

It's from TRINITY AND BEYOND, I think.

 
 Posted:   Mar 18, 2011 - 8:53 AM   
 By:   random guy   (Member)

ordered it from amazon. can't wait to hear the whole thing. Stromberg should be scoring more movies man

 
 
 Posted:   Mar 18, 2011 - 9:07 AM   
 By:   Thor   (Member)

I'm rather indifferent to the score, as I'm not a big Giacchino fan in the first place.

However, I AM excited about the film. Abrams and Spielberg. Aliens and kids. Awe and wonder. Amblin logo back in place. It seems like a throwback to the films I loved as a kid, growing up in the 80's.

 
 Posted:   Mar 18, 2011 - 9:38 AM   
 By:   DavidCoscina   (Member)

ordered it from amazon. can't wait to hear the whole thing. Stromberg should be scoring more movies man

I totally agree. It's alarming to really think about the last overtly theme driven score, at least in the manner 90% of films were scored like from the '30s through to say the late '90s. Nowadays everything is short little passages, motives, or rhythm cells that don't see much development. I'm really hoping Giacchino goes back to his early days for this one. I was listening to the Incredibles the other day and marvelled at how well thought-out that score was. Regardless of the inspiration, he did a wonderful job taking those principle themes and developed them throughout which is really the sign of a composer and not a glorified song-writer. The best composers think like architects and as such, their music has so much more resonance and meaning when listened to in or away from the picture.

From the look of it, Super8 needs a score like this. And while I'm not the biggest Giacchino advocate any longer, I do have the utmost confidence that he CAN tackle a score like this especially when he delivered a very subtle but effective, well thought out score to Let Me In. I just hope he uses some of those vintage Williams' suspension chords in the horns (and inverted). I love that sound. It takes me back to my childhood.

 
 
 Posted:   Mar 18, 2011 - 1:51 PM   
 By:   Solaariz   (Member)

Well first off I appreciate the great response to this post!
Mr. Stromberg , it's an honor and honestly I never expected for any of my videos to cross your path! Thank you for not making me remove it! I'm a huge fan and my wife didn't believe me when I told her about your response. In fact a friend of mine in NY is the first one that introduced me to 'Trinity' about 4 years ago. It's actually been my favorite recording for a while! Your style of composing is a breath of fresh air, organic, in a world where scores are more electronic and processed like canned fruit. And it's clear that you draw inspiration from not only Williams and Goldsmith but Antonín Dvorák and naturally Gustav Holst . Trinity is a true hidden Gem and IMO one of the better recordings for a documentary that I've heard. I hope somehow my video will serve as positive publicity for your work! I'd love to see what you'd do for a major film with the London Symphony Orchestra! Musicman416/Random guy - you should be very satisfied, it's a delightful listening experience! MaurizioCaschetto im confident that Abrams has enough faith in Gia to allow him creative freedom. That's actually why the E.T. score was so effective, John was given such freedom and Steven edited the film around John's score! My only problem with Giacchino is he has the tendency to accept every project put before him. I hope he can devote enough time to each one and has not spread himself too thin! Nxbusby - yes Super 8 is my most anticipated score this year followed by the two Williams scores for War horse and Tin Tin. Giacchino has definitely got " something" but I'm still waiting for him to prove that he has "IT" ! And I think this is such an opportunity!

 
 
 Posted:   May 13, 2011 - 6:17 PM   
 By:   Hercule Platini   (Member)

It's coming from Varese:


SUPER 8

Music Composed by
Michael Giacchino
(Up, Star Trek, Cars 2)

In the summer of 1979, a group of friends in a small Ohio town witness a catastrophic train crash while making a super 8 movie and soon suspect that it was not an accident. Shortly after, unusual disappearances and inexplicable events begin to take place in town, and the local Deputy tries to uncover the truth — something more terrifying than any of them could have imagined.

Destined to be one of the biggest blockbusters of the summer, SUPER 8 is written and directed by J.J. Abrams (Lost, Star Trek, Mission Impossible III) and produced by Steven Spielberg.

Composer Michael Giacchino — an Academy Award winner for his score for Up — reunites with director J.J. Abrams for an extraordinary adventure that musically returns to the wonders of childhood in what may be Giacchino’s best score yet.

Paramount Pictures will open Super 8 nationwide on June 10.

Varese Sarabande Catalog # 302 067 101 2
Release Date: 06/28/11

 
 Posted:   May 29, 2011 - 3:40 PM   
 By:   spielboy   (Member)

music on the official site:

http://www.super8-movie.com/#/gallery

sounds very nice.

 
 Posted:   May 29, 2011 - 3:48 PM   
 By:   LeHah   (Member)

Giacchino is at his best doing Williams type scores.

 
 Posted:   May 29, 2011 - 3:56 PM   
 By:   Smokey McBongwater   (Member)

Ooooo, that sounded wonderful - very Williamsesque...I eagerly await this score!

 
 Posted:   May 29, 2011 - 4:38 PM   
 By:   Col. Flagg   (Member)

Sounds great - a bit like Williams and Horner mated, so to speak. wink

 
 Posted:   May 29, 2011 - 4:46 PM   
 By:   mastadge   (Member)

I hate it. No theme I can hum, and the MV influence is undeniable. I can tell without even listening. Music sucks these days.

 
 Posted:   May 29, 2011 - 4:47 PM   
 By:   drivingmissdaisy   (Member)

I'm really liking the music as well.

Agree, it's similar to James and John.

 
 Posted:   May 29, 2011 - 4:50 PM   
 By:   Maestro   (Member)

Wow, well all I can say is, this just met my expectations and then some with that theme alone. It's excellent, I love it already. I'm extremely picky with my themes and that grabbed me within three seconds of hearing it.

That theme... I just cannot stop listening to the clip that's there. It hits all the right notes.

 
 Posted:   May 29, 2011 - 4:53 PM   
 By:   random guy   (Member)

a live action score from Michael G that I might love. can't wait to hear the whole thing, especially the theme in an action scene if there is one. a large brass section blasting the theme would be sweet

 
 Posted:   May 29, 2011 - 4:56 PM   
 By:   Smokey McBongwater   (Member)

Wow, well all I can say is, this just met my expectations and then some with that theme alone. It's excellent, I love it already. I'm extremely picky with my themes and that grabbed me within three seconds of hearing it.

That theme... I just cannot stop listening to the clip that's there. It hits all the right notes.


Indeed, I listened to it for like 10 minutes straight and have since bookmarked the page. Put me in the mood for some 80's Williams so now I'm listening to E.T.

 
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