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Posted: |
Feb 27, 2011 - 7:50 PM
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By: |
Michael2
(Member)
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Quoting "The King's Speech"...
Fuck. Fuck! Fuck, fuck, fuck and fuck! Fuck, fuck and bugger! Bugger, bugger, buggerty buggerty buggerty, fuck, fuck, arse! Balls, balls! Fuckity, shit, shit, fuck and willy. Willy, shit and fuck and... tits.
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This category is always a disappointment. Most members of the Academy don't know a thing about music or scoring for motion pictures. No surprise this year.
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Well...whatever...
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Here's my article:
Trent Reznor and Atticus Ross win Oscar for Best Music (Original Score) http://exm.nr/dUy1hG
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If you are unhappy about this, just ask yourself a simple question: How many other scores that did NOT win do you enjoy listening to?
Does the award really matter in ones ability to enjoy music?
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Posted: |
Feb 27, 2011 - 7:58 PM
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By: |
vwing
(Member)
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Of all the nominees, it was the score that EASILY had the biggest positive impact on the actual film. King's Speech was very nice wallpaper that had classical pieces for its two most climactic scenes, 127 Hours was propulsive and unique but not memorable. How to Train Your Dragon was the best music, but it was for a movie that really hasn't gotten much play and wasn't as upfront a score as Social Network. Inception was as up front, but I think was actually too overbearing, and the non-atmospheric music (which voters probably wouldn't notice anyway) was pretty standard Zimmer.
Social Network is not the most complicated music, but I can't for the life of me understand the vitriol people have for it. It works like absolute gangbusters in the film, and is essential in creating the soundscape that helps separate the film from a typical angsty teen film, or a typical biopic, or a typical anything, really.
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