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I started listening to this again the other day and what was initially an average outing (IMO) for Mr. Goldsmith when I first heard it back in 1993 has become a much more impressive effort. Even though this is after his vow to streamline his sound, I really enjoy the writing, including the synth stuff. The love theme is gorgeous and while it has some harmonic similarities to John Barry's style, Goldsmith's resolutions and modulations are more akin to his own style. Fantastic score.
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Fabulous score.Am listening to it right now. One of Jerry's best!!
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This is an amazing coincidence. I was just listening to this score yesterday! After listening to Outland so much and in expectation of The Edge (which finally just came), I wanted a change of pace but still be listening to Jerry, so I picked this score out as I had loaded it onto my iPod on a whim. I'm so glad that I did, because it's great fun. This score is yet another tribute to Goldsmith's versatility. I mean, the first time you heard this score, had you any idea what to expect? I remember a story, perhaps apocryphal, in which there Sean Connery met Jerry Goldsmith whilst working on The Russia House and expressed admiration for the ponytail, and that his hair style in this film was a direct result of that. I'm not sure I believe it, but Connery sure does look like he's sporting our boy's mane in this movie. I have to say that the movie itself is often maligned for its preachiness, but I enjoyed the colorful location photography and the eccentric relationship of the two leads. Not a brilliant film, but an entertaining one.
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was John Barry's score dumped from this project and they decided to only keep his love theme?
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The track, THE TREES is by far one of Jerry's BEST cues. THIS is the kind of film music I love, just soaring and beautiful. Melodies you just get swept away with.
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