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 Posted:   Sep 18, 2009 - 6:37 PM   
 By:   Howard L   (Member)

Many of us have our film score roots in varying degrees of film musical earth. Now this one isn't a musical, per se, so much as a comedy with musical numbers. The point is that the instrumental intro to this number with wordless chorus carrying the melody, and the same chorus carrying the vocal at its end, coupled with the visuals...well, for me, this is what it's all about.

Oh, and Dick Foran's no slouch, either.

Cheers.

 
 
 Posted:   Sep 18, 2009 - 7:06 PM   
 By:   shureman   (Member)

One of the more memorable songs from an A & C flick !

 
 
 Posted:   Sep 19, 2009 - 9:52 AM   
 By:   Preston Neal Jones   (Member)

Hans Salter told me it was the biggest hit from ANY Universal picture of that period. Consequently, whenever a scene in a Universal movie called for source music from a jukebox or a dance band, it was almost inevitable that the tune being played would be "I'll Remember April." Johnny Williams was still using it often when he scored dramas for the early-sixties "Alcoa Premiere" series.

 
 Posted:   Sep 22, 2009 - 7:01 PM   
 By:   Ray Faiola   (Member)

Foran's I'LL REMEMBER APRIL is an outstanding performance. I have studio disc recordings of all the songs from the picture, including the deleted COW COW BOOGIE. But the picture's biggest hit for me is Anne Gwynne. Since I was a very wee shaver. Hubba Hubba!!

 
 
 Posted:   Sep 22, 2009 - 8:53 PM   
 By:   Howard L   (Member)

She really was a beaut. Interesting how, for me, she looks like an early Kim Cattrall {I'm thinking of Tribute}. Anyway, I check this scene out every night before turning in.

Good night!

 
 Posted:   Sep 22, 2009 - 10:07 PM   
 By:   Sigerson Holmes   (Member)

For the useless trivia fans:

Anne Gwynne, seen here as the evil "Sonja" is "Flash Gordon Conquers the Universe" . . .



Happens to be the grandmother of . . .



Can't make this stuff up, folks.

 
 Posted:   Sep 22, 2009 - 10:16 PM   
 By:   Steve Johnson   (Member)

For the useless trivia fans:

Anne Gwynne, seen here as the evil "Sonja" is "Flash Gordon Conquers the Universe" . . .



Happens to be the grandmother of . . .



Can't make this stuff up, folks.




Dig that dude's crazy spazz age helmut! Boy, that must have looked tough back in the day! big grin

And to look at that uniform, he must have reported to Napoleon.


And didn't eat right- get a load of that fattish oaf.

Lord, I personally thank you that the "STYLES OF THE FUTURE"
have NEVER become the STYLES OF THE FUTURE.

 
 
 Posted:   Sep 22, 2009 - 11:28 PM   
 By:   Preston Neal Jones   (Member)

There's a book I must get some day, THE FUTURE THAT NEVER WAS, full of art deco era illustrations, magazine covers and movie stills.

***

Ray,

Were those RIDE 'EM COWBOY songs ever made available commercially? I was lucky enough once to stumble across a CD, now one of the prizes of my library, of Ink Spots air checks and rarities, including their used and un-used Universal pre-recordings for PARDON MY SARONG. "Shout, Brother, Shout" never fails to lift my spirits.

(I don't suppose you also have Foran singing, in a Warners picture, "My Little Buckaroo"?)

 
 Posted:   Sep 23, 2009 - 5:47 AM   
 By:   Ray Faiola   (Member)

Unfortunately, no, Preston.

As for PARDON MY SARONG, I can't believe "Vingo Jingo" was never published as sheet music! "Take some native cava, add volcanic heat; mix it up with lava...set it to a tom-tom beat!"

 
 
 Posted:   Sep 23, 2009 - 9:16 AM   
 By:   Lester Sullivan   (Member)

The sheer quality of the musical numbers in "Ride'Em" is amazing. What a dude ranch! According to IMDb, they even had Ella Fitzgerald singing her "A-Tisket, A-Tasket." Just don't make 'em like that anymore.

 
 
 Posted:   Sep 23, 2009 - 9:21 AM   
 By:   Howard L   (Member)

Ella was such a peach as Ruby...

 
 Posted:   Sep 23, 2009 - 10:20 AM   
 By:   Ray Faiola   (Member)

By the way, if you watch the TRAILER to RIDE 'EM COWBOY, you'll see and hear Ella sing the minor key bridge in "A-Tisket, A-Tasket". The 78rpm Universal disc is the complete recording including this part.

And, I've posted this before but since we're talking RIDE 'EM COWBOY...

http://chelsearialtostudios.com/wake_up_jacob.mp3

 
 
 Posted:   Sep 25, 2009 - 7:40 PM   
 By:   Howard L   (Member)

Here's your trailer:



I just finished watching Buck Privates on the projector screen. Including the last weekend, I have also seen Ride 'Em Cowboy, In the Navy and Keep 'Em Flying. On deck: Hold That Ghost.

 
 
 Posted:   Sep 25, 2009 - 10:51 PM   
 By:   Preston Neal Jones   (Member)

ANOTHER ERA DEPT.:

I noticed a big "S" sign posted in back of Ella on the bus. Wonder what it signifies? Probably "Sensational Sepia Songstress."

 
 
 Posted:   Sep 29, 2009 - 11:34 AM   
 By:   Howard L   (Member)

Oh that Joan Davis was hysterical.
Great Salter score. Recognized a bit or two that would later be inserted into Who Done It?.

 
 
 Posted:   Sep 25, 2016 - 11:59 AM   
 By:   Howard L   (Member)

On the FRANKENSTEIN MEETS THE WOLFMAN thread, Howard L said...

Oh and while you're here just want y'all to know I've branched out in the Universal Pictures run and watched It Ain't Hay and Here Come The Coeds to add some levity to the heavy Frankenstein Legacy proceedings. Will go to another existing thread for elaboration.

...to which Preston Neal Jones replied...

Howard, have you ever seen THE STRANGE AFFAIR OF UNCLE HARRY? In this period piece, when George Sanders and Ella Raines attend a school basketball game, the ladies' uniforms are leftovers from HERE COME THE CO-EDS.

...and then Ray Faiola added...

And Preston, how about Fairchild's outstanding score to LITTLE GIANT? He and Milton Rosen both hit home runs that year (Rosen with THE TIME OF THEIR LIVES).

to which PNJ responded...

LITTLE GIANT happens to be one of those A & C movies I've seen the least, but next time I catch it I'll remember your commendation and pay particular attention to the score. In fact, thanks to you, I'll also give a listen next time to Rosen's TIME OF THEIR LIVES music. I've seen it any number of times, but don't remember much of anything about the score.

...and so it goes on HERE (I hope).



 
 
 Posted:   Sep 25, 2016 - 12:32 PM   
 By:   Howard L   (Member)

IAH and HCTCs are without a doubt a pair of lightweights that only A&C fans can enjoy, and I loved 'em both. Impossible scripts (scripts? yeesh) and strangely placed musical numbers that are nonetheless charming in their own WWII swing shift era way. The latter had a couple of female chorus numbers that especially pulled me in. And what can you say, there's Lon Chaney! And Peggy Ryan helped Lou to find out 'how Donald O' Connor felt'!

And oh I loved Little Giant as a kid. Was moved to tears at the end when the camera pulled back from behind Mary Gordon (I shoud say the unforgettable Mary "Hans, are y'all rrrright?!" Gordon) as she reached for Benny. Oustanding score all right.

The Time Of Their Lives. Oh, wow. Made a compilation tape over twenty years ago that included Horatio waving good-bye to Melody, he hears Nora, the screen gets all glittery...aand to that WONDERFUL music. The wordless chorus! Again, as a kid it did me in. It does me in now just thinking about it. Binnie Barnes. Gale Sondergaard. "Didn't I see you in Rebecca?" LOL I can recite practically every line.

 
 
 Posted:   Sep 28, 2016 - 7:04 PM   
 By:   Howard L   (Member)

OK just watched In Society. Brought me back to high school days when a friend said he was accepted to Susquehanna University. My brother beat me to it: "You mean the Susquehanna Hat Company on Bagel Street?!" That routine always killed us.

Again, this one had wonderful musical interludes, too. And Marion Hutton was Betty's older sister. Well whaddayaknow.

 
 
 Posted:   Jan 20, 2018 - 7:44 PM   
 By:   Howard L   (Member)

Last week I watched In Cold Blood on TCM and took note of the detective played by James Flavin. I've always enjoyed Flavin performances in film and TV. So here I am a week later after having seen A&C Meet...Boris Karloff for the first [and likely only] time and there's Mr. Flavin playing a detective/inspector. It was great seeing him pretty much playing it straight as a foil for Lou and I don't recall ever seeing him with as much screen time as in this one.

Something else that hit me right away is that most of the scoring was from A&C Meet Frankenstein from what, a year or so earlier. I can only assume that credited composer Milton Schwarzwald is either a Skinner pseudonym or something...?

 
 Posted:   Jan 20, 2018 - 9:13 PM   
 By:   Ray Faiola   (Member)

Last week I watched In Cold Blood on TCM and took note of the detective played by James Flavin. I've always enjoyed Flavin performances in film and TV. So here I am a week later after having seen A&C Meet...Boris Karloff for the first [and likely only] time and there's Mr. Flavin playing a detective/inspector. It was great seeing him pretty much playing it straight as a foil for Lou and I don't recall ever seeing him with as much screen time as in this one.

Something else that hit me right away is that most of the scoring was from A&C Meet Frankenstein from what, a year or so earlier. I can only assume that credited composer Milton Schwarzwald is either a Skinner pseudonym or something...?


No, Milton Schwarzwald was musical director at Universal. He received music credit since KILLER was scored by committee. Most of the score was reworked cues from A&C MEET FRANKY but also included music from WHO DONE IT, BUCK PRIVATES COME HOME, FEUDIN' FUSSIN' AND A-FIGHTIN' and others. When Schwarzwald died suddenly in 1950 his former NuAtlas/Mentone partner Joe Gershenson took over as studio musical director (he was already on staff as a producer).

Did someone mention that James Flavin and Eddie Dunn were the two railyard dicks in RIDE 'EM COWBOY?

 
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