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Watched this film recently and was impressed greatly by Michel Colombier's score. Has it ever been released? This would be an ideal FSM project.
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A TERRIFIC little movie. Catnip to we SF buffs. This was a UNIVERSAL picture. I'm glad you enjoy the score, but you'll never hear it away from the film.
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I recorded some of this from TV in 70s. can someone jog my memory, was the score/theme electronic noises? I had this theme on the same tape as The Groundstar Conspiracy and always had to check which was which on the list. Music was probably nothing like each other. Forbin was Joseph Sargeant wasnt it?
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Opening with Michel Colombier´s music: http://www.youtube.com/watch?v=kQjebwUrhvc&feature=related cheers MD. Good theme. Better than I remember. Certainly computer noises over the theme and teleprinter typing noises for the credits. I like it though. Can see why the rest of you are raving about it.
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'I am the voice of Colossus, the voice of world control...'
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Nothing interesting to report here - just that I saw this film at a tender age, and I thought it was greeeaaat, and I absolutely loved the score. I still remembered little motifs after all those years, confirmed right now by re-watching the Titles on the U-Bend.
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I'm still waiting for Universal to release this in widescreen. The current DVD is a catastrophe. The English region 2 DVD is in widescreen (2.35:1).
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As the song goes: "They don't make 'em like they used to". Oh and it has that 1970's water tube sound. The archetypal 70's sound. D.S. Part of the "computers-buildings" that you see during the main titles are recycled in a pilot of "The Six Million Dollar Man".
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Stefan, are you talking about CYBORG, with a score by Gil Mellé? If so, are those sounds incorporated into the score ("behind" the music, as it were), or are they separate entities? As you know, Mellé often used those kind of sounds as part of his own compositions, so I'd be interested to know how much of that score is pure Mellé and how much is from the library. And even if you're talking about some of the later "full-length semi-pilots" with scores by Oliver Nelson and Stu Phillips, well, the same question goes. By the way, sorry to be a bore, but I have on cassette, the 90-minute "Solid Gold Kidnapping" taped direct from the TV from the mid to late 70s, and it DOES have a Gil Mellé score, although, as you know, I've also heard it with an Oliver Nelson score, which is the one absolutely everybody in the entire universe has heard. I'll ask again - what the hell is the story behind that? Veering off-topic - the beauty of Message Board threads!
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Part of the "computers-buildings" that you see during the main titles are recycled in a pilot of "The Six Million Dollar Man". It's the first pilot entitled "Wine, Women and War" Music by Stu Phillips. PS: "The Six Million Dollar Man" movie made for television — that you call "Cyborg" — was part of the ABC Movie of the Week.
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Part of the "computers-buildings" that you see during the main titles are recycled in a pilot of "The Six Million Dollar Man". It's the first pilot entitled "Wine, Women and War" Music by Stu Phillips. PS: "The Six Million Dollar Man" movie made for television — that you call "Cyborg" — was part of the ABC Movie of the Week. I remember well watching it as a high schooler in about 1974.
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