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I was just perusing the Intrada forum and one of the posters on there said he had a chance to speak with Julie Taymor and asked her if Goldenthal was not able to provide music for her future films, who would she go with. apparently, she liked Greenwood's score to There Will be Blood and would use him. Cool. I do hope Greenwood continues to get film scoring assignments. His style probably only appeals to the art-house crowd but it would be interesting to hear his approach on various projects in the future.
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Great!!! Two thumbs up!!
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Future Market's was the music used in the trailer and that was the piece that also got my attention. It is so rare that a film trailer uses the music that is from the film any more so that was a pleasant surprise to find said piece on the score. I also like the more somber string/piano writing along with Greenwood's use of the e-bow which gives a glassy, sustained sound to the guitar. It blends well with the strings. It's my favorite score from last year. Easily. In fact, I cannot recall any other really interesting scores from 2007. I should look back at FSM to see what came out...
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In fact, I cannot recall any other really interesting scores from 2007. I should look back at FSM to see what came out... There was also: Youth without Youth, Lust Caution, L'Ennemi Intime, Assassination of Jesse James by the Coward Robert Ford, Angel, The Golden Compass, Zodiac - all fairly solid works.
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In fact, I cannot recall any other really interesting scores from 2007. I should look back at FSM to see what came out... There was also: Youth without Youth, Lust Caution, L'Ennemi Intime, Assassination of Jesse James by the Coward Robert Ford, Angel, The Golden Compass, Zodiac - all fairly solid works. Yes, I did like the Desplat but none of them made the same impression on me the way There Will be Blood did.
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Not even Youth without Youth?
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