Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 
 Posted:   Jan 19, 2008 - 1:49 AM   
 By:   JSWalsh   (Member)

The original POTA was in a class by itself--the sequels seem to belong together, separate from the original. Possibly this has to do with Paul Dehn's contributions to all the sequel scripts.

The original movie was mainstream SF in the Serling mode--SF for people who don't like SF, but like the window dressing for morality plays.

BTPOTA and the sequels are essentially B-pictures compared to the big budget A-pic original. The ideas are more out-there and weird, without the cover of the original's satiric tone.

BENEATH is the sequel I most enjoy because of the underground scenes. I think the series took a bizarre turn when it brought in the mutants. A writer once suggested it was best to only use one fantastic idea per SF story, because if you added another the whole became just too much to take. It's a lot easier to swallow a post-apocalyptic world run by apes than it is a post-apocalyptic world run by apes which also includes telepathic radiation-scarred mutants who worship an A-bomb.

Any thoughts on the first Apes sequel?

 
 Posted:   Jan 19, 2008 - 2:06 AM   
 By:   Eric Paddon   (Member)

Concept wise it's the most interesting of the sequels as it goes off the first film directly with most of the familiar elements. But I hate, hate, HATE the ending. To give us that kind of a downer ending that also by extension negates everything else that makes the first movie great is not my idea of a good film.

Artistic wise, there isn't anything good about the ending. The only reason it got stuck in after *not* being in any script draft (the worst that was supposed to happen was just the Mutant colony being wiped out by the bomb with Taylor and Nova surviving to start anew somewhere else) was because Charlton Heston so resented the fact that he'd been forced to do the film (his journal is replete with a lot of resentment over it) as a favor to Zanuck, that he sold the idea on Zanuck of having the world destroyed only so that he knew that would guarantee he wouldn't be pressured into doing another sequel.

Ted Post, the director wasn't happy over the script change. And James Franciscus also dissed it years later in an interview. And much as I might be prone to agree with a lot of what Heston has to say, on this one, he was flat out wrong.

 
 
 Posted:   Jan 19, 2008 - 2:28 AM   
 By:   JSWalsh   (Member)

The ending is very much of the bitter, downer 70's trend that masks cynicism as "adult realism".

I think it works in a way, but it does make the whole film a downer--putting aside that the bomb ends everything, we see Heston, Franciscus AND the character Nova gunned down. Sheesh!

I think an ending like the one you mention would have worked--blow up the underground, and basically leave Taylor and Nova with nowhere to go--the mutants didn't like 'em, the apes hated 'em--so they go off and try to start a life alone. Not sweetly sentimental, but not the end of the world (literally) either.

 
 Posted:   Jan 19, 2008 - 3:39 AM   
 By:   Stefan Miklos   (Member)



Any thoughts on the first Apes sequel?



The main difference between the first two films lies in the film-making and the production values. Keep in mind that BENEATH is directed and look like a television movie: see the old-fashioned processes. By contrast, Ted Post's formatted input is cheap unlike Franklin J. Schaffner's grandeur.
BENEATH has less money and you can see it: remember the bad makeup of the apes agitators in the background.
BENEATH also reflects the sociology of the era in a blunt way.
And finally, as stated above, the easy and nihilistic outcome that doesn't allow to expand the fate of the characters.
Picture if you will Taylor, Brent and Nova surviving the ordeal...

 
 
 Posted:   Jan 19, 2008 - 3:54 AM   
 By:   JSWalsh   (Member)

I'm not the world's biggest Schaffner fan, but Ted Post isn't my idea of a visual director.

 
 
 Posted:   Jan 19, 2008 - 7:02 AM   
 By:   MikeP   (Member)

It's a fun cheap B picture. Looks and sounds cheap ( no fan of the score either, sorry). But that said, it's a lot of goofy fun. Heston and Franciscus emote enough for 3 films, Linda Harrison is delicious, James Gregory is OUTSTANDING as the gorilla warmonger. Yep the ending is pure 70's downer material but as a kid I gobbled it up, and hey, it's followed by the big downer ending of Escape From...


 
 
 Posted:   Jan 19, 2008 - 12:52 PM   
 By:   Bill R. Myers   (Member)

It does have more of a Saturday-matinee feeling to it than the first film, and the ending is stupidly rushed, but the pure insanity of the Mass for the Bomb (one of the most stupefying scenes from a major studio film I can recall) and the intelligent script make it worth watching. I like all of the movies except for "Battle."

 
 Posted:   Jan 20, 2008 - 10:14 PM   
 By:   Scott McOldsmith   (Member)

As much as I've always loved the Apes films, this one in particular, too many things are wrong with it, things that could have been fixed with a rewrite and a change of perspective.

1. Brent is on a ship looking for Taylor. Why? They never expected Taylor and his crew to come back, so why mount a rescue mission? Why not just make Brent's ship part of the same mission?

2. Where the hell did Taylor keep his dogtags all that time? In his ass?

3. I always found it amazing that the mutants could make such realistic, lifelike and perfect latex masks.

4. The Alpha Omega Bomb. One single bomb can destroy the entire planet in seconds? Putting aside that's just totally ridiculous, why the hell would anyone want to make something like that? Who gains?

5. The ending. What's the point of destroying the world, story-wise? I can understand Heston not wanting to come back, but why not play it out the same, but have Brent escape? Tone down the A/O bomb so it is a small nuclear device which obliterates the mutants and the ape army. Then Brent, the last remaining intelligent and articulate human, can return to Ape City and, with Cornelius and Zira, work toward a peaceful future. Killing Taylor, Zaius, Nova and Ursus should be shocking and depressing enough. Pun intended, the finale as is, is overkill.

Yet, with all that, I like it? If for no other reason that it being the only other movie in the same world as the first. But even as a kid I noticed Taylor put on 20 pounds and got a shitload uglier between discovering the statue of Liberty and the end of the credits.

 
 Posted:   Jan 20, 2008 - 10:33 PM   
 By:   Eric Paddon   (Member)

To me, what's amazing is that with all the violent death by gunfire that happens in this movie *and* the end of the world finish, this movie still managed to get a "G" rating for 1970!

 
 
 Posted:   Jan 20, 2008 - 10:40 PM   
 By:   JSWalsh   (Member)

Yeah, the ending bloodbath was a surprise for me, especially the way Franciscus gets it. Blech!

 
 
 Posted:   Jan 20, 2008 - 11:07 PM   
 By:   Zooba   (Member)

I liked the film visually. It had some epic shots such as the massive apes Crucifixion sequence.

It's funny but after seeing James Franciscus playing blind in LONGSTREET, everything I would see of him, even before that series, I would think he looked blind. Thought Franciscus got a lucky break by getting to ride straddling Nova on that horse. I always thought he and Heston were gonna accidentely pop out of their skimpy loin clothes. Remember that great shot of Heston's hairy ass we were treated to in PLANET OF THE APES? Yeeeech.

I liked James Gregory as General Ursus and seeing him and Dr. Zaius in full body Ape fur, nude in the Sauna scene was a hoot.

I knew that was not Roddy Mcdowall playing Cornelius but felt the actor replacing him did a pretty good job filling the ape sandals.

The color looked great and when I first saw this as a kid, the Mutants with the veiny faces really creeped me out. Loved the Choir of Vein Heads singing in the cathedral with Organ.

Linda Harrison as Nova also gave a young ol' Zoob a pleasant boner.

Rosenman's score seemed to recall atmospheric elements of Goldsmith's yet being pretty Original itself. It was good and fit.

It's a fun Popcorn film.

I feel like watching it now. Must dig out my APES Collection.

Zoob

 
 
 Posted:   Jan 20, 2008 - 11:12 PM   
 By:   JSWalsh   (Member)

When these were shown on CBS in the 70's I recall seeing all of them EXCEPT BENEATH. I bought the widescreen VHS for a couple of bucks the other night and it got me thinking about an excellent article in, I think, Film Comment about the whole series, and if anyone has access to it they should check it out. Very thought-provoking.

BENEATH has that air about it of many studio SF films of the later 60's up till about LOGAN'S RUN--SF made by people who don't really know much about SF.

 
 Posted:   Jan 21, 2008 - 3:06 AM   
 By:   Misanthropic Tendencies   (Member)

As a youngster I was disturbed by the ending. I think the film holds up well for me and the score gives that 'time out of mind' vibe that Jerry's first Apes score did. In fact, that vibe did permeate all the five original scores and the TV series, not so much the animated series.

I think the bleakness of the ending sits well with 70s cinema.

As regards the post above mine saying filmed SF written by people who didn't know SF up until Logan's Run, that goes on even more so today.

 
 
 Posted:   Jan 21, 2008 - 3:18 AM   
 By:   JSWalsh   (Member)


As regards the post above mine saying filmed SF written by people who didn't know SF up until Logan's Run, that goes on even more so today.


I don't get the sense that any of the people making SF today read books at all, let alone SF books.

There are so many worthy SF novels which would make amazing movies.

 
 Posted:   Jan 21, 2008 - 5:29 AM   
 By:   Misanthropic Tendencies   (Member)

I don't get the sense that any of the people making SF today read books at all, let alone SF books.

There are so many worthy SF novels which would make amazing movies.


True. However, when was the last time you saw an SF novel adapted well for the screen? It nearly always ends up being totally different (but still good) or totally juvenile or unshophisticated. I think 9/10, an adaptation of a book loses something in the translation.

Although it's not SF, I think that Tom Stoppard's screenplay for The Russia House was superior to the book. That's rare, IMO.

I think this is deserving of a separate thread, this was about BTPOTA! Partially my fault...

 
 
 Posted:   Jan 21, 2008 - 5:36 AM   
 By:   JSWalsh   (Member)

Well, to bring it back to the topic... The original POTA is very different from the book, and the sequel Boulle proposed was not used.

I look forward to your thread on that topic!

 
 Posted:   Jan 21, 2008 - 5:48 AM   
 By:   Misanthropic Tendencies   (Member)

Well, to bring it back to the topic... The original POTA is very different from the book, and the sequel Boulle proposed was not used.

I look forward to your thread on that topic!


You are correct, the original POTA is completely different. Burton's remake, for all its many faults and just plain boring-ness, it did introduce the element from Boulle, that the POTA was actually an alien planet, then upon the protagonist's return to Earth, he finds it's become like the alien planet, with Apes ruling things.

Oh and new thread introduced!

 
 
 Posted:   Jan 21, 2008 - 5:51 AM   
 By:   JSWalsh   (Member)

If I recall my beaten paperback of POTA, the original book had apes in jackets and ties and using high tech. Burton's seems closer to the original film than to the book, and that's why the final "BIG SHOCK!!!" is really lame--it jars you out of the film and makes you think "Wha...?" and did nothing to top the original's ending, which of course is an invention for the movie.

 
 Posted:   Jan 21, 2008 - 5:56 AM   
 By:   Misanthropic Tendencies   (Member)

If I recall my beaten paperback of POTA, the original book had apes in jackets and ties and using high tech. Burton's seems closer to the original film than to the book, and that's why the final "BIG SHOCK!!!" is really lame--it jars you out of the film and makes you think "Wha...?" and did nothing to top the original's ending, which of course is an invention for the movie.

The animated series did stick to Boulle's novel, with vehicles and more modern environment, whilst retaining elements of the five films and TV series.

 
 
 Posted:   Jan 21, 2008 - 11:18 AM   
 By:   Thor   (Member)

As much as I've always loved the Apes films, this one in particular, too many things are wrong with it, things that could have been fixed with a rewrite and a change of perspective.

Indeed. More inconsistencies in this thread of mine:

http://www.filmscoremonthly.com/board/posts.cfm?threadID=2383&forumID=1&archive=1

 
You must log in or register to post.
  Go to page:    
© 2024 Film Score Monthly. All Rights Reserved.
Website maintained and powered by Veraprise and Matrimont.