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What a beautiful score this is! This was my first Waxman cd back in 1994. The orchestrations are so vivid and colorful. Reminds me of stepping into a lush garden. I guess the main point of this post is that I made a recent discovery regarding the Prologue. The Label X cd release has some distortion at the very beginning of the track. I guess it's "mag wow". So I recently bought RCA's Film Music of Franz Waxman/The Film Composers Series, Vol. 3. (for a very reasonable $12)...and much to my surprise, they used a different source and the Prologue is distortion-free. So I'm happy now. Is there much more music in the film? I haven't seen it. Anyone else enjoy this seldomly discussed gem?
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Don't forget the 15min suite Elmer Bernstein conducted for the RCA 100 Years of Film Music series ("Sayonara"). What is this Nick? I'm not familiar. Was it released on CD? Thanks!
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In a series of newly recorded film music released by BMG Germany ( and not released here) Elmer did an album of Waxman music which included a suite from ADVENTURES ( that also shoved in one piece from Spirit of St.Louis). the performance isnt all that good and does not include unreleased music. Actually, Joe, it didn't have any music from SPIRIT; I did a thread on this cd last March. It contains music from TARAS BULBA, A PLACE IN THE SUN, SAYONARA and ADVENTURES OF A YOUNG MAN.
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I was always impressed by the entire score -- one of my very favorite Waxmans. What makes the DT Blues impressionistic, of course, is not only Williams' playing but Waxman's eerie orchestration behind a purposely off-key piano.
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I haven't seen the film for many years, Thor, unfortunately. If memory serves, the theme was written for the Dan Dailey character, the guy who goes from town to town promoting the carnival. I think the music -- and possibly the whole scene it accompanied -- was cut from the finished film. In which case, thank God for the RCA LP.
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terrific score . right up there with his PEYTON PLACE. just wish there was more, but still there is plenty of beautiful cues on the cd.
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