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Its widely known that the masters are located..
The last expanded editions didnt have enough budget to release this score expanded...
Any possibility in the future? Ok, its the only weak 007/Barry score... but its a Barry and deserves an expanded release...
Thanks
NP: JOHN BARRY´s NIGHT GAMES
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Ok, its the only weak 007/Barry score... but its a Barry and deserves an expanded release...
Thanks
NP: JOHN BARRY´s NIGHT GAMES
Say what?!
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Of all the 007 Barry scores to expand, this one sure ain't it. It's my least favorite of his Bond scores, and it's attached to the worst film of the bunch. So sez me.
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Of all the 007 Barry scores to expand, this one sure ain't it. It's my least favorite of his Bond scores, and it's attached to the worst film of the bunch. So sez me.
IMHO, there are worse 007 movies than TMWTGG
(A view to a Kill, for example, a stupid movie, IMHO)
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.. quite a bit of source music unreleased as well as score such as Nick Nack's comical theme.
Yeah, until I have that and the circus music from MOONRAKER, my life will not be complete.
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Odd little footnote here. I was still living with my parents in December of 1974 after graduating from High School May of the same year. I was on the threshhold of attending UTA (University of Texas at Arlington) when this movie was released and on my 'What do you want for Christmas list" I mentioned the OST lp for TMWTGG. I got it. I played it Christmas morning. I remember thinking, "This ain't right". The silly slide whistle thing was a harbinger that I wasn't going to be witnessing Jimmy Bond's finest hour. Some buddies of mine and I had planned to go see it that Christmas afternoon. Well...I remember walking out of the theater saying, "Phoo-yuk"?
I realized then that Barry's best Bond score days were behind him.
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I've always had a soft spot for GOLDEN GUN; I've always felt it's vastly better than SPY, both as a film and as a score. In all honesty it is one of Barry's weaker entries, but I'd sooner to hear it than THUNDERBALL, which I've never liked at all. His Bonds got better over the years, and while I think the very best are OHMSS and DIAMONDS, the late period Roger Moore ones are still pretty fine. (A VIEW TO A KILL has always been a favourite.)
LIVE AND LET DIE is my favourite non-Barry Bond score, and none of the others come close; Kamen's entry is damn good but it doesn't feel like a Bond score (any more than Bill Conti's does). And Arnold's sort of getting there, but not yet.
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Gotta love those Haband styled bell bottomed slacks Moore wears as Bond in the film.
(Is it just me, or has Christopher Lee actually aged better than Roger Moore?)
Nope. The Living Dead have a tendency to do that.
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