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After his enjoyable (if Horner derivative) score from The Dish and his light/breezy score to Wide Awake (for Shyamalan, no less) and also The Castle (rescore),I figured he'd snag a few rom-coms before climbing the ladder to whatever genre he got type-cast in by Hollywood. But he seems to have disappeared off the radar. Anyone got any updates ?
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Edmund and I exchanged brief correspondance just after Christmas last year: he said (and I quote) "Yes, the career has been in a bit of a 'stall', BUT...I am still in the game and am ever hopeful that more work will come my way soon. And, as always, I remind myself that I am a human 'being'...not a human 'doing'. How's THAT for positive, eh?" I guess he's just one of the multitude of talented composers who want to work, but can't get it.
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I guess if the whole film scoring thing doesn't work out he could always fall back on a career shilling his own self-motivation tapes.
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Thanks Jon, nice to know he hasn't given up yet (or worse, joined Media Ventures!!)
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That would certainly be nice, if he can't afford JNH (or if there are schedule conflicts). Choi is very talented and I hope he gets a chance to develop his voice further. Yavar
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I was a fan of this score, but haven't given it a spin in years. I'll have to dig it out.
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