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Posted: |
Feb 4, 2001 - 11:43 PM
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By: |
SjONGBIrD
(Member)
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...a pretty neat 'homage' to Herrmann I'd say!
And I know others have said as much - but, I just tonight caught up with the film. Enjoyed it much more than anticipated. But it was ALAN SILVESTRI's score that meshed perfectly (again) with Zemeckis' visuals.
Not since John Williams beautifully echoed Herrmann for DePalma on THE FURY have I tripped out on Herrmannesqueness.
Now - where the hell is the COMPLETE score for PREDATOR?!?
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Hey Sjong, try Napster, I downloaded 34
tracks, and I think that's pretty much the
complete score, unless someone begs to
differ.---GIJoe
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What Lies Beneath is the ONLY score I know that has working "shock effects", which make me jump in the air when I hear them.  http://www.filmscoremonthly.com/board/wink.gif">It works very well in the film, and the film works very well, too, despite the plot which doesn't seem to know which direction to go (mystery? horror? thriller? horror? mystery?)
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GIJoe: Every time I've gone to Napster, all I see are the same "legit" tracks posted for download. Could you tell me where and how you found the extras? i LOVE this score...own the Varese release and would LOVe to hear more. Email me if you could please. Thanks.Joe
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GIJoe: Every time I've gone to Napster, all I see are the same "legit" tracks posted for download. Could you tell me where and how you found the extras? i LOVE this score...own the Varese release and would LOVe to hear more. Email me if you could please. Thanks.Joe
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Posted: |
Feb 6, 2001 - 2:15 AM
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By: |
Romy
(Member)
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I really didn't enjoy all the shock "GONG"s every time something potentially scary happened. That personally ruined some of the movie. However the cue at the end where she runs out to the truck is awesome ROMY
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Hm. For me, the score actually "made" a major part of the movie.
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