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 Posted:   Aug 18, 2018 - 2:18 PM   
 By:   Morricone   (Member)

Actually it looks like the director Audiard had Desplat go the more modern YOUNG GUNS approach to this western.

 
 
 Posted:   Aug 20, 2018 - 4:26 PM   
 By:   roy phillippe   (Member)

Yikes. Always amazes me how trailers cut for American audiences (and I'm an American) force everything to look broad and comedic. I always seek out foreign trailers and I'm always amazed at how different, and how much better, they are. Here's a French trailer (still in English, just with French subs) for the film:

http://cineuropa.org/en/video/354909/


Interesting choice of music here. The song "Feeling Good" is by Leslie Bricusse and Anthony Newley from their 1964 musical "The Roar Of The Greasepaint-The Smell of The Crowd".

 
 
 Posted:   Sep 10, 2018 - 8:39 AM   
 By:   joan hue   (Member)

Here is the first review I have found about this movie. It is a decent review. Unfortunately, it does not acknowledge the score. Perhaps some of you can find another review that mentions the score.


https://www.rogerebert.com/reviews/the-sisters-brothers-2018

 
 
 Posted:   Sep 10, 2018 - 1:39 PM   
 By:   Kirkinson   (Member)

“Composer Alexandre Desplat does some of his best work here; it’s challenging for any film scorer to summon the spirit of the West without aping Elmer Bernstein or Ennio Morricone, but his grasp of the material never wavers into pastiche.”
https://www.thewrap.com/the-sisters-brothers-film-review-john-c-reilly-joaquin-phoenix-jake-gyllenhaal-riz-ahmed/

“Regular collaborator Alexandre Desplat, who has scored most of Audiard’s films, continues his streak. It’s unclear if Desplat is capable of writing a mediocre score and his stirring, faintly melancholy music (with some subtle nods to Spaghetti Westerns), does a lot of subconscious work, sowing the seeds of sentiment for when the movie becomes disarmingly emotional in the last act.”
https://theplaylist.net/sisters-brothers-venice-review-20180902/

Indiewire’s review also briefly describes the score as “jangly,” which I’m guessing means...steel guitars? Banjos?

EDIT: I also saw this on letterboxd:

“Alexandre Desplat’s score, which starts the film as a rawhide hoot, also becomes more modern and droney as it goes on; as the story and the countryside evolves, so do the notes.”

And this, with another good candidate for what makes the score “jangly”:

“Deeply enjoyable with some tricky but well-executed tonal shifts. Never seen a cymbalom in a Western before.”

 
 
 Posted:   Sep 10, 2018 - 1:55 PM   
 By:   Hurdy Gurdy   (Member)

I'm imagining something sounding akin to Beltrami's work on 3-10 To Yuma, Three Burials and The Homesman.
But I could be way off.

 
 
 Posted:   Sep 10, 2018 - 2:33 PM   
 By:   joan hue   (Member)

Thanks for that information, Kirkinson.

Yep, Kev, I think you will be correct.

 
 Posted:   Oct 23, 2018 - 1:09 AM   
 By:   Ray Worley   (Member)

Finally got to see the film...which I LOVED. It's really unique and John C. Reilly is superb. Possible the best thing I've seen him do (not that the other actors aren't great).

The score is not what you would call rousing for sure, but it has some energy in parts and is certainly very effective for the film. It's just not a film that a rousing score would fit. It's very different and I quite liked it.

I've ordered the CD from Music Box Records (for some reason I could not get the Quartet site to let me order anything). I'll be anxious to hear how it plays on its own.

Alexandre Desplat continues to hit things right out of the park as far as I'm concerned. When Williams and Morricone are no longer with us, he will be my #1 favorite living/working film composer.

 
 
 Posted:   Oct 27, 2018 - 8:15 PM   
 By:   joan hue   (Member)

Ray, you and I are almost identical in our tastes, but we differ on this score and movie. I am glad it all worked for you.

I liked Riley, but overall, I didn't really care for this movie. It just didn't resonate with me.

Also, I knew it would not be an Americana, rousing score, but I still expected something better from Desplat. I like a lot of his work. For me the score sounded too modern and really rather dull. I felt he didn't put much energy into most of the score. For me it didn't have any depth.

Still, glad you enjoyed it, and I shall continue to look forward to more westerns,.

 
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